Segredos do sotão: feminismo e escritura na obra de Kate Chopin

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

As flores do mal e eu: um olhar pelo prisma do grotesco

Pós-graduação em Estudos Literários - FCLAR

As posições políticas de Jean-Paul Sartre e o Terceiro Mundo (1947-1979)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O direito à natureza na cidade: ideologias e práticas na história

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Som livre: trilhas sonoras das telenovelas e o processo de difusão da música

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Os estilistas e a produção de moda

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Falando de Diderot...

A leitura de textos de Direrot, no contexto da Revolução Francesa e discussão do papel do crítico e ativista nas transformações sociais.

Festa do encontro, festa dadivosa: a trezena franciscana na região rural de Tabocas em Abaeté/MG

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Insights on the HLA-G Evolutionary History Provided by a Nearby Alu Insertion

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Tratamento terminográfico de termos em inglês do comércio Internacional em dicionários franceses

Brazil has a strong trading relationship with several countries, including France, which has intensified these links in recent years and intends to do so yet further. Legal documents regulate this operation, resulting in a set of terms which designate concepts specific to this area. Communication between Brazilian and French buyers and sellers is intense and does not permit the occurrence of errors in understanding orders for merchandise nor in terms of purchase and sale. It is therefore very important that agents of International Trade between Brazil and France should have access to a specialised terminographic tool in the area, containing the relevant terms used in French and Portuguese. This type of work does not currently exist; we therefore decided to make a contribution and draw up a proposal for a bilingual French-Portuguese dictionary in this specialised area. During our research, we registered a significant presence of English terms in International Trade texts originally written in Portuguese and in French, which may be explained by the fact that English currently has the role of global lingua franca. However, it is well known that France operates a policy of linguistic protectionism, making the use of French obligatory in all sectors of activity in France. This generated an area of doubt: how should one deal with English terms in a bilingual French-Portugese dictionary? In order to begin the search for an answer to this question, we decided to see what treatment was given to English terms in the area of International Trade in some French dictionaries. In this paper we shall present the principal results obtained during our research.

Um jogo de mapas ou sobre engano geográfico de Marília Garcia

This essay aims to analyze the book Engano geográfico Marília Garcia, published in 2012. It is a long narrative poem that recounts a trip through Spanish and French landscapes, and which allows to question various shifts of the poetic voice. One of them, marked by the duplicity between geographic and poetic journey which I could characterize as a be­ 76 Revista semestral do Programa de Pós-Graduação em Letras – UFES tween-place given by the sign of waiting. A second, through a dialogical instance that allows a process of depoetization of the language with its permeability to other voices. Finally, through the presence of several pronouns “I”, “he”, “she”, “you”, without explicit textual reference, and that would indicate a kind of closeness of the loving attention.

Rio - Paris: primórdios da publicação da Literatura Brasileira chez Garnier

This article brings to light the latest research on the activities of Baptiste-Louis Garnier, French bookseller and publisher established in Rio de Janeiro, in his relations with the French publishing world: methods, procedures, books, authors and publishers. Cultural exchanges between these two systems helped to consolidate the canon of authors and works of Brazilian Literature in the nineteenth century. The study of these relationships can give full account of some information scholars have provided us and contributes to a better understanding of the process of production and circulation of literary works in Brazil.

L'Inspiration romantique de Gaspard de la Nuit

In this work, we intend to show that Aloysius Bertrand in “Gaspard de la Nuit” drew the inspiration to his poems in prose from its nearest context: that one of French Revolution and the revolt of the spirit against everything which would impose an exaggerated materialism. Thus, in the middle of Enlightenment, there were those who went in search of “mysterious realities” and a “sense of mystery” that the pre-romantic literature in Britain and in Germany would express in its poetry. It is also in the 18th century that some works about the “Commedia dell‟arte” and caricature concede to the grotesque a significant part in the formation of art, extending it to the supernatural and the absurd.

Uma festa de princesa para a Gata Borralheira

We analyze in this paper how the enunciator of two Brazilian magazines (Capricho and Atrevida) builds his enunciatee. Our analysis is based on French Semiotics and on woks by Eric Landowski (2002), whose studies about semiotization of social behavior point out the fact that the society excludes people who are not similar to those who belong to groups considered as a reference. In the textual construction, we noticed that the enunciator uses figures which allow us to visualize euphoric ways of life. However, we intend to verify if the figures show if these magazines are made for enunciatees from different social class or not. This verification is important as there is also a disphoric way of life, i.e., a segregated or excluded way of life.

A formação do palhaço circense

Pós-graduação em Artes - IA