Negro, jovem e hip hopper: história, narrativa e identidade em Sorocaba

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

RAP: identidade local e resistência global

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O SLA funk de Fernanda Abreu

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Diversidade Cultural: Relatos do Brasil e Argentina

Este artigo relata duas experiências de projetos realizados em escolas de ensino fundamental, cuja temática foi o trabalho com a diversidade cultural, a valorização de outras culturas e reflexões sobre a própria cultura. O trabalho foi realizado em duas escolas: uma no estado de São Paulo, na cidade de Rio Claro, onde a temática trabalhada foi o Hip-Hop e as manifestações culturais locais brasileiras; a segunda, na capital de uma província Argentina, na cidade de Paraná, onde se trabalhou o contato e a relação entre as manifestações culturais do Brasil e da Argentina. O objetivo central desse trabalho foi pensar caminhos que pudessem levar à construção de uma escola que considerasse as diferenças e a aprendizagem que acontece quando estas (as diferenças) estão em relação.

Identidade e reconhecimento na cultura de rua

Direct descendant of the music of the Black Atlantic, hip hop became the spokesman of excluded minorities, for example setting up of the reunification that is geographically separated through communication. The hip hop appropriated new forms of mass communication, allowing the reworking of the story through a counter-hegemonic discourse that seeks self-knowledge and appreciation of the roots of black people. The street culture is the narrative of disenfranchised youth, generating narrative of inclusion, which gave a space of enunciation periphery enabling them to intersubjective recognition. This project aims to discuss the role of hip hop as an agent conscientizing youth peripherals in order to bring to the debate the form of identity construction around the peripheral street culture since, as an intervention that acts as a symbolic system guiding cultural practices and attitudes of these young people. Methodologically, we analyzed specific bibliographical about hip hop and literature originating from the periphery itself. Selected discography of some rap groups. They are Racionais Mc's, 509-E and DJ Hum and Thaíde that constitute the vanguard of hip hop in Brazil. We use music from rapper Emicida this while some contemporary exponents of rap, with national and international. State of São Paulo in order to demonstrate that there is similarity between the questions proposed by the hip hop and the interior of the capital, the group selected Survey. We have used also press material, raising the issue in research on the internet, periodicals include the Rolling Stones and Caros Amigos

Graffiti como meio: processo de criação entre sistemas - a lei, a rua, o mercado e a pesquisa em arte

Pós-graduação em Artes - IA

Múltiplas trajetórias juvenis em Guarapuava: territórios e redes de sociabilidade

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Revista H2

The objective of this project is to foment and promote the themes related to the Hip Hop movement through a product, the H2 Magazine. Based on several forms of journalism, like photos, reports and interviews, we intend to demonstrate the use of Hip Hop as a vindicatory tool for young people living in the outskirts of towns. Moreover, we seek showing distinct visions and develop the issues in a broad and comprehensive way. H2 is an open space for reflections about Hip Hop, a cultural movement present in Bauru, as well as your importance in the social and cultural development of the citizens

No centro da periferia, a periferia no centro

Th is article proposes a refl ection on the chronotope, considering its infl uence on the forms of cultural expression coming from segregated urban spaces in Brazil. Th e article deals, specifi cally, with Carioca Funk as a cultural expression and an integral part of the hip hop movement in Rio de Janeiro. With this aim in view, this work is based on the Bakhtin Circle proposals and some sociological refl ections on the approached subject.