Mining streams of short text for analysis of world-wide event evolutions

Streams of short text, such as news titles, enable us to effectively and efficiently learn the real world events that occur anywhere and anytime. Short text messages that are companied by timestamps and generally brief events using only a few words differ from other longer text documents, such as web pages, news stories, blogs, technical papers and books. For example, few words repeat in the same news titles, thus frequency of the term (i.e., TF) is not as important in short text corpus as in longer text corpus. Therefore, analysis of short text faces new challenges. Also, detecting and tracking events through short text analysis need to reliably identify events from constant topic clusters; however, existing methods, such as Latent Dirichlet Allocation (LDA), generates different topic results for a corpus at different executions. In this paper, we provide a Finding Topic Clusters using Co-occurring Terms (FTCCT) algorithm to automatically generate topics from a short text corpus, and develop an Event Evolution Mining (EEM) algorithm to discover hot events and their evolutions (i.e., the popularity degrees of events changing over time). In FTCCT, a term (i.e., a single word or a multiple-words phrase) belongs to only one topic in a corpus. Experiments on news titles of 157 countries within 4 months (from July to October, 2013) demonstrate that our FTCCT-based method (combining FTCCT and EEM) achieves far higher quality of the event's content and description words than LDA-based method (combining LDA and EEM) for analysis of streams of short text. Our method also visualizes the evolutions of the hot events. The discovered world-wide event evolutions have explored some interesting correlations of the world-wide events; for example, successive extreme weather phenomenon occur in different locations - typhoon in Hong Kong and Philippines followed hurricane and storm flood in Mexico in September 2013. © 2014 Springer Science+Business Media New York.

We are in danger

Genre films are constructed out of narrative patterns and plot points that involve or are predicted on crisis, on danger. This is the logic of much if not all mainstream genre cinema: drama has to take place for there to be a story to be told, and for pleasure and identification to be arrested and enthused. Forms of threatening disequilibrium can be personal, domestic, familial, local, external, supernatural and murderous; a way of life can be threatened as well as life itself. There are ideological dimensions at play; the crisis threatens to destabilize patriarchy, heterosexuality, social norms and expectations. Feelings and modes of affect are set in dangerous motion as the crisis unfolds. Trouble may emerge from a wayward or transgressive family member, or it may arrive in town on horses, stagecoaches, trains, cars, spaceships, and on the wind and in the water. The main (and minor) characters in the film are at the center of this storm, and that places viewers at the epicenter of the danger, also. The genre film places us all in danger. The genre film, then, has phenomenal, phenomenological and bio-political potential as a site of cognitive, ideological and carnal endangerment.