138 resultados para Exhibition Patrick Pound
Resumo:
‘Fell Away….’ is text for photography by Rozalind Drummond, Flows & Catchments art exhibition, in association with Kuyang exhibition at Warrnambool Art Gallery, 9 February-7 April 2013.
Resumo:
Our collaborative team proposes to use the idea of suturing—of materials, spaces, words, objects and environments to memories, dreams, associations, sensations and impulses—in order to arrive at the synapse or juncture of new formations. These new formations will be inspired by the souvenirs or found objects sourced in diverse international places (Qatar and the Volcanic Plains of Western Victoria, Australia), from deserts, cities, towns, crossroads, volcanic landscapes and water sites. We aim to activate “made in Qatar” as international sensorium.
Background
Places are woven into the fabric of other places through the inward and outward flows of the senses in travellers in the dispositions and practices of their “foreign-travelling” and “home-again” bodies. We bring souvenirs home to retain something of what our senses created in a foreign place so souvenirs may exist anywhere along a spectrum between saintly relics and kitsch. Historically, souvenirs have also included stolen or forcibly obtained items (like ancestral skulls), or objects made at seminal dates and places (like pieces of the fallen Berlin Wall).
Description
Drawing upon the many cultural and creative connotations of the term “souvenir”, we intend to create a series of 3D written-upon products (hybrid-composite objects of “dimensionalised” writing), chosen for their connections to persons and place, in order to investigate how international places can be made, un-made or re-made through the complex activities of the bodily senses. Through academic and exegetical writing, we will also reflect upon these “makings” in the context of “made in Qatar”. The workshop is intended to focus active production, either by individuals informed by the ideas and processes of the workshop or by collaborative groups within the workshop. Each workshop will conclude with one or more collaboratively produced “makings” for dissemination during the Tasmeem conference. To make our work truly international in dissemination, we also propose to transmit simultaneously, via video link, into the arts hub at Deakin University’s main Melbourne campus, the Phoenix Gallery, as a further experiment in the travelling senses.
Comments
Different places create different presentations of the senses, from which hybrid composites may emerge. Travellers are prompted by fresh capacities of their sensory being wherever they disembark, which may surprise other persons with practices of the senses souvenired, re-membered or imprinted from elsewhere. Like words, souvenirs suture times and places: “made in Qatar” comes alive as a sensorium woven from international modes of place-making.
Resumo:
Group exhibition curated by Heather Matthew and Julie Barratt and held at The Boyd Gallery, Tweed Regional Gallery, Murwillumbah, NSW.
Resumo:
Banner review on Art Hub website.
The Mostyn Bramley-Moore : an album exhibition was open July 10-27 2013, at the Watters Gallery, Sydney.
Resumo:
Rain Table and Water Table: Delicate splashes and droplets of water act like primitive lenses bringing transparency to the diffused images of celestial bodies. These two installation pieces are inspired by the beauty of the night sky and invite the viewer to consider the cosmos in relation to ones self and to contemplate the discoveries which have changed our understanding of the universe. Water Table and Rain Table are the two works being presented as part of Periscope. Through the form of the science bench or museum cabinet, luminous and projected images play against glass and water invoking the sublime sense of wonder that we have when we look to the starry night sky. Water Table - In 1912 the astronomer, Vesto Slipher made the discovery that “Nebula” were moving at incredible velocities due to the expansion of space itself. This discovery revealed these “Nebula” to be vastly remote and independent galaxies. Water Table speculates on the understanding that when we look into deep space, we also look into deep time. Rain Table is a new work produced for the festival and makes reference to the first telescopic observations of the Moon made by the mathematician, philosopher and astronomer, Galileo Galilei in 1610. The implication of Galileo’s observations gave rise to a radical new understanding of the heavens and our place in it and the final acceptance that the Earth was not the centre of the Universe.
Resumo:
Rian Table and Water Table: Delicate splashes and droplets of water act like primitive lenses bringing transparency to the diffused images of celestial bodies. These two installation pieces are inspired by the beauty of the night sky and invite the viewer to consider the cosmos in relation to ones self and to contemplate the discoveries which have changed our understanding of the universe. Water Table and Rain Table are the two works being presented as part of Periscope. Through the form of the science bench or museum cabinet, luminous and projected images play against glass and water invoking the sublime sense of wonder that we have when we look to the starry night sky. Water Table In 1912 the astronomer, Vesto Slipher made the discovery that “Nebula” were moving at incredible velocities due to the expansion of space itself. This discovery revealed these “Nebula” to be vastly remote and independent galaxies. Water Table speculates on the understanding that when we look into deep space, we also look into deep time. Rain-Table is a new work produced for the festival and makes reference to the first telescopic observations of the Moon made by the mathematician, philosopher and astronomer, Galileo Galilei in 1610. The implication of Galileo’s observations gave rise to a radical new understanding of the heavens and our place in it and the final acceptance that the Earth was not the center of the Universe.
Resumo:
Rian Table and Water Table: Delicate splashes and droplets of water act like primitive lenses bringing transparency to the diffused images of celestial bodies. These two installation pieces are inspired by the beauty of the night sky and invite the viewer to consider the cosmos in relation to ones self and to contemplate the discoveries which have changed our understanding of the universe. Water Table and Rain Table are the two works being presented as part of Periscope. Through the form of the science bench or museum cabinet, luminous and projected images play against glass and water invoking the sublime sense of wonder that we have when we look to the starry night sky. Water Table In 1912 the astronomer, Vesto Slipher made the discovery that “Nebula” were moving at incredible velocities due to the expansion of space itself. This discovery revealed these “Nebula” to be vastly remote and independent galaxies. Water Table speculates on the understanding that when we look into deep space, we also look into deep time. Rain-Table is a new work produced for the festival and makes reference to the first telescopic observations of the Moon made by the mathematician, philosopher and astronomer, Galileo Galilei in 1610. The implication of Galileo’s observations gave rise to a radical new understanding of the heavens and our place in it and the final acceptance that the Earth was not the center of the Universe.
Resumo:
Mixed-media, Fijian barkcloth (masi), screenprint, digital photographic prints, Fijian wooden comb all exhibited in the exhibition Meleponi Pasifika.
