141 resultados para Walker, Deborah -- exhibitions


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This refereed conference paper discusses the symbolic unity of various visual motifs in terms of philosophy and metaphysics.  Linking themes to the visual use of curtains and doorways as ques to precipitous events.  

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Banner review on Art Hub website.

The Mostyn Bramley-Moore : an album exhibition was open July 10-27 2013, at the Watters Gallery, Sydney.

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The artwork, Goddess, was exhibited in Artists for the Tarkine, a fundraising exhibition by over 75 Australian artists in support of the campaign to save the Tarkine wilderness of North West Tasmania. Exhibition dates: 1-4 May 2014.

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This original artwork is part of an ongoing exploration of meaning and appearance. The work is a philosophical consideration of how visual truth and appearance are not always coherent, often reflected in everyday seemingly recognisable objects and creatures. The image also highlights the sacred nature of the bird in nature and history.

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This is a part of a series dealing with the nature of reading

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The myth of Ariadne explored

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self-portrait

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If one concedes that the Freudian unconscious is inseparable from a society attached to its past, for example, its phallocentric traditions, Guattari’s alternative model dealing with "the production of subjectivity" offers a new perspective (1995: 11). From this vantage point, it is possible to map the way "every individual and social group" models the creation of subjectivity, a subjectivity "composed of cognitive references as well as mythical, ritual and symptomatological references" (1995: 11).