Humor gr��fico: o sorriso pensante e a forma����o do leitor

This research investigates the graphic humor, in particular the political cartoon and the cartoon, texts characterized by mixing visual-oral language, and its contribution in the formation of the reader. Recovers the main theories about the comicality in general and verifies the presence of these concepts into the texts of graphic humor and how they articulate themselves within the process of seducing the reader. Grounded in the studies of Umberto Eco about the cultural industry products and its relations with the literary theories and the aesthetics reception. After analysing texts of graphic humor, the study concludes that the triad, image-word-humor reveal a sophisticated arrangement which allows the reader to practice effectively the political cartoons and cartoons of production, of sense, cooperating in such a singular manner to the formation of a reflexive reader

Cartografias do desejo em asfalto selvagem - engra��adinha, seus amores e seus pecados: humor, erotismo e o porn��grafo no romance rodrigueano

Trata-se nesta disserta����o de estabelecer, partindo do pensamento contempor��neo franc��s da linha deleuziana e guattariana, sobretudo, uma anal��tica do desejo capaz de reconfigurar o romance de Nelson Rodrigues, Asfalto selvagem: Engra��adinha, seus amores e seus pecados, desterritorializ��-lo em rela����o �� tradi����o cr��tica e est��tica, fundada no paradigma realista-naturalista enraizado no pensamento liter��rio brasileiro, especificamente no s��culo XX. Movemo-nos por discuss��es sobre o autor e sobre o romance, empreendidas por Rolnik, interlocutora de Guattari, o qual est�� ligado aos novos paradigmas est��ticos, �� quest��o da produ����o de subjetividades, �� micropol��tica, ��s multiplicidades e ��s minorias. Buscamos contribuir para esse redimensionamento, colocando-nos na perspectiva cartogr��fica e rizom��tica para surpreender, em Asfalto, seus processos de subjetiva����o, incidindo sobre as singularidades selvagens, considerando os conceitos de Foucault, aplicados �� constru����o liter��ria enquanto espa��o heterot��pico, configurando a experi��ncia do fora, como princ��pios est��ticos. Veremos que as personagens, com foco em Engra��adinha, funcionam, como pequenas m��quinas desejantes, Corpos sem ��rg��os, mol��culas desestabilizando as forma����es molares. Destarte, Nelson Rodrigues, na perspectiva da produ����o autoral, torna-se o porn��grafo, o literato iterador, como agenciador de uma palavra perversa, para al��m dos dogmas, da cena romantizada, originando, em sua po��tica, a revela����o da obs-cena, a obscenidade, como cr��tica ��s institui����es falidas. Trazemos, nesse sentido, refer��ncias de Bataille, quanto ao que na atividade est��tica se relaciona com o excedente da vis��o, relacionados ao espa��o t��tico-��tico, concep����o deleuziana referentes ao corpo-linguagem, pornografia, porn��grafo, narrativas abomin��veis. Acompanhamo-nos, pois, dos conceitos da problem��tica da diferen��a e da alteridade, repercutindo na larvaridade, nas afec����es, que abrem vias comunicantes com fen��menos extremos, atuantes em torno do mesmo e do outro, trazendo a rizomaticidade do mal e da monstruosidade para a constru����o est��tica de Asfalto selvagem, vistos sob a ��tica de Bataille, Deleuze, Baudrillard, em ensaios que rompem o olhar estrutural em torno da obra e oferecem subs��dios para a constru����o de uma cartografia outra, o territ��rio do ficcional, habitado por um povo por vir, na perspectiva tratada por Deleuze e por Blanchot

Entre Mill��r e Derrida: o humor enquanto experi��ncia da alteridade e do imposs��vel

Brazilian humorist Mill��r Fernandes has a widespread work, from literature to visual arts and journalism. Yet there is the indelible mark of humor, wherever it is. In this dissertation, I propose a reading of his work by deploying French philosopher Jacques Derrida, emphasizing how the construction of the other happens. I aim at Mill��r Definitivo: A B��blia do Caos, but other works will be contemplated when necessary. In order to carry out the analysis, I will offer a general exposition of Millorian work (especially Mill��r Definitivo:A B��blia do Caos) and a general sketch of Derridian philosophy, centered on his discussion on Western philosophy, literature and alterity. At the analysis itself, I will set the methodological axis on the quasi-concept of invention. The analysis shall stress the hypothesis of humor as the experience of alterity and impossible, showing off the humorist as the totally other. In the Millorian text, that experience is characterized by conflictivity, without possibility of resolution

O Macrog��nero drama Norte-Riograndense: uma an��lise de g��nero e de discurso sob a perspectiva da lingu��stica sist��mico-funcional

The focus of this qualiquantitative research is the phenomenon we are denominating Drama-of-Rio-Grande-do-Norte, which contemplates short verse texts from the oral tradition, sung and presented on stage by women in communities on the south coast of the northeastern Brazilian State, Rio Grande do Norte. This tradition harkens to the medieval romance of the Iberian Peninsula (CASCUDO, 2001; GURGEL, 1999; GALV��O, 1993; MAGALH��ES, 1973; ROMERO,1977). The objective of this research is to: identify what characterizes the genre Drama of Rio Grande do Norte; situate this genre within a systemization of genres from the oral tradition in Rio Grande do Norte; investigate the interpersonal relationships of power and solidarity through the role of the women in the discourse, how they see themselves and others, pointing out which elements of the world they evaluate and to identify representations of the feminine in the discourse. The theory of Genre and Register of Martin and Rose (2008) and Generic Structure Potential of Hasan (1989, 1996), which has as a base the Systemic Functional Linguistics of Halliday and Matthiessen (2004), Eggins (1994) among others, offers a theoretical framework for the characterization of the genre through the identification of stages and phases configuring its typology the individual schematic structure and its topology its relation to other phenomena in the oral tradition. Other groupings were mapped of the ‗Macrogenre , from the model of Martin and Rose (2008) as a continuum on two axis: between the poles of how the genre circulates orally x in writing, and recited/individually x staged/collectively; as well as mapping the samples with relation to power using the same model, but with the poles of individual voice x collective voice on an axis between increased power and diminished power. Eleven texts described as Narratives and one Anecdote were selected for the analysis of Attitudes, and Negotiations of power. Through the quantification of semantic discursive resources in the discourse systems of Appraisal (MARTIN; WHITE, 2005) and of Negotiation (MARTIN; ROSE, 2007), as well as reflections about humor (EGGINS; SLADE, 1997) we identified the Attitudes and the Negotiations of interpersonal roles. The quantification is based on the theories of Corpus Linguistics (BERBER SARDINHA, 2010), using WordSmith Tools 5.0 (SCOTT, 2010). Our results show that the Drama-of-Rio-Grande-do-Norte is characterized as a Macrogenre in the Community of Oral Stories, in the Family of Street Theatre/Games, composed of five genre types: Narratives, Praise, Complaints, Anecdotes, and Exemplum. The Macrogenre is characterized by its being circulated orally, staged collectively and the texts analyzed configure in differing degrees of power between men and woman. In synthesis we observe that through humor, the Drama-of-Rio-Grande-do-Norte functions to offer a space for women to voice, comment, judge and orient about social conditions in their communities, such as alcoholism, domestic violence, inequalities before the law etc., as well as circulating positive appreciations of rural/coastal culture and judgments about the behavior of members of the speech community, the role of women being to establish and reinforce norms. We anticipate possible benefits of the addition of the genre analyzed in literacy projects in the schools of Rio Grande do Norte

Experi��ncia, mem��ria e humor: representa����es sociais em as filhas do arco-��ris e em primeiras est��rias.

Este trabalho analisa rela����es da experi��ncia, mem��ria e humor e investiga representa����es da inf��ncia, da velhice, da loucura e do alcoolismo no romance As Filhas do Arco-��ris, de Eul��cio Farias de Lacerda e em contos de Primeiras Est��rias, de Guimar��es Rosa, destacando-se que meninos, velhos, cegos e loucos, mesmo marginalizados, podem ser encarados como atores sociais na forma����o das comunidades. Verifica-se que essas personagens constituem uma coletividade no sentido de evocar a representa����o de indiv��duos. Tamb��m se procura examinar pr��ticas liter��rias e culturais no ��mbito do sistema liter��rio brasileiro, com ��nfase em regionalismos, oralidade e considera����es sobre literatura e sociedade. �� desse modo que se busca observar que as obras destacadas est��o inseridas numa discuss��o moderna acerca do desenvolvimento sociocultural. Portanto, a preocupa����o desta pesquisa deriva da discuss��o moderna acerca do desenvolvimento social. Diante disso, observa-se nos textos de Guimar��es Rosa e de Eul��cio Farias um tratamento narrativo em torno dessas personagens, enfatizando que as situa����es vividas por eles envolvem experi��ncias que os levam a construir, em rela����o ao contexto social, aspectos de amadurecimento, rememora����o, compartilhamento, encantamento, viagem ao desconhecido, movimentos hist��ricos, alegrias e tristezas, sempre demonstrando uma sintonia com a tem��tica da modernidade. Assim, as condi����es sociais s��o interpretadas para evidenciar e confrontar: discrimina����o, amizade, conflito, respeito, marginaliza����o, mem��ria social. Ainda s��o estabelecidas compara����es entre personagens do romance As Filhas do Arco-��ris com as de alguns contos de Primeiras Est��rias, salientando-se considera����es sobre o narrador, as inter-rela����es, regionalismo e rela����es entre literatura, organiza����o e processo social. Esta pesquisa tem por base o conceito de sistema liter��rio consolidado idealizado por Antonio Candido e os postulados de estudiosos e te��ricos como: Walter Benjamin, Jacqueline Held, Mikhail Bakhtin, Roland Barthes, Ana Paula Pacheco, Serge Moscovici, Fran��ois Laplantine, Liane Trindade

O plantador de cidades e a cria����o do espa��o moderno : a constru����o de uma Natal moderna na administra����o Sylvio Pedroza (1946-1950)

O prop��sito deste trabalho �� analisar as transforma����es sofridas pelo espa��o urbano da cidade do Natal durante a gest��o do prefeito Sylvio Piza Pedroza (1946-1950). Neste intuito, nos esfor��amos em analisar em que sentido os discursos e as respectivas representa����es da cidade moderna foram respons��veis pela constru����o de novos espa��os na capital do Rio Grande do Norte, espa��os que por sua vez, foram utilizados para justificar duplamente a gest��o Piza Pedroza, e o pr��prio prefeito enquanto exemplos de um momento de modernidade e progresso da cidade. No intuito de responder nosso objetivo, analisamos no decorrer da disserta����o tr��s elementos fundamentais para a constru����o dessa Natal moderna da gest��o Piza Pedroza. Dentre eles destacamos as representa����es constru��das pelos jornais natalenses, recifenses e fluminense; a imagem forjada e a rela����o de legitima����o (a partir do espa��o da cidade de Natal) possibilitada pela rela����o entre C��mara Cascudo e Sylvio Pedroza. Por ��ltimo, analisamos o Arquivo Sylvio Pedroza (ASP), da Funda����o Jos�� Augusto, percebendo esse suporte como um espa��o de inscri����o do sujeito e da cidade moderna. Nessa ��ltima etapa nos detivemos na aprecia����o das correspond��ncias e nas fotografias do ASP, percebendo como essas fontes s��o fundamentais na elabora����o e sele����o das paisagens modernas da Natal da segunda metade da d��cada de 1940

Avalia����o comportamental e neuroqu��mica de ratos em dessincroniza����o for��ada: poss��veis implica����es para um modelo animal de oscila����es no humor

Bipolar disorder has been growing in several countries. It is a disease with high mortality and has been responsible by the social isolation of the patients. Bipolar patients have alterations in circadian timing system, showing a phase shift in various physiological variables. There are several arguments demonstrating alterations in circadian rhythms may be part of the bipolar disorder pathophysiology. Given the necessity for further elucidation, the goal of this study was to validate the forced desynchronization protocol as an animal model for bipolar disorder. To do this, Wistar rats were submitted to a forced desynchronization protocol which consists in a symmetrical light dark cycle with 22h. Under this protocol, rats dissociate the locomotor activity rhythm into two components: one synchronized to the light / dark cycle with 22h, and another component with period longer than 24 hours following the animal endogenous period. These rhythms with different periods sometimes there is coincidence, which we named CAP (Coincidence Active Phase) and the opposite phase, non-coincidence, called NCAP (Non-Concidence Active Phase). The hypothesis is that in CAP animals present a mania-like behavior and animals in NCAP depressive-like behavior. We found some evidence described in detail throughout this thesis. In sum, the animals under forced desynchronization protocol were more stressed, showed an increase in stereotypic behaviors such as grooming and reduction in other behaviors such as risk assessment and vertical exploration when compared to the control group. The CAP animals showed increased locomotor activity, especially during the dark phase when compared to controls (rats under T24) and less depressive behavior in the forced swim test. The animals in NCAP showed a higher anxiety in elevated plus maze, but they don t have ahnedonia. The animals under dissociation have more labeled 5HT1A cells at the amygdala area, which appoint that they have more amygdala inhibition. Taking these data together, we could partially validated the forced desynchronization protocol as an animal model for mood oscillations