Bunker-de-bunk 2012

Gallery X series

The catalogue documents Bishop & Reis' "Gallery X Series" exhibited at three different spaces - WestWing Gallery (West Space), Seventh Gallery and Geelong Gallery - over three years. The series, in which they built and exhibited scale models of actual gallery spaces, sought to ask questions about the gallery system, its values and the relationship the viewer has to the work of art.

Oddsocks at the Melbourne Fringe Festival : a methods paper for using an arts installation in promoting public health

Installation art involves using everyday objects and spaces in an unusual way to gain attention and encourage interaction. While arts-based projects have the ability to inform and provoke interest, few have focused on public health. Oddsocks was conceived as a public health installation as part of the annual Melbourne Fringe Festival, with a primary aim to raise awareness concerning the importance of exercise and foot health. Promoting such underserved public health issues creates specific challenges which have been typically under-reported. This methods paper focuses on how these challenges can be met through arts-based initiatives and arts-based inquiry.

Stone soup installation

This installation work sets out a number of proposals for future collaborations with the Southwest Victoria regions communities. Through a series of drawings/ diagram that focus on particular aspects of the region: stone walls, eel weirs. The concept for the work is taken from the folktale of travelers who come to a village asking for food and when denied, they make a magical stone soup which only need a few garnishes. in the end the traveler have enough soup for the entire village. this stands as a allegory of the way artist engage with community and induce cooperative activities a through the trickery of art practices by which all can partake and produce common, mutually beneficial experience.

A case study of ground response due to diaphragm wall installation

The purpose of this research is to investigate the ground response due to diaphragm wall construction using three-dimensional numerical modelling. In this study, the commercial finite difference method software, FLAC3D, and the finite element upper and lower bound limit analysis methods are employed. In addition, a range of factors are investigated. They include the dimensions of the single panel, overconsolidation ration (OCR), soil stiffness (E/su), and the height of the bentonite slurry. The solutions from the numerical upper bound limit analysis method are used for comparison purposes. The results obtained indicate that the above factors do have influence on ground response in terms of its stability and displacements. The discussion in the paper can be utilised as the reference for practical designs.

"Recognition" : Interactive motion tracking installation with neural network agent performer

Public installation running throughout the night at Cube 37 gallery. Morphing forms are projected onto the glass front of the gallery, facing the street. Human perticipants interact with the forms whose morphology changes with the movements of the participants. When no human participants are present, a neural network based agent that has learnt how to dance from a trained dancer, takes over and the forms follow the agent's movement.

The dark ride : The history of the thematic ride as a unique model for new media and cinematic installation

This research examines the translation of the visual language of cinema into a spatial experience. An investigation into early moving images reveals the role that amusement parks played in exploring narratives using architectural spaces. The exegesis will address the history of entertainments, in particular the ‘dark ride’, which have an emphasis on narrative over and above effect.

Extensive field research was undertaken including historical sites across the east coast of the US, in search of new approaches to new media. Over twenty key popular entertainments were experienced first-hand, from Coney Island’s legendary ‘Spookarama’, to the earliest dark ride in operation, ‘The Old Mill’ at Kennywood in Pittsburgh.

Forest of gestures : video installation and performance work

Invitation to contribute to Alexander Harrisions' program 'What's Coming' resulted in 'Forest of Gestures' a 3 channel video projection and installation with a live feed component

Multimodal review: immersive installation turns audience into performers

Our responses to artwork are always subjective. Where we choose to sit in the theatre, what kind of day we've had, the heavy baggage of our personal experiences and aesthetic preferences – all these things and more affect how we respond to the event in front of us, and account for the wildly differing opinions that are evoked in the face of art.

A methodology of health information security evaluation

With the conversion of paper health records to electronic health records, the health care sector is increasingly relying on technology to maintain the integrity of and update patients’ data. This reliance on technology requires an acute level of protection from technological disasters and/or threats of human error or sabotage. Research has shown there are inadequacies in the installation and use of security controls for health information records and that current methods of security analysis lack the techniques to analyse the technical and social aspects of security. This paper reports on progress towards development of a health information security evaluation methodology based on Unified Modelling Language techniques, and discusses an imminent case study that will be used for validation of the methodology.