Estética do gosto

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A Variação melódica da fala: um estudo da correlação entre uma análise acústica e uma análise auditiva da entoação

Pós-graduação em Linguística e Língua Portuguesa - FCLAR

A narrativa de dois Joões: um diálogo sobre identidades

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Detecção, classificação e localização de faltas de curto-circuito em sistemas de distribuição de energia elétrica usando sistemas inteligentes

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Elaboração e avaliação sensorial de pré-mistura de massa para pão sem glúten a partir de derivados energéticos de mandioca

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Santo Antônio e a vaca, um verdadeiro cinema caipira em Araraquara.

O texto analisa o filme Santo Antonio e a vaca, realizado no ano de 1958, na cidade de Araraquara. Nesse filme pioneiro, procura-se criar um cinema com narrativa e estética caipiras, mas para subverter a moderna e tecnológica linguagem cinematográfica. Santo Antônio e a Vaca resgata um tema típico das comunidades rurais, a chamadan narrativa moral na forma do “causo”, e o apresenta com acanhadas tomadas de câmera, sem a exploração dos recursos especialmente cinematográficos. O tema e a forma do filme foram adotados por seu idealizador e diretor, Wallace Leal, como uma forma de reação à demolição do teatro da cidade para ceder lugar à construção que abrigaria a prefeitura de Araraquara. À época em que o teatro foi demolido, Wallace Leal dirigia uma trupe teatral, que apresentava com certo sucesso o espetáculo que inspiraria e daria nome à fita.

Molecular and Pathogenic Diversity Among Brazilian Isolates of Xanthomonas albilineans Assessed with SSR Marker Loci

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Energetic-environmental assessment of a scenario for Brazilian cellulosic ethanol

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Brazilian genetic database of chromosome X

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Short-term effects of visitor trampling on macroinvertebrates in karst streams in an ecotourism region

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Channel arrangements and depositional styles in the Sao Lourenco fluvial megafan, Brazilian Pantanal wetland

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Clypeina tibanai, sp. nov. (Polyphysacea, Dasycladales, Chlorophyta), mid-Cretaceous green alga from the Potiguar Basin, Brazilian margin of the young South Atlantic Ocean

The fossil genus Clypeina (Michelin, 1845) comprises some 40 species. We describe Clypeina tibanai, a new species from ? upper Albian-Cenomanian strata of the Potiguar Basin, Brazil, characterised by closely set verticils of tubular, bended laterals. It is compared with Clypeina hanabataensis Yabe & Toyama, 1949, a Late Jurassic species, and with Pseudoactinoporella fragilis (Conrad, 1970), an Early Cretaceous taxon. The new species belongs to a short list of green algae found in the young South Atlantic oceanic corridor, an assemblage defining a phycological paleobioprovince discrete from that of the Tethyan realm.

Complex Call with Different Messages in Bokermannohyla ibitiguara (Anura, Hylidae), a Gladiator Frog of the Brazilian Cerrado

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O conto de Rubens Figueiredo em As palavras secretas: conto contemporâneo

We work with the storybook, As Palavras Secretas, written by carioca Rubens Figueiredo. We treat, then, the Brazilian contemporary tale. For we study the writer’s fiction, first we met a critical bibliography about the narrative and a set of diverse texts: reports, articles, press releases, interviews and essays about the author’s work. We discourse characteristics and the compositional elements of each story and noticed that they are full of symbolism and various elements that they are recurrent. Some of these narratives deal with fragmentation of the man who, indeed, is a very striking feature in the actual Brazilian tale. We meet, then, with characters who feel the need to simulate an identity and that, therefore, coexist with a strong inner conflict. Three of the tales include the unlikelihood of that work, and present, therefore, elements that escape from reality. Finally, Rubens Figueiredo, in As Palavras Secretas, presented us narratives rather elongated, unlike what was ordinary in the category of the tale, which it usually consists of a short extension narrative

A multiplicidade poética de Emílio Moura: o encanto da hora amarga

The modernist poet Emílio Moura (1902-1971) incorporates a strictly modern language regarding the imagistic suggesting a mainly poetry metalinguistic. That way, from the works Canto da hora amarga (1932) and Cancioneiro (1944) we attest, through the poetic analysis, that modernity Moura’s poetry takes place in confluences with ideas ranging from biblical tradition and come to the depersonalization of the modern I and questing. We objectify, therefore, demonstrate and explore the metalinguistic and intertextual character that results in the personification of poetry, as clarified muse. To achieve this, this same poetry undergoes a dualistic and pessimistic sentiment, baroque, the I that is divided into life and death, light and shadow; goes through a romantic feeling of anguish and desolation and reaches the multiplicity of the poetic speaker, which promotes a constant struggle with the language. More than draw a correlation between classical and modern ideas (in the sense that the poet creates depersonalization and appropriates of free, short prose or verse, typical of modernism), intend to supply, at least in part, the dearth of studies on the miner poet who has found fertile ground to question and analyze internally the role of poetry in the multiplicity of man and modern society to therefore conclude that universalism the Emílio Moura becomes distinctive and mature. Thus, we will check how poetic inflows corroborate both works for reevaluation and critical insertion of poetic the Emílio Moura in the context of modern/Modernist Brazilian literature