Botticelli: pintura e teoria

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Avaliação da estabilidade cromática da pintura de íris em próteses oculares polimerizadas por energia de microondas, variando a cor, a tinta e o método de secagem

Pós-graduação em Odontologia - FOA

Da geografia medieval às origens da geografia moderna: contrastes entre diferentes noções de natureza, espaço e tempo

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

De versos e trovas: análise de aspectos fonoestilísticos do português medieval por meio das “Cantigas de Santa Maria”

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

Tela de sombreamento e pintura em telhados de modelos reduzidos de galpões avícolas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Análise dos cromossomos sexuais de Characidium (Characiformes, Crenuchidae) por microdissecção e pintura cromossômica

Pós-graduação em Ciências Biológicas (Zoologia) - IBB

Origens dos cromossomos B em espécies de Characidium (Characiformes, Crenuchidae) baseada em pintura cromossômica, sequências de rDNA e histonas

Pós-graduação em Ciências Biológicas (Genética) - IBB

Rumores da escrita, vestígios do passado: uma interpretação fonológica das vogais do português arcaico por meio da poesia medieval

A proposta do presente livro é oferecer ao leitor uma descrição fonológica das qualidades vocálicas vigentes na primeira fase (período trovadoresco) do português arcaico a partir da análise das rimas e da grafia das Cantigas de Santa Maria, de Afonso X, o Sábio, Rei de Leão e Castela, elaboradas na segunda metade do século XIII.

Botticelli: pintura e teoria

Esta obra analisa com profundidade o trabalho do florentino Sandro Botticelli (aproximadamente 1445-1510), um dos mais conhecidos representantes da arte renascentista, autor de afrescos que decoram a Capela Sistina e de ícones da pintura ocidental, como O Nascimento de Vênus e A Primavera. Aqui, Débora Barbam Mendonça toma como ponto de partida a comparação do estudo Clássico e Anticlássico, de Giulio Carlo Argan, sobre a pintura do florentino, com obras de outros teóricos e historiadores. O objetivo é estudar o conceito de graça na pintura de Boticelli e confrontá-lo com os pressupostos teóricos da produção do artista. A autora discute a interpretação de especialistas sobre o Renascimento como período histórico, filosófico e artístico, discorre sobre o legado teórico da pintura humanista e busca o ideal de belo intrínseco à obra de Boticelli. No terceiro capítulo, Mendonça analisa detalhadamente a pintura A Virgem do magnificat como referência para situar Boticelli como artista intelectual do Renascimento e destacar na obra sua ideia de graça. A filósofa conclui que Boticelli seguia uma linha teórica, mas a partir de uma escolha individual, ou seja, desenvolvia uma estética psicológica. E, por meio dos elementos formais de que dispunha, transmitia em suas obras o conceito de graça, transpondo ao mesmo tempo o resultado do diálogo que mantinha com a Filosofia, a ciência, a religião e, nostalgicamente, com a Antiguidade

Avaliação da viabilidade econômica do uso de um aquecedor solar de água de garrafas pet para aquecer o ar de uma cabine de pintura e uma estufa de secagem

Nowadays, the biggest part of the world's energy supply comes from fossil fuels and nuclear. However, the current need of the society for the preservation of the environment and wise use of natural resources, has favored the search for alternative energy sources and improvement of energy efficiency. In this new scenario, companies are beginning to mobilize in order to adapt its facilities to renewable energy. Solar, with its immense potential, not really exploited yet, can be very useful for companies that want to beat their sustainability goals. Given these facts, the aim is to evaluate the economic viability of introducing a solar water heater which uses a colorless PET bottle as one of its components in a plant. The hot water generated will heat the air of a paint booth and a warm house, reducing energy consumption, since they are heated by electric heaters

Utilização de técnicas de planejamento de experimentos na análise de viabilidade de alterações no processo de pintura de grades Antracite em uma indústria automotiva

The search for better performance and competitive advantage in the current market scenario has made organizations keep their focus on quality planning and the use of effective techniques aimed at continuous improvement and optimization of processes and resources. The situation is not different for the painting process in the automotive industry, which has a significant amount of variables and influential external factors. This work, developed at General Motors in São José dos Campos, aims to analyze the feasibility of changing the painting process of the pickup S10 railings in the Antracite color located in the main line to the another line located in a Painting Repair Booth at the plant and, therefore, to study the possibility about reducing the window of cure for Antracite’s enamel by using Design of Experiments’ techniques. Applying this method is possible to find the best arrangement among studied factors of Painting Repair Booth that are, in this case, the Temperature, in Celsius degrees, and Skid’s Steps, in seconds, and it’s also possible to get their behavior according to quality requirements specified by GM rules for the Brightness and Paint Adhesion on the part. As a result, it can conclude that is possible to paint the S10 Antracite railings in the painting process’ line of Painting Repair Booth, and with the new configuration obtained by the Design of Experiments for the process variables, there are significant gains related to the parts’ quality, costs reduction and the optimization of production capacity, much in the main line as in the line of the Painting Repair Booth

Oswald de Andrade e Tarsila do Amaral: poesia e pintura modernistas

The objective of the present text is to establish connections between literature and painting through the comparison between Oswald de Andrade’s poem “Longo da Linha” and Tarsila do Amaral’s painting “Palmeiras”, both belonging to the Brazilian Modernist movement Pau-Brasil. To emphasize also the step taken by the two artists, in Modernism, against the previous academicism, C. S. Peirce’s semiotics theory will be used as analytic basis to demonstrate, in Tarsila’s painting, a path towards planarity and stylization to produce quality effects, closer to the shape and the adventure of senses than to symbolization, whilst for Oswald, this same path leads to the presence of visualization as composition factor.

A misosoginia medieval e seus ecos nos Lais de Maria de França

The Lais of Marie de France are a specific type of historical record about the medieval aristocratic society and enables us to decipher the hierarchies that govern the relationship between men and women in the period. As well explains Georges Duby, medieval society tends to present coated with a male character because, among other factors, its latent misogyny. Women were placed under male authority, convinced of their natural superiority , the men despised , mocked her sex , meanwhile feared them, after all, women were Eve’s daughters. So, Lais offer female images that cannot be ignored , since it express the author women’s idea. However , as we seek to demonstrate in this article, Maria of France reflects the representations of the Christian society aristocratic. One note here that this article does not aspire to reach the actual circumstances, but the historical significance of female images present in the Lais.

A Sancta Sapientia Medieval: enigma e mistério no teatro cristão de Rosvita de Ganderseheim

Within the scope of Literary Studies, theory, criticism, and historiography about the literature produced in the Middle Ages developed considerably from 1940 on, with the works of Ernst Curtius, Mikhail Bakhtin, and Erich Auerbach. In spite of the progress made, some specific aspects remain in the shadow, with incursions which were punctual though meaningful: that is the case of the critic fortunes about women‟s literary production in that period. Rosvita was a canoness and lived in the Benedictine convent of Gandersheim (Germany), in the 10th century A.D. Coming under Terence‟s influence, she wrote theater plays in Latin in which she figuratively presented theological issues in order to spread the Christian doctrine. The martyrdom issue deserved to be put in relief and was the focal point of the play Wisdom, which took place at the time of the Roman emperor Adrian. This paper analyzes that dramatic text discussing, at the end, how the categories of symbol, enigma, allegory, and mystery are organized by the author as expressive resources and structural elements.

O olhar como experiência: a pintura

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)