Nacionalismo e música erudita de vanguarda no Brasil e Argentina: Camargo Guarnieri e Alberto Ginastera (1930-1960)

Pós-graduação em História - FCHS

O Comando dos Trabalhadores Intelectuais e a formação das esquerdas culturais na década de 1960

The Comando dos Trabalhadores Intelectuais (CTI) was a group, a space of organization and representation of brazilian intellectuals and artists and that, previous to the military coup in 1964, participated of the debates and fomented the inclusion of sectors of the national intelligentzia in the democratization’s process of the culture. His insertion politics, of the point of view of the effervecence lived for the organized socials movements in Brazil in the years of João Goulart’s government, bring elements to detail the dynamics of the cultural left’s organizations that had emerged of the review’s process of Brazilian Communist Party (PCB), since 1958. The relevance of CTI is confirmed when understand it like an organization that congregated many intellectuals and artists that, after of the military coup in 1964, had been presents in the artistic and cultural brazilian scene, doing resistance to the military governments that if had occurred in the next decades.

Les enquêtes militaires et l-organisation des intellectuels de gauche au Brésil dans les années 1960

This article has as its object of analysis the Inquiries Police-Military, adocumentation produced during the military dictatorship in Brazil (1964-1985)and today it’s important sources for historians, sociologists, political scientists to understand the internal dynamics of repression, as well as specifying certainnetworks communist militancy and the engagement of progressive sectorsagainst the military government. Documents, court proceedings that currently in Brazil endorse the work of the Truth Commission, which seeks to ascertain the fate of disappeared politicians and determine the actions of the organs of repression during the military dictatorship in Brazil.

Da serra à costa: migração e modernização peruana na obra de Mario Vargas Llosa (1950-1960)

Pós-graduação em História - FCHS

Memória e história da advocacia assisense (1960 -1989)

Pós-graduação em História - FCLAS

Sobre a formação de professores de matemática em Cuiabá - MT (1960-1980)

Pós-graduação em Educação Matemática - IGCE

Capas de Vicente Di Grado na década de 1960: análises e leituras

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Canto em marcha: música folk e direitos civis nos Estados Unidos (1945-1960)

Pós-graduação em História - FCHS

Tentativa católica de modernidade: o conceito de pessoa humana e sua realização histórica (1960-1980)

Pós-graduação em História - FCHS

A folia de momo na cidade de São Paulo na percepção da imprensa e dos artistas do traço: 1960/1964

The discussion of this paper focuses on the search for demarcation of the Momo merriments in the city of São Paulo between 1960 and 1964, aiming to apprehend their specific traits at that juncture. It is known that the Brazilian Carnival, and in its sphere the São Paulo City one, has been steadily becoming enshrined in profile by popular segments. However, in that decade onset such festivities were going through certain peculiarities because it was a period characterized by many changes. The city of São Paulo, particularly, was experiencing an accelerated process of urbanization and consequent massification, as well as a moment of significant expansion of the cultural industry and mass communication means. Were the Momo revels immune to this process? What was the profile of these amusements in the city?

O Instituto Cearense de Matemática (1954-1960): a origem do Instituto de Matemática da UFC

Pós-graduação em Educação Matemática - IGCE

Análise das capas de livros de Vicente Di Grado: década de 1960

This article intends to contribute to the Brazilian design history through a study of a selection of book covers produced in 1960 decade by Vicente Di Grado (1922 - 2004), who was the main cover artist and illustrator of a publishing house named Clube do Livro. The covers were analysed considering their visual and contextual syntax and in their relations with information design.

A institucionalização do Turismo como curso universitário: décadas de 1960 e 1970

This text is about the appearing of Tourism graduation courses in Brazilian colleges. To this, the creation of the curricula at the Federal Board of Education was studied and the emergence of Tourism graduation courses offered by private universities. The creation of the first Tourism course in a public university – at the beginning of the 70’s at the School of Communications and Art of São Paulo University – is emphasized.

Capas de Vicente Di Grado na década de 1960

O resgate da história e da memória do design gráfico brasileiro ainda possui algumas lacunas, pois muitos profissionais, seus projetos e obras não são lembrados ou ainda não foram estudados e registrados, deixando uma lacuna na história gráfico-visual de nosso país. Este artigo pretende contribuir nesse sentido, resgatando as capas de livros projetadas por Vicente Di Grado. Designer gráfico, artista plástico e docente, Di Grado (1922-2005) atuou como principal capista para a Editora Clube do Livro entre as décadas de 1950 e 1970, sendo seu maior período de produção a década de 1960, justamente o objeto deste estudo. Pelo conjunto de seu trabalho, recebeu o Prêmio Jabuti em 1963. Sua obra representa uma grande fonte de elementos e referências gráficas, além de ter marcado a linguagem editorial da Editora Clube do Livro.

As influências do trabalho docente feminino na cultura escolar do extremo oeste paulista (1932-1960)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)