O Trickster na escola: um estudo sobre a função educativa do mito

Pós-graduação em Educação Escolar - FCLAR

El humano como recurso de las organizaciones hipermodernas: resonancias del poder gerencialista

Nowadays, the current work perspective is characterized by a management economy in which the accounting and financial considerations overlap the human and social considerations. Therefore, there is a creation of a social imaginary dominated by a capitalist and utilitarist logic. With this in mind, we intend, in this theoretical-reflexive study, learn the power resonances and managerialist ideology for the included subjects in the hypermodern organizations. This way, this research was constructed by the light of Psichosociology. The reading through these approaches emphasizes the imaginary dimension, intersubjective and group of the organizations, contributing to the understanding of job relations and worker's mental health.

O mito de don juan e a subjetividade moderna

The legendary Don Juan character inhabits the popular imaginary with such a vibrancy of a myth, despite its slight recognition as such by the scientific literature. The purpose of this article is to verify if Don Juan’s play can be understood, scientifically, as a modern myth, as well as understand its mythical nature and its relation to the modern man. A structural and historical analysis of the two first plays on Don Juan has guided us: the one written by Tirso de Molina in 1630, and the one by Molière, written in 1665. The studies allow us to say that Don Juan is a typical modern myth, once it is constituted by narratives that expose a world looming under the signs of individualism, hedonism, arrogance and audacity forged under the appeals of sexual desire.

Nas trilhas do real: mais além da psicologia do espectador

This essay to discusses the relationship between psychoanalysis and aesthetic thinking, through the prism of Lacan’s theory on visuality, as perceived by the critic and art historian Hal Foster. In my opinion, this intersection would allow us to enlighten new ways of reading the work of art towards a paradigm of a non-applied psychoanalysis. Therefore, this paper intends to tackle aspects which concern the Lacanian concept of real in order to question some problems that concern the contemporary work of art.

Entre a nostalgia e o dever de memória: a narrativa memorialística de Alfons Cervera

Tras la publicación de una serie de novelas caracterizadas por la experimentación formal y la innovación linguística, el valenciano Alfons Cervera (1947- ) inició un proyecto literario de rememoración de la posguerra española, centrado en una trilogía de novelas: El color del crepúsculo, (1995), Maquis (1997), La noche inmóvil (1999). La trilogía reconstruye la memoria del cotidiano de los habitantes de Los Yesares, nombre fictício atribuído al pueblo de Gestalgar, tierra natal del escritor, en Valencia. Las narrativas presentan semejanzas temáticas y estruturales, así como tienen personajes en común. En El color del crepúsculo, la protagonista Sunta, por medio de un relato rememorativo, intenta recuperar el tiempo perdido, el entorno seguro de la infancia y de la adolescencia. Maquis, segunda novela de la trilogía, por medio de una narrativa fragmentada, relata la historia del cotidiano de los habitantes del mismo pueblo, marcado por la represión y el miedo, y la vida de los guerrilleros, los maquis, que sobreviven en las montañas. Félix, el abuelo de Sunta, es el protagonista de La noche inmóvil que está a la espera de la muerte, atormentado por el recuerdo de su hijo muerto y por las voces de los amigos que ya se fueron. Memoria y ficción construyen un imaginario ambivalente en las novelas, borrando los límites entre la memoria personal, la memoria colectiva y la histórica.

Da Atenas à Jamaica brasileira: imaginários sobre São Luís na mídia maranhense

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

Entre palavras e imagens: o acontecimento de 11 de setembro nas revistas Veja e Carta Capital : a arquitetura do imaginário social sobre o terrorismo

Pós-graduação em Educação - IBRC

Entre santos e demônios: a percepção do mal na teologia e hagiografias do Reino Visigodo de Toledo (séculos VI-VII)

Pós-graduação em História - FCLAS

O paraíso atrasado: a construção do rural no Brasil através do imaginário geográfico

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Future Brazilian teachers imaginaries about physics teaching in adults education

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O sofrimento psíquico contemporâneo no imaginário coletivo de estudantes de psicologia

Profound socio‑cultural transformations that the world has undergone have been followed by new subjective configurations and manifestations of psychic suffering, whose impact and resonance in the psychology clinic, demand especial understanding and management. The aim of this study was to investigate the collective imaginary of Psychology students about contemporary psychic suffering. In the light of the psychoanalytic method, this research utilized the procedure of drawings‑stories with theme in group interview. The set of productions of the drawings‑stories, based on the psychoanalytic narratives written after each group interview, was interpretatively analyzed and allowed the apprehension of the following fields of affective‑emotional meaning: "Loneliness", “Essays on suffering", "Agony of non‑being", "Human contact with suffering", "Avoidance: the great defense", "Non lived lives", "Human despair" and "Multifacetated suffering". The set of analyses allowed the understanding of a collective imaginary in which suffering, that occurs nowadays, consists mainly of feelings of loneliness, for‑ saking, uselessness, spuriousness and existential void.