A recepção de O Primo Basílio na imprensa brasileira do século XIX: Caricatura, Humor e Crítica Literária

Posto à venda em Portugal, em fevereiro de 1878, o romance O Primo Basílio, de Eça de Queirós, não demorou muito para chegar às livrarias do Rio de Janeiro. O sucesso quase instantâneo da obra despertou a reação dos meios intelectuais brasileiros, em particular dos críticos literários, divididos entre a acusação e a defesa da obra quanto à moralidade. A recepção do livro de Eça também repercutiu na imprensa brasileira de caricaturas da época, embora aqui, em lugar das charges, tenha prevalecido a sátira verbal, na forma das piadas, poemas e pequenas histórias picantes, sob o influxo da crítica literária, questão discutida no presente artigo.

A carta de Caminha e o conceito de literatura na historiografia literária brasileira

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A contribuição de Lima Barreto para o entendimento da crítica educacional brasileira do início do século XX

This study aims at enhancing the understanding of the educational criticism in the beginning of the twentieth century, focusing on the ideas of Lima Barreto. Before the emergence of the "educational professionals", educational thought was developed by publicists and writers involved in a fertile debate, the results of which became visible in literary and journalistic production. Through the analysis of articles, short texts published in the press, novels and short stories written by Lima Barreto, it’s possible to gather a specific concept of education, underlying his criticism and fictional characterization of school education, as well as an interesting sketch of the cultural profile of Brazilian society at the time. Either explicitly or implicitly, in their evaluative and theoretical references, the limits of the critical readings of the author, which are expressed in the contradiction between negation of the given conditions and their affirmation, unveil the historical aspects of social and educational thinking and criticism.

Aspectos da linguagem e do espetáculo cinematográficos na narrativa literária brasileira do século XX

Pós-graduação em Letras - IBILCE

A educação do leitor em Machado de Assis: da crítica literária às Memórias Póstumas de Brás Cubas

Les textes de critique littéraire de Machado de Assis montrent la préoccupation de l'auteur avec le lecteur; mais c'est dans l'oeuvre Memorias Postumas de Brás Cubas que le lecteur aura une participation décisive dans la structure du roman.

Revista Colóquio/Letras (nº 1/1971-nº 169/2004) e a crítica literária: Eça de Queirós/Seção Ensaio

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Um estrangeiro entre nós: a produção crítica de Paulo Rónai (1907-1992) no Suplemento Literário d'O Estado de São Paulo

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

O discurso da crítica literária universitária: sobre James Joyce e Ulysses

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Reinventando o Brasil : Manoel Bomfim e a crítica à historiografia brasileira

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A angústia de Prometeu: a Crítica Literária e os conflitos de Harold Bloom

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Entre o acadêmico e o jornalístico: análise da coluna de crítica literária Prosa de Sábado, do suplemento Sabático

The literary criticism was developed in Brazil in the period that comprehends the end of the 19th century and the beginning of the 20th century. During that time, the mean of dissemination of the criticism were the footnotes of the newspapers, places in which literature was discussed and the critics expressed their personal impressions about literary works with the objective of orientating the good taste of the readers. With the progressive evolution of journalism and of the newspaper's audience, the criticism columns became incompatible with the informative part of the periodicals, being transferred to the literary supplements, during a transition phase, until it was concentrated in the universitary field. This change in the paradigms of the production of criticism also caused a change in the profile of the literary critics and in the criteria to do the criticism. Before, if the critics were professionals that only needed to have enough erudition to judge the literary works, they turn into literature experts and need to use scientific methodologies in the literary analysis, while the cultural journalist begins to look at the events and literary works as products which belong to a market that needs to be reported. This research proposes studying and comparing the critics published in the column Prosa de Sábado, of the literary supplement Sabático, produced by Silviano Santiago, critic of an academic origin, and Sérgio Augusto, journalist critic, with the objective of identifying similarities and contrasts between them, and analyse the relation of this critics with their distinct fields of literary legitimation, as well as reflecting about the presence of the literary criticism and of the critics in the current press

O lugar de Otto Maria Carpeaux no campo da crítica

The paper studies Otto Maria Carpeaux`s work in the context of Brazilian literary critic in the decades of 1940-1950. Starting from Pierre Bourdieu`s theoretical formulations about field concept, are set reflections concerning the place occupied by Carpeaux in the light of paradigm shifts occurred in the criticism field and new processes of legitimation resulting from this situation.

Jornalismo e crítica literária em Sérgio Augusto

The aim of this article is to analyze the journalistic elements existents in Sérgio Augusto’s literary criticism, in the column Prosa de Sábado, from the Supplement Sabático of the newspaper O Estado de S. Paulo. From the methodological point of view, it is guided by the studies of Pierre Bourdieu’s field theory. In addition, it discusses the relations between literary criticism and journalistic criticism based on Silviano Santiago and Flora Süssekind’s reflections, looking for establishing connections with the journalistic elements that inform Sergio Augusto’s literary criticism.

Ver-se no verso, intimamente: Nádia Battella Gotlib

In this paper, we discuss the intellectual trajectory of Nadia Battella Gotlib – teacher, researcher and critic of Brazilian Literature whose work stands out for its approach to women’s artistic production and also the relationship between literature and biography.