Migration exhibitions and the question of identity: reflections on the history of the representation of migration in Australian museums, 1986-2011

Museums and Migration explores the ways in which museum spaces - local, regional, national - have engaged with the history of migration, including internal migration, emigration and immigration.

Exhibitions as sub-brands: an exploratory study

The purpose of this paper is to explore the adoption of major exhibitions, often called blockbusters, as a sub-branding strategy for art museums. Focusing the experience around one location but drawing on a wide data set for comparative purposes, the authors examine the blockbuster phenomenon as exhibition packages sourced from international institutions, based on an artist or collection of quality and significance. The authors answer the questions: what drives an art museum to adopt an exhibition sub-brand strategy that sees exhibitions become blockbusters? What are the characteristics of the blockbuster sub-brand?

Resuming the dialogue: rhizomic actualisations

Since 1996, we have organised conferences on the discourse of the arts. The conferences have, in turn, led to a journal entitled Double Dialogues, the first of which was in hard copy under the sole editorship of Ann McCulloch and has been distributed internationally. After innumerable obstacles, we decided to situate articles, essays, exhibitions, and the like, from both these conferences and contributions related to our themes from interested parties, on-line. This refereed electronic journal deals with the discourse and practice of the arts, ranging across the visual arts, film, multi-media, dance, music, creative writing and theatre. Our decision to do this is manifold, but one of the reasons has been determined by our wish to become part of a global debate. We recognise that our interests are ones that are being experienced within academic institutions and art-centres world-wide. Before exploring the central theme of this Issue, perhaps we ought to contextualise it in terms of a journey over the last six years and into the future.

Staging modernity: the Semarang international colonial exhibition, 1914

The international exhibitions of the late nineteenth and early twentieth centuries are now generally seen as sites for the dissemination of an evolving discourse on modernity's primary theme: progress. These technological and cultural spectacles represented 'the self-congratulatory pride' of the bourgeoisie in their attainment of world power (Corbey 1994:60). The didactic function of international exhibitions lay embedded in their carefully arranged, itemised and annotated displays, as well as in the very architecture within which such displays were housed. It was a pedagogy palely echoed in every elementary classroom and school textbook of the newly created mass education systems of the day (Cote 2000a). The exhibitions were also modern in their embrace of the mass audience and their intentionally populist focus. An exhibition was intended to provide the visitor, already touched by a modern curiosity, with personal access to the wonders of modernity.

Terry Matassoni : a walk into town

An exhibition held at Stonington Stables Museum of Art, Deakin University, Toorak Campus 4 March - 12 April 2003. Terry Matassoni’s peopled urban landscapes speak of diversity and disconnectedness often depicting the isolation of people who are by necessity in close physical proximity to one another.

Deborah Walker : hommage to the infinite

Spirtuality is at the heart of Deborah Walker's enigmatically engaging works. Drawing on the interpretive nature of a philosophical world view, Walker presents a figurative structure imbued with a calmness, stillness, and sophistication. Elegantly dressed characters are warmly depicted witha touch of theatre and drama, their serene gaze gentle, sometimes melancholy and reflective. 

Descant : unlocked tongues [exhibition catalogue]

Catalogue of a solo exhibition dealing with the theme of women's place in a patriarchal society.

All that is solid melts into air : recent paintings by Barbara Bolt

Estelle Barrett wrote the text/essay for a catalogue of an exhibition of the same title by Barbara Bolt. The exhibition was held in 31 July - 20 August 2007 at the McCulloch Gallery.