Aspectos do realismo: em torno de Memórias de um sargento de milícias

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O realismo agudo de Modesto Carone

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

(Des)concerto: o realismo maravilhoso em Concierto Barroco

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O realismo mágico nas Short Stories de Neil Gaiman, um contador de histórias da contemporaneidade

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O realismo mágico e seus desdobramentos em romances de José Saramago

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Aspectos do pós-modernismo e do realismo mágico em Moacyr Scliar

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Neo-realismo e poesia: do ideológico ao estético

Pós-graduação em Estudos Literários - FCLAR

Da inteligibilidade humana acerca da organização espacial na natureza ou da geografia: realismo, racionalismo crítico e sistemas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Algumas contribuições da perspectiva filosófico-semiótica de Peirce para a análise de assunto

In the context of current scientific studies toward Information Science and Semiotics, this study highlights that Semiotics is relevant to the field, since that signs are interpreted in different ways by each person primarily when they arise from the interpretation of documental analysis, maintaining large amplitude and diversity. In this sense, Semiotics can furnish support for several areas since it focuses on elements which enable the understanding of the phenomena, in order to guide an adequate theory about the concerns pointed by research on information and knowledge organization. This study aims to present a theoretical reflection about the subject analysis from Peirce’s philosophical-semiotics approach. Thus, this study presents some relations and contributions of Semiotics on issues involving subject analysis as well as concepts of habit, experience, representation and types of signs generated in the process.

Realismo, Nominalismo e Cartesianismo: Sentido e natureza das idéias como representações do mundo

The approach about the ideas, understood as metal representations, has practically bookmarked the whole Philosophy History, since the ancient Greece to the contemporary period. A lot of interpretations have been given to the meaning and to the nature of the ideas by many schools, among them lots of Realism slopes. This paper aims to present, from a historical and epistemological fragment, some theoretical perpectives, with emphasis in the realistic, nominalist and Cartesian proposals in relation to the formation and nature of the ideas.

A importância da arte no sistema filosófico de Hegel

What does it mean to say that Hegel is an idealist philosopher? Such determination is appropriate? If appeals Hegel to speculative approach, then how to understand their idealism? These questions guide the role of art in Hegel's philosophical system identifying a philosophy deeply committed and involved in its determination that takes place in the history or thought. If art is the moment of sensible intuition that Hegel considers carefully, then it is possible to conclude that the idealist perspective attributed to Hegel must be taken with reservations or its own idealism needs to be seen beyond all subjective levy.

A filosofia do direito no sistema filosófico hegeliano

The Hegelian philosophy is presented as a progress in relation to other philosophies and it offers to take in itself all the other demonstrations. Thereby, Hegel intends to carry out his philosophical effort towards the establishment of a philosophical system. It is a comprehension recognized and exposed by Hegel in his doctoral thesis, i.e., that philosophy only becomes possible as a system. In this sense, the treatment dispensed to each one of his works necessarily evokes a relationship with all other. An work taken in isolation gets the feeling that something else should be presented, however, every work written by Hegel also contemplates a relation with his other works. In this sense, the objective here is to considerate Hegel’s Philosophy of Law in his philosophical system seeking to explicit its specific place, as well as its transit among the works of the thinker as a whole. The Philosophy of Law finds its particular moment in the ambit of the objective spirit or during the subjective spirit’s effectuation. However, it is assumed here the perspective that the Philosophy of Law represents, as the objective spirit does, a moment of mediation as well as a there-being whereby the absolute spirit’s effectuation would happen. Furthermore, Hegel’s Philosophy represents the presentation of what he considers as extremely important in philosophy, that is precisely, the need to sublate the separation between man and the world. It is not enough for Hegel, the affirmation of the being and the thinking in itself, but it is required to confirm them in their being other that will be evinced being itself. Thus, Philosophy is given as a reconstruction or as the factual knowledge as a science ceasing to be so only love of learning. This means in other words that philosophy deals with the world, in the world and for the world being much more than a speech to the world to be the talk of the world itself. If philosophy is the owl of Minerva who always arrives late, she does it for the reasons of the other to be recognized.

Realismo e impressionismo em contos de Guy de Maupassant

Dans ce texte on a étudié, afin de comprendre et d'analyser les contes réalistes de Guy de Maupassant, comment Erich Auerbach, dans Mimesis (2009), parcourt les sentiers de la littérature occidentale pour dresser un tableau des traits communs qui existent entre les grandes oeuvres réalistes de l'Occident. L'auteur a réalisé des recherches et des commentaires sur les caractéristiques les plus récurrentes du réalisme littéraire dans les oeuvres d'écrivains tels que Homero, Shakespeare, Voltaire, Flaubert, parmi d'autres. Notre recherche vise, dans sa première étape, à présenter, à expliquer ou à identifier dans les contes de Guy de Maupassant, écrivain de la fin du XIXe siècle, les tendances réalistes discutées par ce théoricien et par d'autres au fil du temps, comme, par exemple, Roland Barthes, dans Crítica e verdade (2007), Bersani, dans Le réalisme et la peur du désir (1975) et Philippe Hamon, dans Un discours contraint (1973, p. 411-445). À partir de ces chercheurs, on essaie d'expliciter et d'affirmer le caractère réaliste d'un des maîtres du récit court - sûrement un représentant du réalisme parmi les grands écrivains de cet art - car dans Mimesis (2009) Zola est considéré par Auerbach comme le dernier des grands réalistes français. En plus, pour la deuxième partie de ce travail, on a l'intention de traiter l'émergence de l'impressionnisme artistique en France, et de présenter les concepts et les thèmes qui ont influencé ce mouvement et se présentent dans la construction des récits de Maupassant. Pour le faire, O impressionismo (1962) de Balzi, O impressionismo (1965) de Serullaz, Impressionniste et symboliste devant la presse (1959) de Jacques Lethève, Impressionismo (2010) de Lobstein e autres, mentionnés dans la bibliographie de cette recherche, ont ouvert la voie aux analyses... (Completo abstract click electronic access below)