109 resultados para exhibitions
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This essay is a survey of the field of food and drink history in Australia since the 1970s. It discusses the range of research and picks out key historiographic aspects: the search for an Australian cuisine; regional food cultures; connection between sources and historical interpretation; and the interdisciplinarity of food and drink history. It suggests that as food and drink histories have broadened beyond a search for culinary traditions and a gastronomic sensibility, so our understanding of food and drink in Australian history has deepened. It also argues that food and drink history is more than textual knowledge in books and articles: television programs and exhibitions held in museums and libraries, for example, have enhanced our understanding of food and drink histories.
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An original artwork that belongs to a series of paintings, all connected to an ongoing investigation of the multi-panelled painting.
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One of a series of 2 panel oil paintings that explored the Diptych as an iconic theme.
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One of a series of double panel oil paintings that explored the nature of the icon and its diptych form
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An original artwork, belonging to a series of paintings that connect to an ongoing investigation of the multi-pannelled painting.
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One of a series of diptychs, exploring the traditional iconography and history of this painting form.
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Part of a series investigating the traditions and iconography of diptychs
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Solo exhibition of works by Deborah Walker exhibited at 69 Smith Street Gallery, and a related survey & biography written by independent arts writer, Gillian Wills
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An artwork exploring the consequence of perspective and space on perceptions of the figure
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Work exploring the way the figure is effected by time and desires
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I coordinated a series of workshops - involving researchers Merinda Kelly, Dr Jondi Keane and David Fitzsimmons - on object, space and performance which led to a major exhibition outcome for participating artists. Specifically I led a workshop with installation artist David Fitzsimmons on spatial practices.
Initiated by Courthouse ARTS and in partnership with Deakin’s School of Communication and Creative Arts Geelong hosted a fringe festival event titled 'The New Wilderness'. This is the an extract from the proposal put forward to both the board at Courthouse ARTS centre and the executive in the Faculty of Arts and Education:
Given the change in the economic foundations and demographics in the region a festival of the arts, centred in Geelong, is timely and, potentially, regenerative. In a series of workshops, events, performances and exhibitions – staged at Courthouse ARTS, open to the community and spanning the first week of September – the focus will be on risk, innovation, subversion and transformation. Incorporating each of these words as prompts one exciting project, The New Wilderness, uses the visual arts, creative writing and the performing arts to engage young people in practice and cross-disciplinary collaboration. With an emphasis on process the project will engage participants in a lab/studio environment over a week. Installation artists and Deakin staff members will facilitate an introduction and workshop on the theme, The New Wilderness, asking that participants respond: firstly in making a series of images and installations that transform space; secondly, in creative writing responses; and thirdly, in a series of short performance pieces interpreting the text, images and spaces created during the week. Participants will be on a time-line and encouraged to interpret and critically engage with the theme, each other and the issues set to transform the region – such as the disappearing manufacturing industry and the vast spaces it leaves behind.
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A solo exhibition consisting of a video projection
