Ethical behaviour: the foundation stone for entrepreneurial activity in arts organisations

Entrepreneurship is being touted as the way forward for arts organisations unsure of the level of continued government funding available and confronted with the need to ever improve. At a time when leadership and governance in cultural organisations have changed in line with cultural expectations, how is their ethical stance assessed? In an age of globalisation, economic restructuring and technological change, museums are sometimes seen to be something of a contradiction. Traditionally seen as temples for the muses, today's museums are being challenged to be ethical for society. As a solution, this paper proposes a Cooperative Model of Cultural Organisational Ethics that attempts to provide a framework by which arts organisations can put in place ethical artefacts that enhance organisational performance, rather than detract from it.

Stories from the stone age

An exploration of the revolutionary period of prehistory that began when humans abandoned the nomadic hunting and gathering existence they had known for millennia to take up a completely new way of life the decisive move to farming and herding the ration of permanent settlements and the discovery of metals setting the stage for the arrival of the worldʼs first civilisation. Stores from the Stone Age ask some intriguing questions. Why did some of our ancestors never become farmers at all? Why do some still continue hunting and gathering despite their contact with farming people and advanced technologies? How and why did our paths become uniquely shaped after emerging as a species from a single genetic family in Africa? Based on extensive research, Stories from the Stone Age takes us on a journey where we get to live alongside our ancestors as they cross between the Old and the New Worlds and into Civilisation. The series utilises detailed re-enactments and short interviews with key archaeological experts.

A quick-response real-time stepping stone detection scheme

Stepping stone attacks are often used by network intruders to hide their identities. To detect and block stepping stone attacks, a stepping stone detection scheme should be able to correctly identify a stepping-stone in a very short time and in real-time. However, the majority of past research has failed to indicate how long or how many packets it takes for the monitor to detect a stepping stone. In this paper, we propose a novel quick-response real-time stepping stones detection scheme which is based on packet delay properties. Our experiments show that it can identify a stepping stone within 20 seconds which includes false positives and false negatives of less than 3%.

Getting the real-time precise round-trip time for stepping stone detection

Stepping stone attacks are often used by network intruders to hide their identities. The Round Trip Times (RTT) between the send packets and corresponding echo packets for the connection chains of stepping stones are critical for detecting such attacks. In this paper, we propose a novel real-time RTT getting algorithm for stepping stones which is based on the estimation of the current RTT value. Our experiments show that it is far more precise than the previous real-time RTT getting algorithms. We also present the probability analysis which shows that our algorithm has a high matching rate and a high accurate rate.

Flows and catchments : stone soup

Installation of the makings of three types of soup: stone soup, axe soup and heirloom soup in accordance with the folk stories. Formed part of group exhibition of photographs, films, installations and drawings, and sound in response to the artist-researchers involvement with the Lake Bolac landscape and community and research being conducted on Charles Dawson an 18th century businessman who engaged and advocated for the cultural rights of the Indigenous peoples of SW Victoria. The aim of the research is to suggest that creative research constitutes a important way to understand and engage local communities for the purpose of exchange and cultural development. My work in particular suggest a way that artist induce community collaboration by creatively producing collaborative platforms that require cooperation and benefits everyone.

Wings or winds : inferring bat migration in a stepping-stone archipelago

Eocene ocean currents and prevailing winds correlate with over-water dispersals of terrestrial mammals from Africa to Madagascar. Since the Early Miocene (about 23 Ma), these currents flowed in the reverse direction, from the Indian Ocean towards Africa. The Comoro Islands are equidistant between Africa and Madagascar and support an endemic land vertebrate fauna that shares recent ancestry predominantly with Madagascar. We examined whether gene flow in two Miniopterus bat species endemic to the Comoros and Madagascar correlates with the direction of current winds, using uni- and bi-parentally inherited markers with different evolutionary rates. Coalescence-based analyses of mitochondrial matrilines support a Pleistocene (approximately 180 000 years ago) colonization event from Madagascar west to the Comoros (distance: 300 km) in the predicted direction. However, nuclear microsatellites show that more recent gene flow is restricted to a few individuals flying against the wind, from Grande Comore to Anjouan (distance: 80 km).

Stone soup installation

This installation work sets out a number of proposals for future collaborations with the Southwest Victoria regions communities. Through a series of drawings/ diagram that focus on particular aspects of the region: stone walls, eel weirs. The concept for the work is taken from the folktale of travelers who come to a village asking for food and when denied, they make a magical stone soup which only need a few garnishes. in the end the traveler have enough soup for the entire village. this stands as a allegory of the way artist engage with community and induce cooperative activities a through the trickery of art practices by which all can partake and produce common, mutually beneficial experience.

Stone soup drawing exhibition and workshop

This series of drawings based on the folk tale of stone soup, axe soup and other tales of travel and engagement with a new community. I also conducted a community workshop in which people drew on paper prepared by myself in which memories and placeswere the focus. As the community drawings were produce I substituted them for the ones I had produced and left them with the festival committee as a gift to the community.