251 resultados para Curriculum adjustments


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Various theorists and educators over the years have produced their preferred knowledge groupings or frameworks. Most well-known ones include those produced by Hirst (1974) and Phenix (1964).

Curriculum frameworks were advocated by many educators in the 1990s as an important springboard and focus for teachers in terms of curriculum planning. It was argued that they would be a stimulus for evoking creative ideas and activities. Yet, they are also a major tool for control and direction.

The use of curriculum frameworks were very evident in Australia in April 1991 when eight learning areas were created by the Australian Education Council (AEC) and planned for use in all states and territories. These eight learning areas, or key learning areas (KLA's) have largely endured in all states and territories even though the ambitious plans for national statements and profiles did not survive.

This paper provides a stock-take on the current uses, benefits and problems in using KLA's as curriculum frameworks in Australia. There are many different contextual factors operating, which affect their use and effectiveness. Disjunctions can occur between major players at federal and state levels which provide different and often conflicting points of leverage. It is timely to analyse their impact on curriculum planning and implementation in Australia.

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The ability to calculate drug dosages correctly is an essential skill for registered nurses to possess. Performing drug calculations accurately is not a skill that new graduates have the luxury of developing over time. Drug errors are in many instances directly related to either the administration of an incorrect dose or incorrect infusion rate (Gladstone, 1995) caused by calculation errors. A strategy for implementing drug calculation skills into our new under graduate nursing curriculum was initiated to assist students in developing proficiency in drug calculations. The aim of this program is to promote the development of calculation skills in undergraduate nursing students, rather than simply assessing their skills.


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Contents: Introduction: youth, mobility, and identity / Nadine Dolby and Fazal Rizvi -- New times, new identities -- The global corporate curriculum and the young cyberfleneur as global citizen / Jane Kenway and Elizabeth Bullen -- Shoot the elephant: antagonistic identities, neo-marxist nostalgia, and the remorselessly vanishing past / Cameron McCarthy and Jennifer Logue -- New textual worlds: young people and computer games / Catherine Beavis -- Diasporic youth: rethinking borders and boundaries in the new modernity -- Consuming difference: stylish hybridity, diasporic identity, and the politics of culture / Michael Giardina -- Diasporan moves: African Canadian youth and identity formation / Jennifer Kelly -- Popular culture and recognition: narratives of youth and Latinidad / Angharad Valdivia -- Mobile students in liquid modernity: negotiating the politics of transnational identities / Parlo Singh and Catherine Doherty -- Youth and the global context: transforming us where we live -- The children of liberalization: youth agency and globalization in India / Ritty Lukose -- Youth cultures of consumption in Johannesburg / Sarah Nuttall -- Identities for neoliberal times: constructing enterprising selves in an American suburb / Peter Demerath and Jill Lynch -- Disciplining "Generation M": the paradox of creating a "local" national identity in an era of "global" flows / Aaron Koh -- Marginalization, identity formation, and empowerment: youth's struggles for self and social justice / David Quijada.

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In his paper in English in Australia in 2002, Bill Green called for a literacy project of our own, and for the need to think again, and think newly about the place of literary literacy within contemporary curriculum. But what does literary literacy mean in curriculum that recognises a wide diversity of texts and literacies? If literature and close attention to the aesthetic and imaginative dimensions remain important, what kinds of texts should we value, and how should we attend to them? This article considers how such matters might be taken up with multimodal texts of different kinds.

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Travel can interrupt and disrupt ways of seeing and understanding the world. For teachers, their experience of travel is often overlooked as a resource to be utilised in the classroom and school. This paper explores the impact of travel on teachers’ work through analysis of two teachers’ experiences of an educational study tour. The impact of this travel can be seen through revised curriculum, teachers’ increased knowledge and altered customs. A discussion of this impact is through the social imaginary. The central argument is that teachers’ travel experiences are an undervalued resource with potential to shape a global education and improve classroom effectiveness. It concludes with speculation about the possibilities for enrichment of classroom practices through travel experiences both as personal growth and curriculum renewal that responds to education for a changing world.

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In the literacy classroom, students have few opportunities to use their literacy practices to contest narratives of race, class, gender and sexuality. Instead, extensive time is spent completing literacy activities associated with what “good” readers and writers do. Students’ literacy practices are often formulaic, repetitive, and serve classroom management strategies producing a mythic narrative of good literacy teaching. This paper introduces a queer literacy curriculum that poses pedagogy as a series of questions: What does being taught, what does knowledge do to students? How does knowledge become understood in the relationship between teacher/text and student? (Lusted, 1986) It emphasizes developing critical analyses of heterosexism, heteronormativity and normativity with the goal of helping students understand binary categories are not givens, rather social constructions we are often forced to perform (Butler, 1990) through available discourses. The paper highlights an interruption into the literacy curriculum where, through collective memory work, students investigated, analysed and contested the usually-not-noticed ways a small understanding of heterosexuality has come to structure their lives.

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Teaching Visual Culture: Curriculum, Aesthetics and the Social Life of Art, Kerry Freedman (2003) New York: Teachers College Press & Reston: National Art Education Association, xiv + 187 pp., ISBN 0-8077-4372-0 (hbk £29.95)

This critical review has two principal goals. First of all, it will briefly summarize how Kerry Freedman’s ambitious eight-chapter monograph initially sets in train a number of key themes, all of which are aimed at enlarging if not transforming visual arts practice. Secondly, it will critically disclose a small set of pivotal assumptions which call any uncritical support for visual culture as the panacea for arts education into question. More particularly, we shall conclude, the logical underpinnings of Teaching Visual Culture are open to serious doubt in at least two respects.