A configuração da palavra como condicionante fonológico em Mbɨá

O Mbɨá apresenta 2 regras fonológicas, para cuja formulação é necessário especificar a configuração total da palavra e não apenas um de seus limites: — a primeira regra em questão insere o segmento /h/ no início de palavra cuja configuração é #-V?V#; — a segunda regra reduplica a vogal de palavras monossilábicas em determinados contextos (particularidade esta que distingue o Mbɨá dos demais dialetos da língua Guarani). O Mbɨá , dialeto da língua Guarani, da família Tupi-Guaraní, do tronco lingüístico Tupi, é falado desde o Rio Grande do Sul até o Espírito Santo, sendo que no Estado de São Paulo os Mbɨá encontram-se dispersos em diversos núcleos na parle oriental do Estado.

Segmentações não-convencionais de palavra nos quatro últimos anos do ensino fundamental: um estudo longitudinal

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Efeitos de ensino envolvendo equivalência entre palavra ditada, palavra escrita e objeto sobre a inteligibilidade da fala em adolescente com hipoplasia cerebelar

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Concepções de 'palavra' em escolas de educação infantil

We searched for which conceptions twenty-three Kinden garden teachers would have of “word”, as well as for “echoes” from these conceptions in their 4-6 years old pupils. Essentially all the teachers showed a graphic and semantic conception of “word”. “Echoes” from these conception were detected in part of their pupils. The other part of children showed a conception in which could be detected enunciative, pragmatic and discursive aspects of language. Conception of teachers indicates ruptures between their pedagogic activities with literacy and their pedagogic activities with language unities such as word. These ruptures, however, not necessarily were made by part of children, who seems integrate language and literacy.

As fronteiras: retomando a palavra e libertando significados. Quem sou eu? As mulheres e as identidades redescobertas

From one dimension of culture, the word boundary breaks away from the idea of territorial boundary defined a priori as something fixed to the delineation of boundaries. Released this commitment, it can be thought of in other dimensions: as of transition moments of identity experienced by individuals, for women, compared to established norms. Questioning the determinant and connected speech processes of change, they left the banks in which they lived and sought recognition of self, identity and new choices have taken up other possibilities for being, social inclusion, coupled with the guarantee of their rights. Recognizing the existence of this movement, I propose a look at border on the inclusion of women as widows in order to observe the multiple identities of their female protagonists. This reflection aims to take account of social fraying beyond the limits and directions in taxes and if the widow, to expand the boundaries of its meaning and consider the possibility of hybrid subjects, differentiated, and therefore mobile and moving all the time an ongoing performance of operations, as well as contemporary studies have shown about gender relations that take into account the distinctions of race, class, ethnicity, and especially for generations.

A palavra poética de Arnaldo Antunes

This article reflects on Arnaldo Antunes‟ (AA) poetics. For this purpose, both the contributions of Fontanille and Zilberberg regarding tensivity, as well as some ideas of Tatit regarding song semiotics. The aim is to think about how the dance between enunciation and enunciate is structured in AA within poetical architecture as exemplified here based on the analysis of the poem “Palavra”. The hypothesis is that the tension between the two central nuclei of the poem, metalanguage and erotism, are the essential compositional marc of AA poetical stylistics. The results lead to the reflection that the musical tension is the game that guarantees the movement between the density of the word and the erotic fluidity of the authorial (metalinguistic) act of production.

A palavra que faz o passado: narrativa e tradição na literatura e no cinema brasileiros dos últimos anos

This work analysesthe way by which the shortstories“O que veio de longe” and “Faca”, by Ronaldo Correia de Brito, and the movie A festa da menina morta, directed by Matheus Nacthergaele, incorporate regional thematic matrix in contemporary narratives that take again tradition and give it a new meaning.

A verdade de palavra em Yves Bonnefoy e Marceline Desbordes-Valmore

Ce texte cherche à montrer l’étude critique réalisée par Yves Bonnefoy de la poésie de Marceline Desbordes-Valmore. En même temps qu’il fait une analyse de l’oeuvre de la poète du romantisme français, Bonnefoy fait connaître ses positions mêmes en ce qui concerne l’acte poétique.

Hipersegmentações de palavra no ensino fundamental

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Oficina na atenção psicossocial: experimentações com a palavra

The Word Workshop was created in 2004, as an activity of the training period in Psychosocial Care in the Collective Health, a discipline that is part of the curriculum of the Psychology course offered by the State of São Paulo’s University “Júlio de Mesquita Filho”/UNESP, campus of Assis. Initially, it is possible to affirm that the Word Workshop contributes to stimulate the flow of the words through the discussion of tales, short stories, poetry, jokes and news. The Word Workshop is considered an effort towards the guarantee of a space where the users of the mental health care service can share varied experiences and it is also thought as an attempt that can, potentially, bring up the conditions through which some existential meanings may possibly be forked. Such a space-instrument allows the mental health care users to speak about life and their interests rather than to keep focused in symptoms and complains. These ones, by their turn, are expressed through metaphors, unprecedented speech experiences and new sensitivity regimes. The critical analysis of the singular experience of the Word Workshop, that understands the words as agents of social transformation, was conceived with the support of Enrique Pichon-Rivière’s and Paulo Freire’s theories. From this first theoretical reading, it is possible to make an incursion through the scenery of the Psychosocial Care Workshops, paying special attention to their potential and to the risks related to crystallized practices.

Influência do contexto silábico da palavra no julgamento perceptivo-auditivo do ceceio produzido por pré-escolares

OBJETIVOS: investigar a ocorrência do ceceio em fricativas produzidas por crianças com alterações oclusais e analisar a influência do contexto silábico da fricativa no julgamento auditivo do ceceio. M ÉTODO: estudo prospectivo, em que as gravações de 428 palavras, produzidas por 15 crianças (idade média de 5 anos e 1 mês) foram julgadas auditivamente por três fonoaudiólogos com experiência no julgamento de alterações de fala. As palavras utilizadas foram constituídas pelas consoantes fricativas não vozeadas, alveolar e pós-alveolar, inseridas em posição tônica, precedida das vogais [i, a, u]. Obteve-se concordância intra-juiz (quase perfeita) e inter-juiz (total, 100%) previamente à análise dos aspectos de interesse. RESULTADOS: embora presente na fala de todas as crianças, identificou-se ceceio em 25,23% do total das palavras. Houve aumento significante do ceceio para: (a) fricativa alveolar em ataque inicial, (b) fricativa alveolar em ataque inicial em relação à coda medial (p=0,001) e (c) fricativa alveolar em relação à fricativa pós- alveolar (p<0,001). Não se observou diminuição do ceceio em relação às vogais co-articuladas. CONCLUSÃO: a ocorrência do ceceio é dependente do contexto silábico, (com maior ocorrência na fricativa alveolar, em posição de ataque inicial), devendo o mesmo ser considerado para fins clínicos e de pesquisa sobre o ceceio.

Inesgotável fonte de magia: o poder encantatório da palavra em um conjuro anglo-saxônico

This work aims to analyze the Wið Færstice, a charm from the anglo-saxon literature, translated as Charm for a sudden Stich. Inside of the imaginarium in this context, the refered pain is assigned to a dart shooted by an elf, witch or pagan god. This charm is included in the anglo-saxon medicine manuscripts andwas wrtitten in form of poetry, presenting characteristics of the poetic work, presenting aspects of the poetic do that once considered historical, cultural and artistic issues concerning the people and the Anglo-Saxon culture, indicate a close relationship between poetry as a form of thought and knowledge and magic as a way of interpreting the world. At this respect we call here, for methodological purposes, incantatory power of the word. From the analysis of this referred enchantment, as well as of the elements in the text, is intended to demonstrate how articulates this incantatory power of words and how to give, within the Anglo-Saxon conception of the Sacred, the transformation of reality through the pronouncement of words