57 resultados para agential realism


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Pós-graduação em Letras - FCLAS

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Trata-se de uma abordagem crítica bastante atual acerca do papel dos intelectuais, em particular dos sociólogos, em sua ampla possibilidade de inserção na realidade social, recorrendo ao conceito de intelectual orgânico de Gramsci que estabelece o vínculo entre o grupo social e seus intelectuais. A autora se coloca frente ao dilema de seu próprio desejo, incontrolável como ela mesma diz, de antever um futuro pleno de sociólogos críticos e atentos às contradições mais fundamentais da contemporaneidade e o realismo da diversidade que inclui o afastamento da perspectiva da maioria trabalhadora e o conseqüente adesismo de oportunidade aos grupos hegemônicos.

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Um grupo de escritores, pensadores, homens públicos – dentre eles, Antero de Quental, Eça de Queirós, Oliveira Martins, Ramalho Ortigão, Teófilo Braga, Guerra Junqueiro, Rafael Bordalo Pinheiro – produziu, por volta da década de 1870, uma agitação na cultura portuguesa. Um produto dessas novas idéias foi o periódico As Farpas, fascículo mensal contendo críticas sobre temas político-culturais portugueses e publicado de maio/1871 a outubro/1872 por Eça de Queirós e Ramalho Ortigão. Alguns desses textos se dirigem ao Brasil, mais especificamente ao imperador D.Pedro II, e apresentam alguns pontos da visão sobre o país por parte desse grupo, conhecido como a Geração de 70.

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Neste ensaio, pretende-se analisar a concepção de Adorno acerca da relação entre teoria e prática com o intuito de explicitar o significado da autonomia da teoria e do intelectual, por ele postulada. Será demonstrado que tal formulação está voltada contra o ativismo dos movimentos estudantis europeus dos anos 60, contra a noção de engajamento e as diretrizes gerais da política cultural comunista, além de se opor à teoria do realismo crítico formulada por Lukács. A autonomia da teoria, como se verá, está ligada à defesa da autonomia estética e as relações existentes entre sujeito-objeto na atividade cognitiva.

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No sempre reconhecido realismo euripidiano se inclui um envolvimento político. É notável o elogio a Atenas, seja a seu passado ilustre, seja a seu papel no mundo grego. Entretanto a guerra a que Atenas se atira e que faz enfraquecer a Grécia é condenada, pois a defesa de Atenas, concretizada na defesa de seu regime político, a democracia, não inclui a defesa do imperialismo ateniense. Assim, acima de Eurípides patriota se ergue o Eurípides humanista, preocupado com as responsabilidades do ser humano, não apenas do cidadão. Eurípides’ acknowledge realism includes a political involvement. The eulogy of Athens is remarkable both regarding her illustrious past and her role in the greek world. The war in which Athens is engaged and which weakens Greece, however, is condemned, for Athens’ defense, made real in the defense of her political regime, democracy, does not include the defense of Athenian imperialism. Thus, Euripides the patriot is excelled by Euripides the humanist, who is more concerned with the responsibilities of the human being, than with those of the citizen’s.

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Digital Elevation Model (DEM) validation is often carried out by comparing the data with a set of ground control points. However, the quality of a DEM can also be considered in terms of shape realism. Beyond visual analysis, it can be verified that physical and statistical properties of the terrestrial relief are fulfilled. This approach is applied to an extract of Topodata, a DEM obtained by resampling the SRTM DEM over the Brazilian territory with a geostatistical approach. Several statistical indicators are computed, and they show that the quality of Topodata in terms of shape rendering is improved with regards to SRTM.

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The approach about the ideas, understood as metal representations, has practically bookmarked the whole Philosophy History, since the ancient Greece to the contemporary period. A lot of interpretations have been given to the meaning and to the nature of the ideas by many schools, among them lots of Realism slopes. This paper aims to present, from a historical and epistemological fragment, some theoretical perpectives, with emphasis in the realistic, nominalist and Cartesian proposals in relation to the formation and nature of the ideas.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This text aims to present a very short review on Machiavelli’s ideas reception concerning his military thought and short reflections on international affairs, as part of what was called realism in the realm of international relations theory. The text deals with much more emphasis the mentioned interpretations in a very concise way within contemporary studies about maquiavelian legacy on contemporary studies in International Relations.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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The characters of O mulato, Casa de pensão and O cortiço, well written books by the writer Aluísio Azevedo, may be considered predominantly flat, for they were built with a single or few features. This kind of character can be even defined by the type, which represents certain dominant features (professional, psychological, cultural, economic, religious, etc.) from the diegetic universe in which the action takes place. This character subcategory is present in certain artistic periods such as Realism and Naturalism, and can be understood as the main character between the individual and the collective, between the concrete and the abstract. Yet, the social space, in the novels of the above mentioned literary movements configures itself, especially in terms of the presence and types of extras: it is about describing environments that illustrate, almost always, in a historical period context of critical intent, vices and deformations of the society, as we can see depicted in the three novels of the author. In turn, the narrative categories that most decisively influence the space representation are the instance (the narrator) and the narrative perspective (focusing). In the case of O mulato, Casa de pensão and O cortiço, the dominance is in choosing the omniscient narrator, who prefers a panoramic view, limited to an exterior and strictly objective description. The survey was developed through readings, literary cataloging and corpus discussions, with a theoretical basis determined by three dimensions: a) critical essays about the author and his works, such as those by Jean-Yves Mérian, Aluísio Azevedo, vida e obra: (1857-1913) and parts of the literature histories which deal with Naturalism, such as those by Alfredo Bosi, História concisa da literatura brasileira, b) theoretical studies about the novel character, such as those by Antonio Candido, A personagem do romance, and the romantic space ...

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Learning to read and write at an early stage is the process of transferring the sound form of the spoken language for the graphical form of writing, a process, a time that in our system of alphabetical called writing, the letters are graphical representations in the level of phoneme. So that this representation occurs, it is necessary that the individual already can of some form perceive and manipulate the different sonorous segments of the word. This capacity of perception directed to the segments of the word calls Phonological Awareness. Thus, it was established had for objective to verify the pertaining to school performance of 1ª to 4ª series with and without of learning in Tests of Phonological Awareness. Fourth children with age average of 9 years and 3 months without learning disabilities had been submitted to the Protocol of Phonological Awareness (CIELO, 2002) using of this instrument had participated of this study 80 pertaining to school of both only the phonological tasks. The data received from quantiqualitative approach whose results were extracted inferences. The statistically significant results occurred in the tasks of Realism Face Detection, Syllables, Detecting Phonemes, Phonemic Synthesis and Reversal Phonemic. Based on the results we observed that children without learning difficulties performed better on all tasks mentioned above

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Between 1894 and 1899 Kate Chopin (1850 – 1904), one of the main exponents of American Realism and Feminism, published seven critical essays in newspapers and journals. To this number, it might be added the sketch ―Confidences‖ and the two first entrances of Impressions, her second diary, totalizing nine texts. These texts unveil a refined critical spirit, an outspoken and edge-cutting style in writing, sometimes sarcastically merciless, and an eager reader, all of them aspects that would be put into practice by the Feminist criticism expressed in the author‘s novels and short stories. To introduce and briefly discuss these essays are the main purposes of this paper.