O rio e a casa: imagens do tempo na fic����o de Mia Couto

Este estudo constitui-se de tr��s momentos principais: a reflex��o sobre a historiografia liter��ria de Mo��ambique (apresentada no cap��tulo um), as considera����es a respeito da fortuna crítica acad��mica monogr��fica de Mia Couto produzida no Brasil (que abordamos no segundo cap��tulo) e a an��lise da autointertextualidade na obra ficcional de Mia Couto (mat��ria que ocupa os cap��tulos tr��s e quatro)

Monteiro Lobato: um estudo de A chave do tamanho

P��s-gradua����o em Letras - FCLAS

Monteiro Lobato e seis personagens em busca da na����o

Funda����o de Amparo �� Pesquisa do Estado de S��o Paulo (FAPESP)

O embate cr��tico entre Mario Vargas Llosa e Antonio Cornejo Polar: leituras de Jos�� Mar��a Arguedas e do indi- genismo peruano

P��s-gradua����o em Letras - FCLAS

De poeta a editor de poesia: a trajet��ria de Machado de Assis para a forma����o de suas Poesias Completas

P��s-gradua����o em Letras - FCLAS

O retorno: identidades �� deriva no romance portugu��s contempor��neo

This paper concentrates on the analysis of how the typical voices of History are manifested, which is achieved by the aesthetics of the contemporary Portuguese narrative, as it aims at the same time the reflexion and the reformulation of the Lusitanian cultural imaginary in the course of O retorno, a novel by Dulce Maria Cardoso. The hypothesis that arises is that the trajectory of Rui���s individual experience, as wells as the other���s characters ���retornados��� looking for identity, is parallel to the proposed revision of the Portuguese nation collective cultural imaginary in the decolonization context, after the 25th April Revolution. It is its objective to investigate how the historical processes concerned to the concepts of exile and uprooting, displacement and belonging (BAUMAN, 2005) are fictionalized in the novel, seen as motes for Rui���s pursuit for identity and for the revision of the Portuguese Destiny theme

Uma an��lise da tradu����o de voc��bulos relacionados �� viol��ncia e criminalidade presentes em tr��s obras de Patr��cia Melo

P��s-gradua����o em Estudos Lingu��sticos - IBILCE

Estudo sobre a tradu����o de marcadores culturais em tr��s obras de Milton Hatoum com base em corpus paralelo

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior (CAPES)

Mil a��os de ciencia ficci��n herm��tica latinoamericana [1492-2500]: En tres episodios: Borges, la conspiraci��n; Sor Juana y Ant��nio Vieira, ��ntimos herejes; Bizarros profetas ciberculturales

P��s-gradua����o em Letras - IBILCE

O Grande Mentecapto: romance carnavalizado

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior (CAPES)

Mem��ria e Mem��rias: entre o eu da fic����o e a ficcionaliza����o do eu

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior (CAPES)

Falling Man: A Literatura em busca de poss��veis significados para um espa��o vazio

September 11 has originated a wide range of artistic manifestations which have not only searched for plausible explanations for the tragedy, but also tried to review the events. In this sense, this paper aims at showing how a novel reevaluates this episode. The attacks made the United States experience a strong sense of vulnerability, triggering reactions from the American government, whose quick action was translated into a new national security strategy, associated with the war on terror. This paper analyzes the narrative strategies employed by the American author Don DeLillo in his novel Falling Man (2007) in order to reevaluate that tragedy. The debate of the topics is based on texts concerning the relationship between literature and history, postmodern fiction and issues on terrorism. This study contributes to enrich the discussion related to the events that led to the catastrophe and its aftermath, examining characters and groups linked to the September 11 terrorist attacks, revealing multiple truths subjected to social, ideological and historical conditions.

S��ndi voc��lico externo no Porugu��s Arcaico

Funda����o de Amparo �� Pesquisa do Estado de S��o Paulo (FAPESP)

��lvaro Lins: leitor de Graciliano Ramos

P��s-gradua����o em Letras - FCLAS

O autor segundo ele mesmo: a escrita de si em Cadernos de Lanzarote, de Jos�� Saramago

P��s-gradua����o em Letras - FCLAS