A sibling romance: the sound of romance reimagined

 A Sibling Romance: The Sound of Romance Reimagined explores the interplay between lived perceptual and sensual experience and the visual representation of it in the romantic novel and asks what happens to and within a creative artifact if the hierarchy of the senses is reimagined.

The scarlet legacy : representations of the single mother

 Emma’s thesis, a memoir and exegesis, focuses on representations of the single mother. The exegesis critically examines the demonization of single mothers in popular culture. The memoir relates her incredible journey into single motherhood and the legacy of love passed down through multiple generations of single mothers in her family.

Having sex with capitalism: parodic in-citation in the prose poem sequence

In his Spleen de Paris or Petits poèmes en prose [Little Prose Poems] Baudelaire (1869) forges an instrument of supple and radical potential, declaring the prose poem a ‘dangerous’ hybrid, which he wills elastic enough and staccato enough, to register the flows, jolts and distractions for the flâneur in the increasingly industrialised Paris. Here,by the mid-19th century, plate glass and gas lighting enable conspicuous consumption. Itis most strikingly the romantic-erotic and the relation between poet and his delicious, execrable wife, his inescapable, pitiless Muse (Baudelaire 1989: 177] that provides the nexus for radical questioning of the whole socio-political economy. Departing from Johnson’s Défigurations (1979) and using Irigaray’s (1984) hypothesis that the economy of sexual difference is the founding trope for the discursive and thus political economy of differences – of culture, ethnicity and class – this article first looks at theway Baudelaire activates the heterosexual relation as a site for social critique. It examines how Perec continues Baudelaire’s prose poetry experiment, offering, pre-May 1968, a revolutionary critique of desire by exploiting formal constraints to deconstruct still further the consumer subject of capitalism. It then investigates Brossard’s ‘hologrammatic’ challenge (1991) to patriarchal regimes of representation and the forms of desire they outlaw. Finally, it suggests how new work by Walwicz (2015)develops and displaces this radical inheritance.

Snap

‘Snap’ deploys the queer cliché of becoming-sailor as a trope for recognition in the amorous encounter and literalises the ‘copycat’ as its catalyst. As Girard argues (1973), the human is foremost mimetic: this story makes its claim for originality and authenticity of connection through the playful recycling of cliché.‘Snap’ eschews the relative affectlessness of some metafiction by staging an amorous approach under the shadow of mortality. It exploits the liminal moment of modernist short fiction to summon the ‘manifold’ of experience. Here, love opens a space of intertextual esonance (Costello 2007), including motifs of Genet (masquerade), Duras (haunting) and Maurice Blanchot (the infinite approach), by writing the threshold of encounter as the intensive silence of wond

Everything that matters is silvery white

When Jared Diamond asked acclaimed evolutionary biologist Ernst Mayr why Aristotle didn’t come up with the theory of evolution, Mays answered frage stellen or ‘a way of asking questions’ (ABC 2013). The idea that a particular way-of-asking might generate a particular way-of-knowing is applicable to the practice of creative writing. Modjeska unpacks the concept of ‘temporising’ (2002: 75), inviting us to consider the generative possibilities of the temporising space – as an imaginative space for writers – a way of asking questions.Research contributionThis work enacts the concept of temporising at the level of form and content, interrogating the connection between language and imagery, and the work of association and similarity and, following Aristotle, recognises the temporising space as a metaphorical playground. This method of asking questions involves alogical processes of association: supporting Freud’s ‘reciprocal relations’ between dissimilars (1900: 404) and Froeschels’ observation that ‘the subconscious [mind] considers similarity identical with identity’ (qtd. in Mavromatis 1987: 178).Research significanceThis work uses Modjeska’s analysis, and theories of subconscious processes of association, to enact an inquiry in the performative narrative space of the short story. It has been longlisted for the Australian Book Review’s Elizabeth Jolley Prize (2014) and the Séan Ó Faoláin International Short Story Competition (Ireland) (2015), and was also a finalist in the Glimmer Train International Fiction Open Contest (USA) (2015).

The monologic, power and mental illness

 This thesis considers the issue of the ‘Monologic, Power and Mental Illness’. Bakhtin’s concept of ‘Heteroglossia’, Foucault’s concept of ‘Subjectivation’, and the work of other writers in relation to mental illness are covered both in the Exegesis and throughout the creative component comprising excerpts from Kemp’s novella entitled, Haven.