46 resultados para 429999 Other Language and Culture


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This retrospective study analyzed the HLA-B*27 alleles in a group of 20 consecutive patients with the diagnosis of Reiter syndrome (RS) followed in a tertiary referral university hospital in Brazil, during the period 1990-2006, and compared the data with that observed in other patients with spondyloarthropathies followed at the same institution. Eight cases were associated to gastrointestinal infection, eight cases to previous urethritis, and four cases presented no established preceding infection. HLA-B*27 alleles were typed by polymerase chain reaction-amplified DNA hybridized with sequence-specific oligonucleotide probes (HLA-B*2701 to HLA-B*2721). They were compared to a group of 108 patients with ankylosing spondylitis (AS), 40 with undifferentiated spondyloarthropathy (uSpA) and 111 healthy controls. Among the 20 patients, 17 were HLA-B*27 positive (85%). Two HLA-B*27 alleles were observed: HLA-B*2705 (65%) and HLA-B*2702 (35%). In the other spondyloarthropathies, the observed alleles were HLA-B*2705 (90% in AS and 92.5% in uSpA), HLA-B*2702 (8% in AS and 5% in uSpA), HLA-B*2704 (1% in AS and 2.5% in uSpA) and HLA-B*2713 (1% in AS). Among the 111 healthy controls, 80% presented HLA-B*2705, followed by HLA-B*2702 in 10%, HLA-B*2703 in 6%, HLA-B*2707 in 3% and HLA-B*2713 in 1%. Concluding, in the HLA-B*27 positive patients with RS in this study there was predominance of HLA-B*2705 allele, in a lower frequency than that observed in patients with other spondyloarthropathies and healthy controls.

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This paper presents methodological considerations related to the study of the plant lexicon of the Juruna ethnic group, an indigenous people of the Xingu Indigenous Park, Mato Grosso State, Brazil. The language of this ethnic group, along with that spoken by the Xipaya, belongs to the Juruna family of the Tupi stock. It is a tonal language with SOV syntactic structure (Fargetti 1992, 2007), and presents interesting processes of reduplication (Fargetti 1997). Part of our broader research project on the lexicology and lexicography of the language, research on the Juruna plant lexicon is still in development, together with studies of other semantic fields such as birds, material culture, and kinship relations. However, it is already possible to see interesting linguistic issues involving word formation, as well as issues of the relationship between language and culture (especially those related to “perspectivism”). These issues are presented in this paper.

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Three Paracoccidioides brasiliensis antigens, namely a culture filtrate preparation, a somatic antigen and a mixture of equal parts of the two, were tested by two serological techniques against sera from patients with paracoccidioidomycosis, and in an in vivo delayed hypersensitivity model in mice. The antigen mixture was more sensitive than the two individual antigens for the evaluation of humoral and cellular immune response to P. brasiliensis, both in man and in experimental animals.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This article presents a short study about the literary work of Brazilian writer Caio Fernando Abreu (1946-1996). In order to study his formal and thematic choices, we established criteria based on concepts like motif and plot (dramatic situation), as developed by Tomachevski (1976). A specific articulation between motives and dramatic situations establishes four nuclei of Abreu's literary production, which is characterized by a literary experimentation with these elements and it constructs an organic work that makes itself and/or is made in a dialogic way (Bakhtin, 1981). Firstly, the main characteristics of the four nuclei and the books that embody them will be presented. Then, we will describe how the motives and dramatic situations are re-elaborated from one nucleus to another. Not only does each nucleus features some new elements, but also contains remainders of previous ones. As such, each of Abreu's works can be considered as both the same and unique.

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This article analyzes the short story Folha rota (1878) by Machado de Assis, taking to account the transformation process of the patriarchy, bearing in mind it's decadence within the increasing urbanization context through 19th century. From the representation of female characters and their everyday's life in the narrative, we discuss the violence experienced by free and poor women involved in the inherent power relations in that society. In this perspective, we intend to indicate an interpretation of literary work as an important device of social criticism, as much as, to give a contribution to an accurate comprehension of Machado de Assis's work, especially his short stories.

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Based on an analysis of Electra by Sophocles, it is proposed that the central concern of the dramatist is not the matricide of Clytemnestra itself. Sophocles invites the audience to reflect, as though they were the jury in a law court, on the legality of the actions of Electra. The play is thus a contribution to the debate on Justice in Greek society initiated almost two centuries previously.

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Cette étude propose, à partir de quelques conceptions de littérature qui circulent dans le domaine de la critique littéraire, une approche théorico-critique. Pour ce faire, on partira de la vision platonicienne et aristotélicienne, pour ensuite discuter les contradictions observables dans les concepts mêmes de littérature. A la fin, on se décidera pour une conception spécifique, en raison de sa flexibilité.

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Considering the importance of significations in literary works, this paper proposes a comparative study of the image of the Doll's House in Henrik Ibsen's play ADoll's House (1879), and Katherine Mansfield's short story The Doll's House, published in the book The Dove's Nest (1923), based on the theories of Gaston Bachelard and Jean Baudrillard. In both cases, one notices that the presence of this image indicatesnot only the construction of these works' environment, but also a criticism of the bourgeois model of a perfect and flawless society, as the described image refers to. However, even though this image shares the same idea in both works, it will be explored differentlyin each case, whether through the search of Nora's character in escaping social conformity as in Ibsen, or through the subtle childlike game experienced by the Kelvey sisters, asin Mansfield.

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The problematical identity of Latin America is reflected on the recurrence of the theme in the literature created in this part of the continent. The images of Caliban and anthropophagy and the attribution of a Baroque meaning to the Latin American experience characterize an expressive part of such literature. By means of the character Amo, Carpentier's Concierto Barroco exemplifies the difficulties of the Creole elite in finding a nobleorigin for themselves in their ancestors' Europe, and in identifying themselves with it. The slave musician Filomeno and Amo naturalizes narrative, whereas Filomeno provocativelytransits between the hierarchies, turning the Baroque meaning of identity into an allegory. Jazz is a Creole, anthropophagic and Baroque product whose erased origin was replaced by the fabled narrative in the Spirituals that renewed modern music. It is important to emphasize that Carpentier created, by means of Filomeno, the unity of the American experience whose frontier is Mexico.

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Due to factors such as globalization and the demography of Hispanic countries, the Spanish language has influenced worldwide, especially since the last decade of the 20th century, mainly countries which are geographically close to Spanish American countries, such as Brazil. In this context, it is necessary to think of the linguistic variation of the Spanish language, in which we emphasize the lexical variation. As any language, Spanish has a colossal and wealthy lexicon with different varieties related to the characteristics from each region: history, culture, customs etc. This diversity influences the development, the amplification and the renewal of a language, as well as the teaching-learning process. Thus, we proposed to analyze the lexicon varieties of Spanish language entries in some Spanish-Portuguese bilingual dictionaries for Brazilian learners. In order to achieve this goal, we selected some examples of lexical variety in a corpus organized with texts of different textual genres and we verified if these lexical items are registered in the dictionaries chosen. As the corpus is organized from texts present in didactic manuals used in Brazil, our goal is to verify if the vocabulary which the Brazilian learner has contact in formal education is registered in the analyzed dictionaries.

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This article brings some of the results of a study that analyzes a hybrid course for in-service teachers in the Project Teletandem Brazil: foreign languages for all. In this project, Brazilian teachers of Spanish as a foreign language took part in a blended tandem learning course, communicating via videoconferencing with Uruguayan teachers of Portuguese as a foreign language. The aim of the study was to verify Brazilian teachers' concepts and beliefs concerning language and culture and how the teletandem interactions affected them. After the interactions, teachers' views of culture seemed to also incorporate aspects of culture as an interpersonal process, instead of the factual and static view which was previously predominant. Therefore teacher education programs must consider the possibility of conjugating theory and reflective practice through the use of videoconference tools in order to allow teachers to experience culture rather learn facts about it. © 2011 ACADEMY PUBLISHER.