92 resultados para Pensamento Social
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Pós-graduação em Ciências Sociais - FFC
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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The process of migration of the rural northeast workers toward the cities of the south of Brazil in search of work and better living conditions reached millions of individuals and constituted the basis of our industrialization and modernization, especially since the 1930s. The Cinema has not ignored this vast phenomenon and, as much as the literature put the question in debate, particularly since 1960, when our seventh art was assumed as part of the national intelligence. In this article, we observed three narratives that thematize the escape from rural to urban from the northeastern hinterland: Vidas Secas (1963), by Nelson Pereira dos Santos, Trópicos (BR / ITA, 1967), by Gianni Amico, and O Caminho das Nuvens (2003), by Vicente Amorim. Participants of the politicized cinema, Vidas Secas and Trópicos draw the political impasses of the period in the form of movies and in the aesthetic choices, trying to understand the role of these migrants in Brazilian life. Already in O Caminho das Núvens, performed four decades later, the narrative is assumed as part of the cinema of entertainment, thinking the process of migration as a choice, as stated the form of this artwork of the called cinema of the resumption.
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This article presents a discussion about the fetishism of the intellectual capital, analysing the ideology of knowledge and the need of adaptation of the worker in connection with the restructuring of capital in recent decades. We analyze the emergence of this ideology - through the concepts of knowledge society, information society, intellectual capital, among others - in some authors of the area human resource management, following it presents the critique of this notion based on the analysis of some authors of critical social thought. Finally we position ourselves in order to assert that this is a new version of fetishism in the time of globalization of the capital.
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Como se estivesse tecendo num antigo tear manual, a linha narrativa de El retorno de Eva, da escritora paraguaia Susana Gertopan, vai compondo, com os fios da tradição e da modernidade, memória e história, exílio e retorno, a trajetória de uma jovem mulher em busca de si na condição de cidadã paraguaia e judia. Enquanto a protagonista busca desfazer-se dos diversos nós que a vinculam a uma herança cultural e religiosa que não combina, como ela mesma diz, com o cenário no qual cresce, e nem com a vida moderna de Jerusalém, terra prometida dos seus antepassados para onde emigra, vamos observando a problemática tessitura de sua individualidade entre dois mundos, ambos em crise e transição.
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If cinema is an essentially urban means of expression, the fruit of technique and industry, can a film narrator express in a film’s esthetics a caipira’s « Weltanschauung » (world vision or philosophy) ? We suggest, agreeing with Benjamin – who considers that narrative is the best expression of manual and traditional work’s time– that the story related by the film A proteção de Santo António constitutes a cinematographic narrative which can be classified as caipira. Tenderly called by the audiences Santo António e a vaca, this film was supported by a large part of the population for its making, which allowed to fill in the lack of technical and financial resources. Here, we defend the idea that the visible traces of this work in this particular film, turns it into a real filmic narrative and also into a sincere tribute to caipira culture.
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Pós-graduação em Estudos Literários - FCLAR
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Pós-graduação em Ciências Sociais - FCLAR
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Pós-graduação em Ciências Sociais - FFC
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This study aims at enhancing the understanding of the educational criticism in the beginning of the twentieth century, focusing on the ideas of Lima Barreto. Before the emergence of the "educational professionals", educational thought was developed by publicists and writers involved in a fertile debate, the results of which became visible in literary and journalistic production. Through the analysis of articles, short texts published in the press, novels and short stories written by Lima Barreto, it’s possible to gather a specific concept of education, underlying his criticism and fictional characterization of school education, as well as an interesting sketch of the cultural profile of Brazilian society at the time. Either explicitly or implicitly, in their evaluative and theoretical references, the limits of the critical readings of the author, which are expressed in the contradiction between negation of the given conditions and their affirmation, unveil the historical aspects of social and educational thinking and criticism.
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This article has as objective to discuss some topics concerning the supposed crisis of the society of the work and its consequences for the debate in social sciences and also for the work category contextualization in the secondary school curriculum. As the work has represented an important explanation category for the classic social thought, the contemporary paradigm of deep metamorphoses in the world of the work and the advent of the new question (CASTELS, 1995; ROSANVALLON, 1995) backward the necessity to rethink the theoretical shades that base the interpretation of the social life on the current context, when the center position of the work is being questioned. Having taken some theoretical references from the sociology of the work, we search to delineate on a brief way the quarrel about the dimensions of the social and political phenomena these days and the importance of this debate on the contextualization of the secondary school curriculum contents.
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A trajetória do pensamento social no Brasil remonta à segunda metade do século XIX e envolve muitas correntes, linhagens e famílias intelectuais que enformam as Ciências Sociais no Brasil. Por isso, há controvérsias quanto à fundação das Ciências Sociais, considerada, de um lado, por meio da trajetória histórica, e, de outro, pela institucionalização do trabalho científico. O debate ganha complexidade quando são considerados os marcos fundadores, as características, o significado e as implicações dessa institucionalização que, longe de esclarecer a questão, cria novos problemas para o entendimento e avaliação do processo. Rediscutir as circunstâncias histórico-sociais e as configurações intelectuais de sua fundação e desenvolvimento, entendemos ser pertinente e necessário, sendo esse o propósito deste artigo.
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)