Similaridade ecológica em comunidades de girinos: o papel de componentes históricos (filogenéticos) e contemporâneos (ecológicos)

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Qualidade ambiental urbana em Guararapes - SP

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Momento de aplicação de calcário e gesso em um latossolo vermelho distrófico, no desenvolvimento inicial do milho

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Proposta para o uso e manejo sustentável da bacia hidrográfica do Ribeirão Guaratinguetá, SP

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Sobre a noção de polifonia em Bakthin

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Recursos de presença nas crônicas de Millôr Fernandes

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Seleção de genótipos de guandu para resistência a Macrophomina phaseolina e esporulação do fungo

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O cut-up em Naked Lunch de Willian Burroughs: a narrativa em estilhaços

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Avaliação do crescimento mandibular e desenvolvimento dentário em crianças com má oclusão de Classe II, Divisão 1, naturais e induzidos pelo tratamento ortopédico com o Bionator de Balters

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Vulnerabilidades socioambientais de rios urbanos: bacia hidrográfica do rio Maranguapinho. Região metropolitana de Fortaleza, Ceará

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A arte como resistência na sociedade da informação

Pós-graduação em Psicologia - FCLAS

Dieta e morfologia trófica de espécies do gênero Hypostomus Lacépède, 1803 (Ostariophysi, Loricariidae) no alto curso do Rio Corumbataí-SP

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Wizard CD Plus and ProTaper Universal: analysis of apical transportation using new software

Objective: This study has two aims: 1) to evaluate the apical transportation of the Wizard CD Plus and ProTaper Universal after preparation of simulated root canals; 2) to compare, with Adobe Photoshop, the ability of a new software (Regeemy) in superposing and subtracting images. Material and Methods: Twenty five simulated root canals in acrylic-resin blocks (with 20 degrees curvature) underwent cone beam computed tomography before and after preparation with the rotary systems (70 kVp, 4 mA, 10 s and with the 8x8 cm FoV selection). Canals were prepared up to F2 (ProTaper) and 24.04 (Wizard CD Plus) instruments and the working length was established to 15 mm. The tomographic images were imported into iCAT Vision software and CorelDraw for standardization. The superposition of pre- and post-instrumentation images from both systems was performed using Regeemy and Adobe Photoshop. The apical transportation was measured in millimetres using Image J. Five acrylic resin blocks were used to validate the superposition achieved by the software. Student's t-test for independent samples was used to evaluate the apical transportation achieved by the rotary systems using each software individually. Student's t-test for paired samples was used to compare the ability of each software in superposing and subtracting images from one rotary system per time. Results: The values obtained with Regeemy and Adobe Photoshop were similar to rotary systems (P>0.05). ProTaper Universal and Wizard CD Plus promoted similar apical transportation regardless of the software used for image's superposition and subtraction (P>0.05). Conclusion: Wizard CD Plus and ProTaper Universal promoted little apical transportation. Regeemy consists in a feasible software to superpose and subtract images and appears to be an alternative to Adobe Photoshop.

Dipolo e escoamento uniforme: escoamento em torno de um cilindro circular

The study of movements of ideals fluids is more simple that the viscous fluids because do not have the presence of tension of shear. The normal tensions are the one that must be considered in this analysis. The theory corresponding to these flows is the same used in other fields of the physics called Theory of Potentials Fields, which the vector identity is fundamental. Any flow into irrotational (null vorticity) physically possibly has a current function and a potential of velocity that satisfied the equation of Laplace. Reciprocally, any solution of equation of Laplace represents a current function or a potential of velocity of a flow into physically possible. Once the equation of Laplace is linear, the addiction of any numbers of solutions is also a solution. So, several potentials flows into can be constructed superposing configurations of elementary flows into. The purpose of the superposition of elementary flows into is a production of similar configurations to those of practical interest. The combination of mathematical elegancy with utility in the potential flow into attracted many for its study. Some of the most famous mathematician of history studied the theory and application of “hydrodynamic”, how was called the potential fluid into before 1900

A poesia de Adélia Prado: expressão feminina do cotidiano e do sublime

This work aims to locate Adélia Prado’s poetry in the scenery of the contemporary Brazilian literature in order to comprehend some issues that are part of the manner how the poet constructs her poems and which may elucidate, through the lyric speaker, the relation of her poetry with the historical and cultural moment in which her work is placed. In this sense, the purpose of this study is to analyze Adélia Prado’s poetic construction by emphasizing the female voice of her lyric speaker and the superposition of elements from the semantic fields of the prosaic and the sublime, since we have identified these aspects as basic ones for the development of an interpretation on this poetry. This way, we have tried to comprehend the connection that the poet establishes between the material and the spiritual, the erotic and the religious, the immanent and the transcendent and we have concluded that, for the poet, everything can be subject to poetry. For this work, we used the volume Poesia reunida (1995) for it provides a wider view over Adélia Prado’s poetry