89 resultados para Gêneros Jornalísticos
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Pós-graduação em Ciências Biológicas (Genética) - IBB
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Não disponível
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This work’s main purpose is to research how the scientific speech is outlined on the Revista Língua Portuguesa in statements made by linguists. Statements issued in the previously mentioned magazine have been analyzed. In order to achieve the proposal, the research was based on the following questions: how both the scientific and the scientific divulgation speeches are formed in the magazine, and whether the opinion texts written by scholars and researchers in the linguistic field identify themselves with opinion articles, scientific articles or scientific divulgation texts. Those questions were discussed from the theoretical-methodological bakhtinian perspective, taking the notion of dialogism, the human activity sphere, genres of discourse and style as conceptual elements. It has been detected that there is a complexity in the construction of the genres in the magazine, always taking into account the journalistic and scientific spheres of circulation. The analyzed statements presented themselves as a confluence of many genres’ characteristics, showing a point of view, a scientific subject, a researcher-author and a language adjustment to the magazine reader, making it more accessible. The analysis showed that the discussed statements resemble opinion articles, scientific articles, and reviews, besides being scientific divulgation at the same time
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Este texto pretende analisar o filme de animação Valente, produzido pela Walt Disney Pictures e pela Pixar Animation Studios, em busca de elementos que abordem o tema “gênero” e, assim, utilizá-lo de modo a propor a discussão em sala de aula sobre este mesmo tema, levando em consideração o contexto atual da imagem da mulher e pontos históricos que sejam interessantes ao debate
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Dark Water is the title of the translation of a short story, ―Floating Water‖, from the book Honogurai mizu no soko kara by Koji Suzuki, originally published in Japan, that the Japanese director Hideo Nakata adapted for the cinema and that was remade by the Brazilian director Walter Salles Jr. The objective of this study is to analyse Walter Salles’ film to demonstrate how it resolved the problems of transcreation, whilst at the same time it fulfilled commercial and artistic functions and incorporated the traces of its aesthetic trajectory. In this case, attention is drawn to the types of relationship between literature and cinema, to the metalinguistic function as a generator of poetics and of an interesting dialogue between genres.
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It is unanimous among lexicologists that lexical units present deep marks in the representativeness of cultural and behavioral issues. Thus, some scholars have been proposing methodologies in order to enable the verification, scientifically, of mechanisms to systematize the lexicon within a specific time/space. In this way, it would be possible to promote discussions about its relations with social matters. These lexical contents can be analyzed, for instance, in the publicity having in mind its power of extending the desires of its receiver/customer to the acquisition of products/services since it is a media outlet that provide aids, by means of verbal texts produced by advertising editors, in order to deal with issues of our society, as those related to female and male genders. From all of this, the present article aims at organizing lexical items in market segments, here referred to lexicon-marketing, so as to make possible observation of social behaviors in the universes of both women and men.
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In this article we address the causality conveyed by constructions with porque in compositions written by students from a public school. Our purpose is to compare factors of cognitive and discursive order for examining possible motivations related to the variability and to the complexity involved in causal constructions. The analysis that we propose assumes that porque may have different interpretations depending on the context of use and may indicate the cause of an actual event, or the cause of a belief, or the cause of a speech act. We consider some theses of ontogenetic nature that support that the most cognitively complex meanings appear later, but we hold that there are other issues at stake. In what follows, we present evidence that the emergence of different causal relations with porque also takes place as a result of the operation of discourse genres.
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Este trabalho objetiva estudar o fenômeno da posposição do sujeito com relação ao verbo em distintos tipos e gêneros do jornal: O Araraquarense do início do século XX, e verificar se há alguma diferença entre eles, quanto à posição do sujeito na frase. A escolha de um corpus jornalístico é devida ao fato de seu texto ser muito propício para analisar os processos de implementação de uma possível mudança no português brasileiro; por se tratar de um texto público, o qual atua sobre os elementos da situação sócio-histórica em que está inserido e por sofrer influências dessa situação. Foram analisados dados coletados de artigos de opinião e notas sociais, levando em conta os tipos textuais: descrição, dissertação, injunção e narração (TRAVAGLIA, 2003, p.103). Constatou-se que os tipos (dissertativo e narrativo) foram predominantes nos artigos de opinião, e que somente o tipo narrativo esteve presente nas notas sociais. A posição do sujeito foi analisada em função dos seguintes grupos de fatores: tipo sintático do verbo, tipo morfológico do sujeito, padrão de construção e tipo textual. Como principais resultados, constatou-se: (i) um índice de posposição de 47% em notas sociais e de 19,2% em artigos de opinião; (ii) tipo do verbo (transitivo direto) 21,7% em artigos de opinião e 44,7% em notas sociais; neste mesmo gênero os verbos (inacusativo, bitransitivo, intransitivo e verbo de ligação) apresentaram, respectivamente, 71%, 45%, 37% e 37,9%; (iii) tipo morfológico do sujeito (sintagma nominal) em artigo de opinião 16,5% e 41,4% em notas sociais, 28,2% de (pronome pessoal) em artigo de opinião e 68,3% de (nome próprio) em notas sociais; (iiii) tipo textual (narrativo) 47,6% em notas sociais e em artigo de opinião 18,8% (dissertativo) e 27,8% (injuntivo)
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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In the last decade, pedagogical proposals for language teaching that aimed at developing the students’ literacy have raised an important question regarding the elaboration of language teaching plans concerning the role of grammar. How should we treat the relationship grammar-text in this new perspective? The aim of this paper is to propose a way of integrating text and grammar in an English course plan for Information Technology (IT) students which gives priority to the reading ability. We have based our proposal on concepts from English for Specific Purpose (ESP) by focusing on reading and also on literacy and text gender studies.
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This paper is part of a larger project. The purpose of this paper is to discuss the movie Girl With a Pearl Earring (2003) by Peter Webber using the theoretical perspective of dialogue from the Bakhtin Circle, Medved, Volochinov. The multidisciplinary and interartistic potential of cinema is considered in this paper when the linguistic organization and the translinguistic elements in the corpus are focused on and understood as an example of cinema genre as discussed in the Russian Circle. The study of the ways of incorporation of different genericities by cinema, illustrated by the dialogues between the pictorial genre, the novel and the movies contribute to the recognition of the cinema as a genre that is composed by the incorporation of other genres. The construction of the cinematographic work in analysis will be regarded in its architectonic (form, content and style) and in the activity field in which it circulates.