Discurso empresarial: o house-organ como instrumento ideológico nas organizações

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Raduan Nassar e a lavoura dos dizeres: entre Provérbios e Cantares

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A filosofia da linguagem de V. Voloshinov e o conceito de ideologia

Este trabalho trata da concepção de ideologia que atravessa e constitui a filosofia da linguagem de V. Voloshinov, um dos membros do Círculo de Bakhtin. Ele tem por objetivo lançar novas luzes sobre alguns pontos complexos e delicados da concepção global de ideologia sustentada por Voloshinov, acerca dos quais os estudiosos do grupo russo ainda não chegaram a uma definição ou a um consenso. A exposição se organiza em torno de três pontos: 1) a ideologia enquanto elemento estrutural da sociedade; 2) a ideologia enquanto campo dos signos; 3) a ideologia enquanto representações do real. A reflexão centra-se nas formulações nas quais Voloshinov avança com base naquilo que suas fontes teóricas já haviam proposto, principalmente no que tange à articulação da ideologia com a linguagem. Espera-se que o trabalho possa chamar a atenção para a importância de uma recuperação desse conceito e de sua articulação com outros formulados ao longo da trajetória teórica do Círculo de Bakhtin, como o de diálogo, com vistas a um enriquecimento cada vez maior dos trabalhos de análise do discurso de orientação bakhtiniana.

A redação na prova do ENEM: uma análise dialógica do discurso

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

O gênero entrevista pingue-pongue na esfera do jornalismo cultural

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

Análise de ofícios sob uma perspectiva bakhtiniana

The objective of this work is to describe the particularities of the official letter genre, according to theoretical perspective of the Russian philosopher of language Bakhtin. The discourse genres, in this perspective, presented in relative stability, being affected by alterations occurred in the activity sphere where they circulate, for the ideological values that produce the speeches of this sphere and for the dialogic relations with other genres and spheres. It is intended to show as the official letter, in the public departments, although the stability acquired for its formal style, objective, reveals in an instability permeated for the thematic aspect, compositional and until stylistic. For realization of this analysis, were select sixty official letters of the public town administration sphere of the city of Araraquara, produced in the months of February, March and April of 2011. The official letters were separate in two groups for subject: repayment; diverse subjects. The methodology uses the dialogic boarding of the discourse used for the circle of Bakhtin

As Correntes digitais em perspectiva dialógica

Ce travail est consacré sur la perspective dialogique d'étude d'un type de texte assez bien populaire sur les médias numériques; appelés par chaîne, il s'agit des messages qui sont transmises par e-mail de façon très rapide et de large propagation parmi ses usagers. La recherche a par objective principal analyser les discours véhiculés par les appelés chaînes, en abordant ses thèmes plus recourants, liées aux concepts de dialogue et genre, présents sur les travaux du Circule de Bakhtine. Par constitution du corpus ils sont allés sélectionnées des chaînes transmises par e-mail entre les années de 2009 et 2011. Dans l'analyse du matériel collecté on a découvert des différences plus généralistes que nous ont permis sa organisation en trois différents grands thèmes: religieuse, relations et utilité publique. Les chaînes composées par la thématique religieuse amènent une mode d’interpellation assez très incisif, direct et explicite à son destinataire, pour qu'il puisse renvoyer le message reçu à des autres destinataires. Il s'agit d'un appel, souvent, coactif et menaçant, avec le but aussi de persuader le destinataire à adhérer au discours religieux contenu dans le message. Le discours religieux des chaînes est configuré d'une façon de défi, ou test, pour lesquelles il y a une promesse de récompense. Le deuxième type de chaîne analysé explore le thème des relations homme/femme et interpelle son destinataire d'une façon suggestionné et non coercitive

Gênero discursivo cinema, o filme musical: análise dialógica de Across the Universe

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O discurso sobre a concisão na Revista Língua Portuguesa

The objective was to seek positive and negative values that guide the discourse on conciseness and understand how this concept is understood in speeches in the media when taking the theme of text production. The corpus of work consists of two materials of Portuguese Language Magazine on this topic. The analysis of the corpus was made from Bakhtinian discourse studies, especially considering the concepts of dialogue, utterance and speech genres. The research considers mainly as Bakhtin Circle conceives the production of meaning. At the end, we believe it is important to reflect on the definitions that guide the discourse of conciseness, far in practice they are consistent with our reality of writing

O processo de institucionalização sociocognitiva do domínio de Organização do Conhecimento a partir dos trabalhos científicos dos congressos da ISKO

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Imagens do professor na Revista Língua Portuguesa: considerações sobre ethos e representação

In this paper, we analyze reader’s letters of the first copies of the Revista Língua Portuguesa. This work aims to expand the study of the relations, in this magazine, between discourses that come from different spheres of communication, as the Bakhtin Circle considers. The intention is to develop by studying the speech genre “reader’s letter” a reflection on the construction of the recipient’s image in the journal, i.e. the teacher. It is analyzed the discursive ethos and the representation of the teacher created by the readers.

A ironia de Geni e o Zepelim: sujeitos, poderes e mundos no tempo da suspensão

The purpose of this article is to analyze the song "Geni e o Zepelim", by Chico Buarque, from the point of view of the social voices present and orchestrated by the narrator. The hypothesis is that the image of the song uncovers the nation´s prejudice by criticizing the hypocrisy conducted by the narrator. In order to do so the song is used as the corpus of analysis, which is taken as a discursive arena where social voices discuss and combat. Therefore, it is possible to analyze the criticism regarding prostitution prejudice and Geni a transvestite inflicted ironically by the narrator’s voice – projected by the authorship in the song. Based on the dialogism present in the subjects voices in the lyrics, considering Bakhtin´s Circle perspectives. The center of analysis is the ironic relationships of power because the subjects position symbolize distinct social power spheres, which by irony are relativized. Therefore, thinking about these relations means reflecting about the construction of a certain speech in time and space, which collaborates with the reconstruction of subjects and social realities.

No centro da periferia, a periferia no centro

Th is article proposes a refl ection on the chronotope, considering its infl uence on the forms of cultural expression coming from segregated urban spaces in Brazil. Th e article deals, specifi cally, with Carioca Funk as a cultural expression and an integral part of the hip hop movement in Rio de Janeiro. With this aim in view, this work is based on the Bakhtin Circle proposals and some sociological refl ections on the approached subject.

O corpo do corpo de Arnaldo Antunes: representação sígnica dialógica

This article talks about the relationship between the body and sign, from the ideas of the Bakhtin Circle. The corpus analyzed is the spectacle Body (2000), designed from a disk of the same title (2000), by Arnaldo Antunes (AA). The aim is to reflect on the expressiveness of the body as a sign and the signic body, since the dialogue between the word (the song) and the body in action makes up the human architectural spectacle.