180 resultados para Catalan crime fiction


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The term "crime" is often "taken-for-granted" and poorly defined in contemporary Australian and International research. There is also considerable debate amongst scholars working in different theoretical tranditions about the appropriate definition of crime. This reflects broader public division about the types of behaviour or people that are classed as criminal.

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Synthesised vocals for science fiction styled projects in mind. 10 different types of transitions that could be used as laser guns, vehicle transitions and whooshes.

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Alarm for horror and science fiction SFX

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With the massive amount of crime data generated daily, this has put law enforcement under intensive stress. This means that law enforcement has to compete against the time to solve crime. In addition, the focus of crime investigation has been expanded from the ability to catch the criminals towards the ability to act before a crime happens (i.e pre-crime). Given such situation, creation of crime profiles is very important to law enforcement, especially in understanding the behaviours of criminals and identifying the characteristics of similar crimes. In fact, crime profiles could be used to solve similar crimes and thus pre-crime action could be conducted. In this paper, a brain inspired conceptual model is proposed and a structurally adaptive neural network is deployed for its implementation. Subsequently, the proposed model is applied for the identification and presentation of multi-view crime patterns. Such multi-view crime patterns could be useful for the construction of crime profiles. Moreover, the suitability of the proposed model in crime profiling is discussed and demonstrated through some experimental results.

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This paper will explore the ways in which art may be understood as an ongoing experiment that interacts with the plasticity of the body to prompt change and affect the body-environment relationship. The arts offer an approach to research that recognizes the importance of the affect in studies of perception and action, self-organization and selection. An affective approach to experimentation would connect cognitive activity to the material processes of the environment in a science of our own fiction. This connection becomes the basis of affective experiments, which aim to yield new insights by merging the creative researcher with self-affecting-experimenter. To this end, I will discuss the scientific objectives of the “rubber hand”, and the ‘mirror-box” experiments are contrasted with work by artists-turned-architects Arakawa and Gins and three of my creative projects to suggest how creative research might enact embodied change. Throughout the paper I will argue that cognitive processes such as attention, selection, decision and judgment are ripe for re-entry and experimentation through an embodied approach to acquiring knowledge that is particular to the arts.

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In her thesis, Watkins investigates the representation of ‘problematic identities in women’s fiction of the Sri Lankan diaspora’. As well as scrutinizing the literature for gender specific issues, both cultural and psychological, the thesis illustrates its collective significance as culture specific literature.

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In a previous Strategic Insights article [issue no.31, March 2011]  there was a focus on increasing use of maritime shipping containers by drug traffickers pointing to their use as a transport method. This raised the quetion of the extent to which counterterrorism efforts that have raised security levels in ports, as part of a general heightening of security levels. This article questions whether current counterterrorism arrangements on the landside of ports can be effective tools against the presence of organised crime.