59 resultados para Synchronic Imitation


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O objetivo deste artigo é discutir a leitura dos clássicos feita por Haroldo de Campos no poema "A máquina do mundo repensada", de 2000, em particular, e a leitura do cânone que o poeta empreende em sua trajetória, de um modo geral. O que se pretende elucidar é que a recepção dos clássicos por Haroldo de Campos é a base para a construção do seu projeto poético.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Camoens, the great Portuguese epic, was a Lucan’s reader, although it seems forgotten by some critics. Among the ancient writers who have influenced Camoens’ text, the Latin poet Lucan (AD 65) receives a smaller, but not irrelevant attention. This paper presents some allusions to Lucan in Os Lusíadas of Camoens, specially exploiting a long imitation of Pharsalia, II, 585-595.

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This papers deals with theoretical and methodological problems concerning the definition of criteria for the selection of sources for the study of language. Our work discussed the use and the importance of genre in the process of corpora construction as variation search – synchronic and diachronic.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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The present study proposes an initial approach to a comparative study between supporter groups from Brazil (torcidas organizadas) and Argentina (hinchadas). The text presents a thick description that points to similarities and differences, in synchronic and diachronic terms, between both groups of football spectators. The paper focuses on each group's emergence, organizational framings, logics of belonging, and most significant practices and representations. Finally, it illustrates the contributions of this research to the construction of a public sociology of regional sport.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This paper proposes a model of educative content structuring for interactive digital television programs. Its intent was to provide references for collaborative production processes and content organization in learning networks associated with university and educative television broadcasting services. The model defines terms, actors, events, environments, as well as content categories, classes and attributes, indicating criteria for their synchronic or asynchronic association in a dynamic television schedule. The model is presented in both descriptive and visual formats, with the use of conceptual maps. The results indicate that interactive use of digital television in education requires systematic content models covering communitarian participation in both media production and distribution processes, in order to enhance learning instruments beyond vertical, hierarchical and centralized communication sustained by traditional broadcast channels.

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This paper embraces the tapestry, from Cluny Museum: La Dame a la Licorne. There are in two types of analyses: One is a diachronic vew and also a sincrhonic, which guide its pratice. In the tapestry La Dame a la Licorne at the Cluny Museum a reading based over the myths and symbols was the main line. \The first analyses, diachronic covers the temporality of the tapestry production, the second one, synchronic, describes the level of history, religion and myths envolved. This work consists in a process of actualization and an effort to bring closely the discussion over tapestry, using methods applied to non-verbal readings.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Geografia - IGCE