Microworlds and mathematics - make a microworld melody

This article provides step by step instructions to create recognisable melodies using Microworlds melody program. It describes how the program works to create the notes. Through the writing of a program the user can recreate a familiar melody. The program allows the user to include different instruments and rests in the music, as well as the inclusion of a melody gadget which allows the user to hear notes without the programming.

The anthropomorphization of Ada Cross

The Anthropomorphization of Ada Cross is an original play and musical composition that is funded by Regional Arts Victoria and its first performance is at West Gippsland Arts Centre as part of the "Backstage Theatre Chamber Season" and the "Be Inspired Gippsland Arts Festival 2011".

Don't look down

Musical composition recorded and output as a download album. The album features 16 tracks:
1. Entangled
2. Ambient thing
3. Alight
4. Sometimes
5. Late at night
6. Don't look down
7. Treasure
8. Relent
9. Absconding
10. Silently
11. Easy now
12. Baltic winter
13. Honeymoon
14. Lament
15. Reef knot
16. Yeah

Enhancing students' experience in music composition through music notation software

A project was undertaken in a Hong Kong primary school to investigate the role of music notation software in leaching music composition. The project was divided into three stages. During the first stage, appropriate hardware equipment and software applications were installed in the school music room, and four teaching plans were developed on the models and strategies derived from findings in the local and international literature. During the second stage, these teaching plans were implemented in Grade One, Grade Three, Grade Five and Grade Six classes of the school. During the third stage, the effectiveness of these teaching activities was evaluated by comparing the experiences from the second stage to the corresponding findings from similar projects undertaken in other Hong Kong primary schools, as well as to findings from the international literature. The results demonstrated that tile visual and audio stimulation created by computer"based technology can motivate students to successfully engage in music composition. Moreover, computer"based technology provides an opportunity for students to compose music in an atonal idiom. However, a large number of students were unable to demonstrate the concept of structural design in their musical products, and one of the findings from this investigation was that teachers need to be more purposeful in their teaching by directing students to employ the technique of repetition of interesting musical fragments or phrases in order to achieve a sense of unity in their pieces.

Vertigo : Riccardo Formosa's composition technique

Riccardo Formosa has been identified as being an important and widely recognised young Australian composer. Formosa's possession of a sophisticated composition technique is central to his approach to composition and to his reputation among contemporary composers. Vertigo: Riccardo Formosa's Composition Technique aims to define the composition technique employed by Formosa. It does so by analysing the works from a number of clearly defined perspectives. The study proceeds firstly through a description of the works as a whole and their relationship to the composer’s personal history. Secondly, the note-to-note operations Formosa has employed are reassembled through a detailed examination of the scores. Thirdly, an assessment is made of the function of the various techniques within the musical texture. Lastly, a number of comparisons are made between Formosa’s work and the work of his compositional models. The study concludes that Formosa’s works show evidence of a composition technique operating effectively on different levels. The note-to-note processes, simple in themselves, are multiplied to form a complex counterpoint. On both the note-to-note level and the relationship between larger sections of the works, the controlling factor was found to be one of ‘binary expression’ in the form of symmetry or complementarity, a compositional aesthetic also held by Formosa's teacher. Franco Donatoni.