78 resultados para Trabalhos-projeto


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Conectivity between the hydrologic regimen and the distribution of the vegetation there is already a lot is recognized by several researchers in the works of fluvial ecology. It can be affirmed that the geomorphology of the alluvial plain has an important paper in the constitution of the riparian vegetation. On the proposed study, traverse topographical profiles were elaborated in the island, recognition of the distribution of the vegetation and the zoning geomorphologic presented in profiles for the Mutum Island. It's located in the upper course of the Parana River, between the mouth of the Paranapanema River and the mouth of the Ivinhema River. It elapses of this study the succession of the strata of the riparian vegetation and the relationship with the morphology of the surface, in this case the relief as the main controller abiotic and selective of the species in the environmental. For the whole island it was possible to define three classes: Mutum Upper Unit, Mutum Lower Unit and Paleochannel. The presented discussion is resulted partial of the project called Processes of Conectivity and the Riparian Vegetacion in the high course of the Parana River, PR/MS.

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This text aims to argument about the historic relation between Mário de Andrade's project to Brazilian music (his national sound utopia, as Arnaldo Contier called it) and one of its possible realization with bossa nova. The text presents in general lines the Andradian project, its committed character, its incursions in the problems of popular and erudite and its filiations to the national obsession with formation. It exposes punctually the possible comprehension of bossa nova as a modernist project, suggesting a logicality of continuity in Brazilian musical experience.

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The design and production process of the workshop shed made of bamboo presented in this paper is the result of almost two years of cooperation between Viverde Farmers Association, Universidade Estadual Paulista and Unisol. The system consists of rounded aroeira pillars, a roof structure formed by in natura bamboo frames and metal connections. The development of the parts and connections detailing, through the technical drawing of each component, enabled the development of standardized precision fittings aiming at optimizing the execution and saving time, energy and raw material on the assembly line. In this process, the creation and improvement of templates was necessary in order to facilitate the assembly of parts. The component assembly phases were recorded at the Experimental Laboratory for Bamboo and Wood Processing - UNESP/FEB. The results showed the good performance of the pre-fabrication process of bamboo components.

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This article discusses the controversy surrounding the winning project of the competition organized by the Brazilian Ministry of Foreign Affairs for the Brazilian pavilion at the Expo'92 in Seville, Spain; the views of architecture critics made at the time of the results, and, their implications for Brazilian architecture. At the beginning of the 90s, this competition was a kind of confrontation of ideas, between the architects who were in favour of a renewal of architecture and those who defended the resumption of national architectural traditions, buildings with large spans, constructed in reinforced concrete. These architects were the heirs of the so called Paulista architecture, which was characterised by the work undertaken from the 60's by important architects such as Vilanova Artigas and Paulo Mendes da Rocha. The modern references adopted by the winning project, from the architects Angelo Bucci, Alvaro Puntoni and José Oswaldo Vilela, sparked controversies because of the difficulty of resuming the teachings of the old modern masters when faced with new times. These controversies were related to the end of the military dictatorship in Brazil and the process of opening markets, and by the relevance of a re-evaluation of the so-called Paulista architecture.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Artes - IA

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Pós-graduação em Artes - IA

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Pós-graduação em Artes - IA

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)