Sou dessas mulheres que s�� dizem sim : As mulheres descritas na poesia de Chico Buarque de Holanda

This dissertation approaches the question of gender as a vehicle of identity in contemporary discourse. It attempts to (de)construct the hegemonic masculine discourse, breaking with the binarism masculine/feminine and uses premises of the queer theory, which proposes post-modern literary discourses in relation to the notion of gender identity. In this context, we focus the discourses present in Chico Buarque s songs taken as feminine representations they contrast with songs of former songwriters trying to understand the break of the dichotomy masculine/feminine

A po��tica da criouliza����o em Chico Science & Na����o Zumbi: an��lise de tr��s can����es do ��lbum Afrociberdelia (1996)

This work discusses about the relationship between literature and song. In this sense, in the music scene of Chico Science & Na����o Zumbi suggest an esthetical freedom, approaching songs to oral literature. Linked to that, this research aims to analyze three songs from the Afrociberdelia (1996) album, composed by Chico Science & Na����o Zumbi, namely: ���Mateus Enter���, ���O Cidad��o do Mundo��� and ���Etnia��� (the three first songs from this disco). This analyzis aim to clarify how those songs untie or loose the knots of colonial segregation (MIGNOLO, 2003). For that, we dialogue with a comprehension of ���creolezation��� as used by Glissant (2011; 2005), that studies hybridism from a post-colonial perspective.