159 resultados para FOTOGRAFIA HISTORICA
Resumo:
This article compares the different photographic acts of Henri Cartier-Bresson and Sebastião Salgado.
Resumo:
Once the choices set involved in the selection of compositional techniques of a photography is mediated by ideological universes, this final project aims to analyze the photographic coverage of the World War II presented in the brazilian publication Revista da Semana during the period in which Brazil was part of the conflict (1942 to 1945). We study the different composition techniques used and the different effects of meaning articulated by these techniques. Thus, our goal is to see how the repetitions are articulated and the translations of meaning in photojournalistic composition from its narrative structure, that is, their way of coded organization. For this, we used the analysis methodology proposed by Umberto Eco on the rhetoric of the image, involving the five levels of photography decomposition (ie iconic levels, iconographic, tropological, topic and enthymematic). We will analyze these images from the perspective of the effects of meaning that the composition techniques to engender glimpse which were woven meanings to this event in that specific space, and which were mediated discourses of Brazilian participation in the conflict
Resumo:
The aim of this paper is to investigate the environment in which a proposal for photographs and photo montages created in Spain in the 1930s was developed. To achieve this, the experiences of the Spanish artist Josep Renau and his work in the illustrated magazines Orto and Octubre is examined. There is an attempt to explore how the European experience of proletarian culture and photography was circulated and appropriated by the Spanish cultural universe. I believe that during these years Spain became a production hub and disseminator of political iconography which later spread to Mexico and Latin America.
Resumo:
The hinterland of northern Paraná recorded in photographs held by Amedeo Boggio (1901-1967) is the motto to reflect on the technical ideologies for geographical mapping in the first decades of the twentieth century, the use of photography as documentary evidence and reading a group of photographs depicting the daily life of an exploratory and pioneering mission.
Resumo:
This article analyzes and discusses the experience of time in old age through the relations of the elderly with photography. We did photography workshops with a group of elders exploring with them the sense of the photographic act death, as an act of freezing and stopping time and also the sense of exploring the future to create, through the photographic act, an image that can symbolize moving on in life.
Resumo:
Pós-graduação em Artes - IA
Resumo:
In the Brazilian public archives,it is not unusual to find photographs recording the daily school educational institutions since at least the early twentieth century. The historian often has conceptual difficulties in dealing with the photographic documentation as a research source. The current workproposes to present the debate over the use of photographyas a privileged source for research on Education History. Photography can be an instrument of knowledge and information for observers awayfrom the place and time in which the images originated. Its contents have been tentativelyused in researchfor the Historyof Education. The methodologyof this studywill approach the ideas proposed byBoris Kossoyand Susan Sontag on photographyas a record of realityand its use in historical research. As interlocutors with the ideas of these three authors will be presented photographs of reports from the Regional O ffice of Education in the 1930s,preserved in the Public Archives of São Paulo. It is the purpose of this study to help researchers in History of Education in methodological reflection on the use of photographs as documentarysource of research.
Resumo:
The paper discusses the use of photographic images in books for children. It identifies the proportion of books for children in Brazil using the photographic image, as well as what categories of books are applied. Elaborates an analytical discussion based on the example of the book Quadrille by Roger Mello, arguing about some characteristics of the use of the photographic image in the literature aimed at children.
Resumo:
The paper provides a discussion of the language of modern and contemporary photography ressaltanto some of its peculiarities. Through a historical survey and an analytical process some images and point it was possible to describe the evolution of the photographic expressive modern to contemporary stage.
Resumo:
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Resumo:
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Resumo:
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)
Resumo:
O presente trabalho teve por objetivo avaliar quantitativamente as informações obtidas por diferentes tipos de fotografias. Os estudos basearam-se em fotografias pancromáticas, coloridas e infravermelhas coloridas de uma área teste localizada no município de Campinas - SP. A cobertura fotográfica denominada Missão 96 resultou da colaboração científica entre INPE - Instituto de Pesquisas Espaciais, NASA - National Aeronautics and Space Administration e IAC - Instituto Agronômico do Estado de São Paulo. A rede de drenagem foi o elemento de comparação tendo sido estudados dois parâmetros: número de segmentos de rios e comprimentos de rios. A rede de drenagem foi estudada em monoscopia e em estereoscopia, onde as medições foram efetuadas em amostras circulares de 10 km² (parcelas), sendo que o delineamento experimental foi o de parcelas inteiramente casualizadas. Os dados obtidos foram utilizados para avaliar a eficiência de cada tipo de fotografia, para; os parâmetros considerados. Para as condições estudadas, obteve-se as seguintes conclusões principais: a) a fotografia infravermelha forneceu maior número de informações comparativamente às fotografias pancromáticas e coloridas, as quais ofereceram resultados semelhantes; b) os resultados obtidos pela análise monoscópica da fotografia infravermelha foram semelhantes aos resultados obtidos pela análise estereoscópica da fotografia pancromática, o que pode facilitar bastante o processo fotointerpretativo.
Resumo:
Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)