139 resultados para Clarice Lispector. Literature. Media. Journalism. Woman

em Deakin Research Online - Australia


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This paper grew out of the authors’ interest in updating the journalism curriculum at AUT (Aukland University of Technology) to better reflect the impact of online media, including social media, on the work of journalists. The challenge for journalism educators is to remain relevant in rapidly changing news and education environments. Our study suggests that while the vast majority of students have some engagement with social media, particularly social networking, and are aware that it can be a powerful tool for journalists, they are still not entirely comfortable with its techniques and they are not experimenting with social media as a production platform as much as we first thought. In short, it appears that they do not have command of professional fluency with social media tools. In response to these findings we have begun to introduce some social media tools and processes directly into the units we teach, in particular: digital story-telling techniques; the use of Twitter and location-based applications; encouraging the ethical use of Facebook etc. for sourcing stories and talent for interviews; podcasting, soundslides and video for the Web, Dreamweaver, InDesign and PHP-based content management systems. We do not see the work to date as the end-point of the changes that we know are necessary, but we are acutely aware of the limitations (structural, institutional and financial) that suggest we should continue with this small-steps approach for the foreseeable future.

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Journalism Ethics and Law ignites the conversation about journalism ethics and the function of the law in today’s media. Emphasising a practical work-based approach to develop best practice multimedia journalism; this book presents a combined ethics and law experience for journalism students and uses stories and case studies to highlight the most significant questions for the practice of law and ethics today.

Journalism Ethics and Law offers readers a new way about thinking about journalism ethics and empowers future journalists to make good and ethical decisions in the field.

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Nick Dyer-Witheford’s Cyber-Marx was published nearly 15 years ago, but there are continuing echoes of its dire promises today. The trends that Dyer-Witheford outlined—the growth of tech-giants in the communications field at the expense of democratic media practices and the radical shedding of jobs in the traditional mass media context—are confirmed by recent events. In November 2013, Twitter launched itself on the public share register, despite having no visible means of financial support, or even much of a business plan. The Twitter IPO tells us a lot about the economy of cyber-capitalism. Aligned to the trend of ‘technological unemployment’ is the rise of what some commentators call ‘digital serfdom’. This is not just growing unemployment, but also drastic under-employment of talented media professionals and an alarming rise in the number of media outlets that want to pay contributors in ‘exposure’, rather than in corporeal, fungible dollars and cents. This articlediscusses these trends and events in the context of the political economy of digital communication.

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This book makes a new and significant argument that Indian news media is no longer just an observer but an active participant in the events that direct the nation. It explores the changing role of Indian news media and their performance in the past 25 years by closely examining media coverage of some landmark events within the context of India’s globalising polity, which has led to privatisation, widespread engagement with new communication technologies, and the rise of individualism. The challenges of globalisation have caused significant changes in news processes and procedures, which this volume details by examining media’s coverage of events and issues such as paid news, anti-graft movement, sting journalism, Delhi gang-rape protest, politics-media nexus and neo-liberalism’s impact on the industry’s performance.
The book places Indian media’s evolution in the context of economic, political and sociological developments in the country. It takes a multi-disciplinary approach to evaluate reportage in a multitude of media platforms. The theoretical exploration of the changes in the Indian media landscape draws from academic disciplines of ‘media studies’, ‘journalism,’ ‘cultural studies’ and ‘sociology’. This book follows the authors’ earlier work, titled Indian Media in a Globalised World (SAGE/2010).

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Bob Dylan has won this year’s Nobel Prize for Literature. The media has reported on this surprising choice by asking musicians, poets, and writers if Dylan’s songs are indeed “literature”. Irvine Welsh, the author of Trainspotting (1993), made it clear on Twitter that he didn’t think they were: If you’re a ‘music’ fan, look it up in the dictionary. Then ‘literature’. Then compare and contrast. So are song lyrics a type of literature or, more specifically, poetry? The English poet Glyn Maxwell thinks not. In On Poetry (2011), he writes that “Songs are strung upon sounds, poems upon silence”. Inhabiting silence makes poetry the harder and more important art form. Music, Maxwell writes, makes lyrics seem better than when they appear on the whiteness of the page.