46 resultados para Museu Paraense Emílio Goeldi
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O artigo investiga os fundamentos do processo de leitura presente no Emílio, de Rousseau, de acordo com os princípios de utilidade e necessidade que sustentam esse “romance educativo”. O Robinson Crusoé, de Daniel Defoe, único livro recomendado pelo preceptor de Emílio, é analisado segundo a perspectiva da educação do “homem natural”. Palavras-chave: Rousseau; leitura; educação; Robinson Crusoé.
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O objetivo de nosso artigo é buscar através da discussão da criação, história e funcionamento de um museu em particular, o Museu Histórico e Pedagógico de Ourinhos, fazer uma análise mais ampla sobre os museus municipais. Para isso buscamos fazer uma reflexão sobre os objetivos iniciais destas instituições, sua relação e diálogo com a comunidade onde estão inseridos, tanto no passado como no presente e os problemas que estas instituições enfrentam nos dias atuais.
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Pós-graduação em Agronomia (Entomologia Agrícola) - FCAV
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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
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New records of the Rufous-faced Crake, Laterallus xenopterus (Gruiformes: Rallidae) in Brazil and observations about its habitat. The Rufous-faced Crake, Laterallus xenopterus, is a bird that is rarely spotted at Paraguay, central Brazil, and central Bolivia. There are known species records at the Brazilian states of Distrito Federal, Sao Paulo, and Minas Gerais. Here, we provide information about new areas of occurrence for this species in Brazil and detailed observations of its habitats. In October 2012, two individuals were registered in the municipality of Cristalina, state of Goias. In December 2012, the species was found in a new locality of Distrito Federal and at the municipality of Patrocinio, Minas Gerais. In February 2013, a new record for this species was obtained in the municipality of Itiquira, Mato Grosso. In all occasions, the bird was spotted in humid environments, which were characterized by the presence of grass and a thin water layer.
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This article aims to present, describe and discuss the innovation model of the first territorial open-air museum, designed in a favela in Rio de Janeiro, the Favela Museum (MUF). The concepts of slums, traditional museum and ecomuseums differentials are introduced in order to contextualize the universe MUF is inserted. Moreover, the paper discusses the concept of territorial open-air museum collection and how curatorship takes place this context, as well as the possible forms of interaction with the diversity of individuals served by a museum such as MUF. Furthermore, the role of this new museum typology in society is discussed, entities created by bottom up innovation initiative undertaken by MUF into the new museology of action. It concludes with considerations about the shift of focus on the role played by MUF as agent of social and cultural development.
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The modernist poet Emílio Moura (1902-1971) incorporates a strictly modern language regarding the imagistic suggesting a mainly poetry metalinguistic. That way, from the works Canto da hora amarga (1932) and Cancioneiro (1944) we attest, through the poetic analysis, that modernity Moura’s poetry takes place in confluences with ideas ranging from biblical tradition and come to the depersonalization of the modern I and questing. We objectify, therefore, demonstrate and explore the metalinguistic and intertextual character that results in the personification of poetry, as clarified muse. To achieve this, this same poetry undergoes a dualistic and pessimistic sentiment, baroque, the I that is divided into life and death, light and shadow; goes through a romantic feeling of anguish and desolation and reaches the multiplicity of the poetic speaker, which promotes a constant struggle with the language. More than draw a correlation between classical and modern ideas (in the sense that the poet creates depersonalization and appropriates of free, short prose or verse, typical of modernism), intend to supply, at least in part, the dearth of studies on the miner poet who has found fertile ground to question and analyze internally the role of poetry in the multiplicity of man and modern society to therefore conclude that universalism the Emílio Moura becomes distinctive and mature. Thus, we will check how poetic inflows corroborate both works for reevaluation and critical insertion of poetic the Emílio Moura in the context of modern/Modernist Brazilian literature
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The rapid development of Information and Communication Technologies - TIC, coupled with the advancement of the global Internet computer network have framed new concepts and definitions such as virtual reality, immersive environments, webmuseums, digital museums, electronic art, cyber art, among other terminologies that are becoming more and more common and are present in everyday Web users. To better understand the terminologies used to describe museum in the virtual environment, we present a summarized table of terms such as webmuseum, virtual museum, digital museum and their derivatives in order to define the elements that differentiate or resemble them. We used the bibliographic descriptive method for identifying the concepts presented by some expert authors in the field. In conclusion, we recommend the use of the term webmuseum for museums in cyberspace as the most appropriate and we define the concept, comprehending its meaning and characteristics.
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The jewels, be they used as decorations or some other specific function, are carriers of meaning, representatives of groups, peoples, territories or historical moments. In preliminary studies on the history of Brazilian jewelry, and the recent ascendancy of Brazil in the jewelry market, this research seeks to delve into the history of the production of religious jewelry from São Paulo in the Brazilian colonial period, through the collection of the São Paulo Museum of Sacred Art. This study aims to analyze the museum's collection of jewelry, in two respects: the pieces of jewelry and its pictorial representation in works of art.
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O antigo edifício do Matadouro Municipal, aparece no cenário do município de Presidente Prudente como um importante elemento do imaginário social urbano e de forte valor arquitetônico e histórico. É possível perceber a presença de alguns marcos e lugares que revelam uma leitura da arquitetura histórica da cidade, sendo a área do Museu e Arquivo Histórico de Presidente Prudente um conjunto de interesse cultural neste espaço urbano. Este trabalho elabora uma análise detalhada da paisagem antiga e atual e quais são os registros histórico/culturais materializados no antigo matadouro e propõe adequar o edifício histórico às novas funções urbanas contemporâneas, com o propósito de preservar a função de museu e arquivo histórico e recuperar esta herança para cidade e seu valor patrimonial