45 resultados para GILLES DELEUZE


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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This article analyzes the representation made by Veja magazine about american actress Angelina Jolie about the news about her preventive double mastectomy wich she was submitted. Based on the reflections of Michel Foucault, Gilles Deleuze and Felix Guattari on discourse analysis this article does not cramp about the contributions of linguistics. These reflections contribute to the understanding of this fact within the media landscape to control and discipline the body.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Estudos Literários - FCLAR

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Pós-graduação em Educação Matemática - IGCE

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O conceito de acontecimento foi desenvolvido para o domínio epistemológico da história por P. Veyne, no intuito de ativar determinados problemas foucaultianos que indicavam a estrita ligação entre o trabalho historiográfico e o trabalho filosófico. A definição deste conceito poderia ser aprofundada se fosse extraído do domínio epistemológico para o qual fora elaborado e levado a uma dimensão mais abrangente. Vislumbra-se tal possibilidade a partir da articulação do referido conceito a determinadas injunções do pensamento de Deleuze, particularmente tendo em vista o conceito deleuzeano de acontecimento, em suas implicações ontológicas e éticas.

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This paper begins with the Proposal of a pedagogy of concept according to Deleuze and Guattari. On this basis, I emphasize and explore the assertion that every thought demands relational traces as their internal condition. Among the relational traces defined by this pedagogy of concept, I selected friend as a character who distinguishes a given thought. I try, after that, to define, generally what friend and the scene of friendship in Plato's, Nietzsche's, Heidegger's and Foucault's philosophies are.

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Pós-graduação em Educação Escolar - FCLAR

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The most challenging Deleuze/Guattari’s lesson regar- ding art is that it is an autonomous way of thinking and bears of no lack relatively to philosophy and science. In fact, creating artistically is thinking. Throughout this article, I will try to show that art and philosophy are autonomous modes of thinking, as far as the statute of their creations is multiplicity. The multiplicity that characterizes philosophy is concept; the multiplicity that characterizes art is sen- sation. Both of them have their multiplicity character guaranteed by the instance of the problems, to which they are solutions. The most important is that the problems although independent constitute in- terference channels through which two modalities of meeting could happen. First, sensations point out how could a thinker endures in the instance of problems, avoiding both to deprive the concept and to fall in philosophical illusions. In second place in the instance of the problem philosophy and art exchange, so that either a thinker takes an art sensation and extracts from it its generating problem to be philosophically solved or, vice-versa, an artist takes a concept and solves its problem creating new art sensations.

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This article aims at developing the so-called ontopolitics as G. Deleuze s innovative contribution to contemporary political philosophy. This objective will lead us to inspect the concept of power that Deleuze borrowed from Foucault and extended in order to assign to it an ontological adequacy. The concept of power opens access to another important element of the Deleuzean political philosophy, that is, the study of the historical diagrams of the power in the so-called discipline and control societies. With the combined dynamical diagram of both, we become aware of the portrait Deleuze draws for the democracy in contemporary societies. Digging into the Deleuzean ontopolitics, we will devote ourselves to the concepts of majority, minority and minor-becoming. It is in this point that the meeting between Deleuze s ontoplitics and Ch. Sanders Peirce s mathematical ontology becomes sound. It happens that Deleuze s ontopolitical concepts, besides their bond to an ontology of the power, receive also a mathematical treatment related to certain arithmetical (denumerable and nondenumerable) and geometrical notions (lines). The majorities and minorities are denumerable sets which are crossed by nondenumerable becomings. This step done, we will reach the stand point of the present paper, where we carry out initial approach with regard to an image for the concepts of majority and minority on the basis of Peirce s theory of collections and multitudes, mostly envisaging the mathematical ontology included in it. Accordingly, the main operation to be accomplished is that the Deleuzean distinction between the denumerable majorities/minorities and the nondenumerable mino-becoming may be mapped out in terms of discrete collections called enumerable, denumerable and abnumerable or postnumerable, in compliance with Peirce s terminology.

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O conceito de problema, que Deleuze desenvolve em vários momentos-chave de seu pensamento, tem em sua alçada bergsoniana um ponto forte. No presente artigo, procuraremos mostrar de que modo Deleuze vale-se do caminho de Bergson neste âmbito para propor e articular, em torno da idéia de problema, dois dos conceitos originais pelos quais ficou conhecido, ou seja, a multiplicidade e o inconsciente. Veremos que o conceito de problema está na base de uma tipologia deleuzeana das multiplicidades, assim como lhe permite elaborar uma idéia de inconsciente como multiplicidade onde o desejo responde pela instância problemática. Desse modo, conclui-se pela importância determinante da filosofia bergsoniana para Deleuze, particularmente quanto à passagem de sua ontologia para um dos concietos que a realizam e aplicam.

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The Frankfurt critical theory and the French post-structuralism are important lines of thought in the philosophy of education, which inspired several academic productions in recent decades. In the 1950s and 1960s, both opposed philosophical resistance against many types of totalitarianism. One big difference between the two lines of thought has been the critical of the dialectic considered an insufficient method to think about the difference (Deleuze) and the reaffirmation of a negative dialectic (Adorno). This article intends to analyze the thematic affinities and the differences of method between the thought of these two authors.