3 resultados para topological complexity

em Lume - Repositório Digital da Universidade Federal do Rio Grande do Sul


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The recent advances in CMOS technology have allowed for the fabrication of transistors with submicronic dimensions, making possible the integration of tens of millions devices in a single chip that can be used to build very complex electronic systems. Such increase in complexity of designs has originated a need for more efficient verification tools that could incorporate more appropriate physical and computational models. Timing verification targets at determining whether the timing constraints imposed to the design may be satisfied or not. It can be performed by using circuit simulation or by timing analysis. Although simulation tends to furnish the most accurate estimates, it presents the drawback of being stimuli dependent. Hence, in order to ensure that the critical situation is taken into account, one must exercise all possible input patterns. Obviously, this is not possible to accomplish due to the high complexity of current designs. To circumvent this problem, designers must rely on timing analysis. Timing analysis is an input-independent verification approach that models each combinational block of a circuit as a direct acyclic graph, which is used to estimate the critical delay. First timing analysis tools used only the circuit topology information to estimate circuit delay, thus being referred to as topological timing analyzers. However, such method may result in too pessimistic delay estimates, since the longest paths in the graph may not be able to propagate a transition, that is, may be false. Functional timing analysis, in turn, considers not only circuit topology, but also the temporal and functional relations between circuit elements. Functional timing analysis tools may differ by three aspects: the set of sensitization conditions necessary to declare a path as sensitizable (i.e., the so-called path sensitization criterion), the number of paths simultaneously handled and the method used to determine whether sensitization conditions are satisfiable or not. Currently, the two most efficient approaches test the sensitizability of entire sets of paths at a time: one is based on automatic test pattern generation (ATPG) techniques and the other translates the timing analysis problem into a satisfiability (SAT) problem. Although timing analysis has been exhaustively studied in the last fifteen years, some specific topics have not received the required attention yet. One such topic is the applicability of functional timing analysis to circuits containing complex gates. This is the basic concern of this thesis. In addition, and as a necessary step to settle the scenario, a detailed and systematic study on functional timing analysis is also presented.

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Esta dissertação discute a leitura de textos imagéticos a partir da perspectiva da educação e da semiótica visual, tratando das articulações e relações entre os elementos constitutivos da imagem em livros de literatura infantil sem texto verbal. A investigação busca revelar, na complexidade das relações existentes entre elementos estruturantes das imagens nos livros O caminho do caracol e Cena de rua, o sentido que se inscreve no texto e a possibilidade da sua leitura no meio escolar. As obras literárias para a infância veiculam a linguagem visual em junção com a verbal e propiciam experiências sensíveis e inteligíveis. A partir da teoria semiótica greimasiana, aplicando instrumentos de análise do percurso gerativo de sentido, a pesquisa demonstra que o texto imagético é estruturado por diferentes níveis de complexidade, impondo um modo de ler específico. A identificação, descrição, classificação, bem como as relações entre as categorias, nas suas dimensões cromática, eidética e topológica, levam à constatação que as qualidades plásticas da imagem organizam sistemas de linguagem, reunindo solidariamente o plano da expressão e do conteúdo, criam estruturas e geram efeitos de sentido. A imagem, então, constitui-se como objeto de significação e a ilustração presente no livro de literatura infantil, ao ser tratada como texto lisível, torna-se objeto de leitura. A complexidade desse tipo de texto aponta a necessidade da formação específica de professores para explorar a leitura escolar das linguagens visuais.

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This doctoral dissertation analyzes two novels by the American novelist Robert Coover as examples of hypertextual writing on the book bound page, as tokens of hyperfiction. The complexity displayed in the novels, John's Wife and The Adventures of Lucky Pierre, integrates the cultural elements that characterize the contemporary condition of capitalism and technologized practices that have fostered a different subjectivity evidenced in hypertextual writing and reading, the posthuman subjectivity. The models that account for the complexity of each novel are drawn from the concept of strange attractors in Chaos Theory and from the concept of rhizome in Nomadology. The transformations the characters undergo in the degree of their corporeality sets the plane on which to discuss turbulence and posthumanity. The notions of dynamic patterns and strange attractors, along with the concept of the Body without Organs and Rhizome are interpreted, leading to the revision of narratology and to analytical categories appropriate to the study of the novels. The reading exercised throughout this dissertation enacts Daniel Punday's corporeal reading. The changes in the characters' degree of materiality are associated with the stages of order, turbulence and chaos in the story, bearing on the constitution of subjectivity within and along the reading process. Coover's inscription of planes of consistency to counter linearity and accommodate hypertextual features to the paper supported narratives describes the characters' trajectory as rhizomatic. The study led to the conclusion that narrative today stands more as a regime in a rhizomatic relation with other regimes in cultural practice than as an exclusively literary form and genre. Besides this, posthuman subjectivity emerges as class identity, holding hypertextual novels as their literary form of choice.