165 resultados para Sociedade aotóctone (Maxakali)


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Pós-graduação em Comunicação - FAAC

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O presente Trabalho de Conclusão de Curso é o desdobramento de uma pesquisa em nível de iniciação científica, financiada pela FAPESP, que teve como objeto de estudo o jornal Correio de Bauru. Dentre os aspectos analisados, privilegiamos a postura jornalística do periódico e a aproximação com sociedade, a presença da temática urbana, as diferenças e semelhanças com os grandes jornais dos anos 1920 e, ainda, o processo de modernização da imprensa do período. Nesse percurso, adotamos a metodologia de leitura das edições disponíveis em acervo a fim de identificar seu posicionamento editorial e político, a relação com a cidade e a sociedade, o ocupado dentre outras publicações existentes no município na época, além de sua contribuição para a História da Imprensa Brasileira e do interior paulista

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El objetivo de este estudio es discutir el nacimiento del individuo moderno y el contexto de la "sociedad administrada" tomando como referencia los estudios realizados por el sociólogo polaco Zygmunt Bauman. A partir de estos dos puntos, se debate las relaciones con la institución escolar, mientras un dispositivo que pone en práctica la administración de la vida. Por último, se discute sobre el tema de la libertad, concibiéndola como un discurso contradictorio que, al mismo tiempo que toma al individuo como ser libre de determinaciones, lo inserta en nuevas formas de control, como práctica presentes en la sociedad de consumo.

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In this article we intend to discuss the type of letters produced by Cláudio Manuel da Costa when he was member of Academia Brasílica dos Renascidos basing the analyses on the ancient rhetoric, used as a model by scholars between sixteenth and eighteenth century. These documents show his filiation with academicism practices, presents evidence of his biography and his domain of two writing styles: the poetic style for which he is known, and the academic style, employed in the exercise of his function under the literate associations, confirming his actions, both in the political and intellectual framework of that time.

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The objetive of this article is discuss the question of difference and alterity presents in analyzes of contemporary society conducted by the polish sociologist Zygmunt Bauman. The author observed that human relations are guided by a logic of cost-benefit connected with values of present in the discardability of consumer society. At the same time, it has built ways of eliminating difference through the construction of a politics of expulsion of those considered strangers. For the author, the cities are the materialization of the ambivalence of live with the other people in contemporary times, being the locus of experience approach and retraction to the other expressed by fear of the difference. The result of this process is the impoverishment relational, the feeling of loneliness and an ethical-political crisis seen that could be seen from the primacy of the private/intimate rather than the public dimention/action.

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This article analyzes the human bonds in the context of contemporary society from the work of the polish sociologist Zygmunt Bauman. Taking as starting point the bond of friendship and relational virtualization process motivated by the development of new technologies, it was observed the occurrence in the present world an affective-relational impoverishment. As an alternative to this, it is argued the exercise of building and maintenance of dense bonds that provide an alternative to the bind model of momentary satisfaction, this time marks. Finally, it is indicated that the discussion of friendship necessarily imply on the problematization of contemporary ethics which will provide the foundation for building a new affective political.

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This paper addresses the role of literature in the construction of the new Brazilian society. The rescue of the cultural formation of identity values of the country, highlighting the African presence in various sectors of national life. In a project dedicated exclusively to children and young Brazilian students, aiming to demonstrate the multicultural and multiethnic existing in Brazilian culture. Literatures of Portuguese aid in the understanding of this reality.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Partimos da constatação do distanciamento historicamente efetuado entre o homem e a dança, iniciando nossos questionamentos acerca dos impedimentos localizados na cultura para tal configuração. Identificamos mecanismos de poder que estabelecem este afastamento por questões ligadas ao gênero masculino, refletindo preconceitos enfrentados por bailarinos e a criação do estereótipo do ser homem, baseados numa perspectiva empobrecida a seu respeito. Com isso nos questionamos sobre o que o homem perde ao deixar de dançar. Necessitamos tentar definir do que se trata o masculino, cuidando por abandonar os formatos fornecidos culturalmente, por estarem sob a ótica das relações de poder predominantes. Após empreendermos um esforço nesta direção, percebemos com maior clareza a função do masculino enquanto força criadora que, em consonância ao feminino, atua nas mais diversas instâncias do criar, num movimento constante que o sustenta. Neste momento nos deparamos com as formas socialmente instituidas destas duas forças e em como passaram a atuar após a perpetuação dos modos de vida patriarcais nas sociedades ocidentais. Aqui nosso foco recai sobre o processo de criação na dança e em como esta se encontra afetada com as políticas de dominação nos aspectos destacados como o gênero masculino, a multiplicidade e a intensidade. Estes aspectos, ao sofrerem limitações ocasionadas pelo formato estabelecido sobre o masculino, tornam-se pontos-chave para a análise da dança cênica brasileira em seu ensino e criação ao mesmo tempo em que mostram-se como potências de seu aspecto transformador. Percebemos processos de resistência às políticas dominantes de anestesiamento e colonização dos corpos, aqui focados sobre o homem, pensando o movimento como força capaz de subverter-se às formas dominantes limitadoras

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Dance-fight-game, art, religiosity, therapy, entertainment, ritual act, in short, "a way of being", are some of the various definitions/qualities attributed to the afro-brazilian cultural manifestation called "Capoeira Angola". Multivocal polysemic in its essence, Capoeira Angola is expressed in different languages which ranges from the types of touches of the musical instruments that make up the orchestra, through different types of songs, until we get the non-verbal communication established by the bodies of "capoeiristas" in the game and/or in the training body situation. The aim of this paper is to think of the line drawing in space, a significant problem in the execution of body movements of this practice. To address the relationship between line, efficiency and aesthetics of body movements, it is developed an ethnography in the Academy of João Pequeno de Pastinha-Sports Center of Capoeira Angola, based on anthropological interpretative approach, in which the concept of culture is semiotic.

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This article intends to inventory the medias that also cover Third Age in Brazil, in view of that all the demographic pointers reveal the accented process of aging of the world-wide population, and therefore of our country. A time that the journalists cannot ignore the changes that occur in the interior of the society, in which it is the main area of performance of the journalism, we want to understand why the Brazilian media still dedicates so little space to this phenomenon of the elderly, in contrast of what occurs in other countries. We ask ourselves, then, if the change in the way of looking at the elderly one would not have to be born inside of the University, through the young who prepare for the exercise of the profession, with citizenship and social concern.

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This article intends to inventory the medias that also cover Third Age in Brazil, in view of that all the demographic pointers reveal the accented process of aging of the world-wide population, and therefore of our country. A time that the journalists cannot ignore the changes that occur in the interior of the society, in which it is the main area of performance of the journalism, we want to understand why the Brazilian media still dedicates so little space to this phenomenon of the elderly, in contrast of what occurs in other countries. We ask ourselves, then, if the change in the way of looking at the elderly one would not have to be born inside of the University, through the young who prepare for the exercise of the profession, with citizenship and social concern. In the Course of Journalism of the UNESP/Bauru a group of future journalists is searching this subject, for this they sign this article.

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This article intends to inventory the medias that also cover Third Age in Brazil, in view of that all the demographic pointers reveal the accented process of aging of the world-wide population, and therefore of our country. A time that the journalists cannot ignore the changes that occur in the interior of the society, in which it is the main area of performance of the journalism, we want to understand why the Brazilian media still dedicates so little space to this phenomenon of the elderly, in contrast of what occurs in other countries. We ask ourselves, then, if the change in the way of looking at the elderly one would not have to be born inside of the University, through the young who prepare for the exercise of the profession, with citizenship and social concern. In the Course of Journalism of the UNESP/Bauru a group of future journalists is searching this subject, for this they sign this article.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)