Melodrama em falso e pedagogia social de Capitu, de Luiz Fernando Carvalho: a adaptação de Dom Casmurro para o audiovisual em três lições

Some esthetical particularities of Luiz Fernando Carvalho’s micro-series reveal, in the nineteenth century Brazil, the capacity of the literary and audiovisual discourse to represent some singularities of the Brazilian social life from the past, as well as pointing to existential problems of the class representative that leads the plot, instigating reflections in the present. The treatment offered to the class struggle by the Machadian narrative and by the Rede Globo’s adaptation, just as the way in which the existential drama is expounded, disclose a kind of reception among readers/viewers which is capable of reviewing the historical past in times that ask for such a revision, even though the television series bets on the non-conventional. Machado presented the tension between representation and truth (as well as between emotion production and reflection) with the transfiguration of the tragic pathos and the mobilization of the patriarchal figure to the melodramatic bias. Although increased by the irony orchestrated by the scenic elements, in the audiovisual version such Machadian solutions would be apt to lose their strength to unmask the social subjects; on the other side, the intensification of the melodrama can make evident what Machado disguised with less obvious narrative intentions.

Vagueza e indeterminação na noção de história de Arendt

The purpose of this paper is to present the thought of Hannah Arendt on the historical narrativa, as the reading of theories of cognition and the sign of Peirce. It is not categorial parallelism, but to highlight some approximation in order to conceive the thought and language. For both, communication is important in the formation of your thoughts. While one has broader interests, the other directs its efforts to human society, politics and history. However, both authors agree on the fallible nature o four opinions, and reject the traditional philosophies, advocates of transcendental schemes, which are imposed, silencing the experience, the source o four opinions. The proposal, to seek the experience, the origino f opinions, ou interpretations, excluding transcental rules, but the community is what gives the character of the narrative indeterminacy. They do not escape from the temporal and social factors. Therefore, are subject to what gives them legitimacy, ie, freedom.

Oficina na atenção psicossocial: experimentações com a palavra

The Word Workshop was created in 2004, as an activity of the training period in Psychosocial Care in the Collective Health, a discipline that is part of the curriculum of the Psychology course offered by the State of São Paulo’s University “Júlio de Mesquita Filho”/UNESP, campus of Assis. Initially, it is possible to affirm that the Word Workshop contributes to stimulate the flow of the words through the discussion of tales, short stories, poetry, jokes and news. The Word Workshop is considered an effort towards the guarantee of a space where the users of the mental health care service can share varied experiences and it is also thought as an attempt that can, potentially, bring up the conditions through which some existential meanings may possibly be forked. Such a space-instrument allows the mental health care users to speak about life and their interests rather than to keep focused in symptoms and complains. These ones, by their turn, are expressed through metaphors, unprecedented speech experiences and new sensitivity regimes. The critical analysis of the singular experience of the Word Workshop, that understands the words as agents of social transformation, was conceived with the support of Enrique Pichon-Rivière’s and Paulo Freire’s theories. From this first theoretical reading, it is possible to make an incursion through the scenery of the Psychosocial Care Workshops, paying special attention to their potential and to the risks related to crystallized practices.

A teoria literária de Jean-Paul Sartre em sua produção romanesca

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Diagnóstico hidroambiental para incremento da qualidade ambiental no município de Votorantim, SP

Pós-graduação em Ciências Ambientais - Sorocaba

Moldagens em prótese total

The anatomical and functional impressions philosophies are presented to the professionals who are active in the area, so that they can review concepts and thus obtain more precise molds, based on scientific knowledge. In parallel, impression techniques recommended by the Prosthodontics subject from Araçatuba Dental School – UNESP are also commented.

O abraço do medo: violência e identidade na obra de Lygia Bojunga

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O karatê-do como prática de formação

O Karatê-Do é uma das artes marciais mais conhecidas e praticadas em todo o mundo. Esta arte marcial, nascida na ilha de Okinawa, no Japão, passou por profundas transformações ao longo do tempo até alcançar a configuração que tem hoje em dia, assim como toda a sociedade japonesa. Mais do que uma simples forma de luta, o Karate-Do se tornou um caminho, uma doutrina a ser seguida por seus praticantes, ensinando valores e conceitos para a construção da personalidade de indivíduo da sociedade. Através da esportivização desta arte, assim como ocorreu com o Judô e outras formas de combate, e também através da crescente popularização e exposição das artes marciais no cenário mundial pelos chamados eventos de artes marciais (MMA), os valores e atributos intrínsecos ao Karatê e a outras artes marciais não têm sido transmitidos aos alunos. Os treinos visam apenas golpes e ataques utilizados em competições, supervalorizando a técnica em detrimento as filosofias que são a base do Karatê. O objetivo deste estudo é analisar enquanto prática formadora em seu contexto histórico e cultural o Karatê-Do. Neste sentido, procuraremos explorar as características singulares desta modalidade de arte marcial que contribuem para a formação ética e moral de seus praticantes

Corpo e cultura: um estudo sbre a arte do grupo Dzi Croquettes

Nesta pesquisa apresentamos resultados de nossas análises das concepções de corpo e movimento presentes na experiência do Grupo Dzi Croquettes, Brasil, década de 1970. Ao estudar esta experiência perguntamos o que podemos compreender sobre o funcionamento de dispositivos de poder que operam na captura da capacidade de criação, bem como, o que podemos inventar como formas de resistência no contexto do capitalismo neoliberal. Delimitamos nosso objeto de estudo na experiência artística do Grupo Dzi Croquettes para analisar as implicações entre política e corpo, identificando aí um território estabelecido pelas fronteiras entre o desejo e o poder. Estudamos as relações entre corpo e cultura apoiados na hipótese de que os processos de subjetivação estão implicados, de um modo mais intenso, nos processos educacionais na sociedade contemporânea, e que ambos se produzem na materialidade da cultura. Através da cartografia desenhamos os territórios existenciais emergentes na experiência artística delimitada, em um contexto específico da sociedade brasileira, para ampliarmos nossas reflexões e compreendermos os dispositivos de captura e de controle impostos sobre nós. Apoiamos nossas análises em categorias estabelecidas a partir do pensamento de Nietzsche, bem como das elaborações de Michel Foucault sobre biopolítica e biopoder

Movimentos que permeiam o devir professor de matemática de alguns licenciandos

Pós-graduação em Educação Matemática - IGCE

Melhoria de eficiência de máquinas pela metodologia DMAIC em eventos Kaizen

In a highly competitive and globally integrated market, excellence in production processes has become a survival factor, instead of just a differential point. In this context, companies from various sectors have resorted to philosophies and techniques already established in the literature to improve the efficiency of their production processes. This paper discusses aspects and techniques used to improve the production efficiency of a multinational company that manufactures surgical devices to a global market. Through DMAIC methodology, there were found opportunities to improve machines' efficiency by OEE, an efficiency indicator, in Kaizen Events. A case study was conducted to analyze the methodology and to identify good practices and difficulties along the way

APR e FMEA em trocador de calor de bomba

The modernization of the world made the speed, accuracy and reliability of all existing processes become increasingly necessary. For this evolution to occur every day, the evolution of the equipment was strategic, but not as much as needed. It is necessary for such equipment to ensure its function and, in case of failure, an early diagnosis to prevent loss. Therefore the evolution of maintainability and reliability in equipment is also paramount. Thus, the growth of forms of maintenance was driven by this scenario, forming maintenance philosophies. Among many, there is the RCM, which have its focus on the identification, parameters development and performance preview. One of those methodologies from this idea is the FMEA, process that has been studied and implemented this work, aiming the anticipation of failure modes and guidance for the use of a heat exchanger and a pump. This implementation has the aid of another process of RCM, the PHA, which was also shown and implemented, these results being used to start the FMEA process. The results show the activities with the highest chance of failure, presenting also the measures to be taken to avoid or minimize them. It is shown, in this paper, concern with the valves because they maintain control and system security, and its flaws related to accidents with possible danger to people and the whole system, emphasizing the priority of action