Sarah Bernhardt

Sarah Bernhardt (born Sara-Marie-Henriette Bernard, 1844-1923) is the most famous French actress of the late nineteenth century. Celebrated for her golden voice and for the sinuous flow of her slender figure on stage, she was also a theatre manager, author, sculptor, painter, and a clever businesswoman. She developed and nurtured global fame in an era when the popular press facilitated international renown. Print media as well as the emerging phonograph and film industries enabled Bernhardt to cultivate and develop her celebrity into the early twentieth century, appealing to new publics and audiences. During the First World War she became a French porte-parole for the Allied cause, appearing on stage and in a propaganda film, as well as in demonstrations and events in support of Allied troops across France and America. When Bernhardt died in 1923 at the age of 78, millions crowded the streets to watch her funeral cortège pass through Paris. This essay explores her achievements in her lifetime.

Celebrating transgressive celebrity : Sarah Bernhardt

Sarah Bernhardt (born Sara-Marie-Henriette Bernard, 1844-1923) was the most famous actress of the late nineteenth century. Celebrated for her golden voice, for her use of the spiral as the building block for movement on the theatrical stage, for an innovative use of costume and jewellery, for her patronage emerging artists, and for the business acumen that saw her fast become a household name across the globe, she was the progenitor of celebrity as we know it today. This article explores the ways in which her achievements can be considered 'dangerous' today.

New way of seeing things : Ernst Troeltsch and the theological agenda

The aim of this thesis, as set out in the Introduction, is to assess the (seminal) significance of Troeltsch as one who set the agenda for twentieth century theology, particularly modern sociopolitical theology, and whose thought still has a special relevance. The first main chapter deals with the implications of the philosophy of history for theology. The Protestant theological orthodoxy of Troeltsch's time was essential ahistorical: he thought this to be untenable. Theology had to come to terms with the historical method, which was ‘a leaven which transforms everything, and finally bursts all previous forms of theological method.’ This chapter discusses Troeltsch's work concerning the principles, the cultural matrix, and the philosophy of history. The second main chapter examines another main concern of Troeltsch, namely, the status of Christianity vis-a-vis other religions. The background to this was the increasing awareness of the existence of other religions and the question of relativity and universality which this posed. Troeltschfs major response was Die Absolutheit des Christentums in which the ideas of essence, Europeanism, and absolutism were discussed, The third, and longest, chapter looks at the impact of social theory on theology. Sociology gave Troeltsch ‘a new way of seeing things’, and this new perspective is to be seen pre-eminently in The Social Teaching of the Christian Churches. Discussion of this centres on the three main concepts that Troeltsch delineated, compromise, natural law, and church/sect typology.

Phryssonotus novaehollandiae Silvestri, 1923 : the sole Australian representative of the millipede Family Synxenidae

Examination of synxenid millipedes from a number of collections confirms that Phryssonotus novaehollandiae is the sole representative of the genus and family in Australia. P. novaehollandiae was found to have the most widespread distribution of any native Australian millipede species. It occurs in a range of well-drained habitats including heathlands, woodlands and coastal scrub. Several thelytokous (female only) populations were found in coastal areas of south eastern Australia.