8 resultados para Stendhal (1783-1842) -- Monuments

em Deakin Research Online - Australia


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Frederick McCoy contributed to the knowledge of the fossil record of the Tasmanian Devil Sarcophilus harrisii Boitard, 1842 in Victoria by including a number of figured specimens in the Prodromus of the Palaeontology of Victoria. However, an article McCoy wrote under the pseudonym 'Microzooni highlighted his anti-Darwinian thoughts and embraced a successionist viewpoint. The article, entitled 'Pre-historic Tasmanian Devils', is an interesting account of zoogeography from a successionist perspective, and is used here to contrast McCoy's anti-evolutionary viewpoint with modern Darwinian thought. A number of fossil sarcophilines discovered since McCoy's death illustrate the shortcomings of McCoy's favoured anti-Darwinian viewpoint when discussing the nature of evolution and extinction.

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Explanations of the origin and genesis of Pacific field monuments commonly assume they reflect local social change in islands or island groups which were increasingly isolated following colonization. A recent review of early West Polynesian archaeology suggests that the penecontemporaneous appearance of various kinds of field monuments from eastern Melanesia to Polynesia may be better explained as evidence of interaction and the movement of people and/or ideas, possibly associated with the colonization of East Polynesia.

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The culture and political environments of Botswana influence the collections management policy of its' National Museum, Monuments and Art Gallery. The emphasis of this research is to make the museum relevent to the needs of the local people by developing more suitable ideas. The developed policy is intended to reflect these unique needs.

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Traces the ideological formations of British colonialism using the techniques of modern European cartography to examine the practices of spatial production in Hong Kong's capital city, Victoria. This examination demonstrates how notions of British cultural identity and self-representation were inscribed throughout the colonial urban environment by considering the ways in which the British colonial authorities sought to condition, control, and maintain the organisation of space.

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The narrative of William Wallace holds a prominent position in the current conception of England as a negative referent for Scotland’s national identity—its binary “Other”, against which Wallace valiantly fought. This article considers a contrasting understanding of Scottish national identity from the late-nineteenth century, and explores the events surrounding the unveiling of a statue of William Wallace in Australia during the year of 1889. It illuminates how settlers interpreted this national hero in such a way that demonstrated loyalty to the Union and Empire, and accommodated a convergence of English, Scottish, Irish, and Welsh migrants in a British colonial city. The article highlights how statues, the ceremonies surrounding them, and their public reception help us to investigate the symbolic, ritualistic, and performative dimensions of identity formulation. It considers how public monuments, providing a sense of authority to particular groups, can marginalise others by acting to settle cultural competition, and will reflect on competing interpretations of the statue at its unveiling.