4 resultados para Media archaeology
em Deakin Research Online - Australia
Resumo:
I coordinated a series of workshops - involving researchers Merinda Kelly, Dr Jondi Keane and David Fitzsimmons - on object, space and performance which led to a major exhibition outcome for participating artists. Specifically I led a workshop with installation artist David Fitzsimmons on spatial practices.
Initiated by Courthouse ARTS and in partnership with Deakin’s School of Communication and Creative Arts Geelong hosted a fringe festival event titled 'The New Wilderness'. This is the an extract from the proposal put forward to both the board at Courthouse ARTS centre and the executive in the Faculty of Arts and Education:
Given the change in the economic foundations and demographics in the region a festival of the arts, centred in Geelong, is timely and, potentially, regenerative. In a series of workshops, events, performances and exhibitions – staged at Courthouse ARTS, open to the community and spanning the first week of September – the focus will be on risk, innovation, subversion and transformation. Incorporating each of these words as prompts one exciting project, The New Wilderness, uses the visual arts, creative writing and the performing arts to engage young people in practice and cross-disciplinary collaboration. With an emphasis on process the project will engage participants in a lab/studio environment over a week. Installation artists and Deakin staff members will facilitate an introduction and workshop on the theme, The New Wilderness, asking that participants respond: firstly in making a series of images and installations that transform space; secondly, in creative writing responses; and thirdly, in a series of short performance pieces interpreting the text, images and spaces created during the week. Participants will be on a time-line and encouraged to interpret and critically engage with the theme, each other and the issues set to transform the region – such as the disappearing manufacturing industry and the vast spaces it leaves behind.
Resumo:
Routine sand dredging for alluvial diamonds at Oranjemund on the southern coast of Namibia exposed remnants of a long forgotten Portuguese merchant ship believed to have wrecked in the 1530s. The rescue excavations yielded over 40 tons of cargo consisting of thousands of gold and silver coins, tons of copper and lead ingots, and large quantities of ivory together with food refuse, part of personal possessions and the superstructure of the ship. This paper discusses the cargo from the shipwreck. The varying provenances show that overland inter-and intra-regional networks fed into the maritime trade between Europe and the Indian sub-continent. As such, the wreck is a lens through which we can view what was happening on the seas as well as on land. Finally we consider wider issues raised by this discovery relating to the protection and management of such material wherever it may be found in future.
