48 resultados para Glascack, William Nugent, 1787?-1847.


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William Pomat is a Papua New Guinean who studied in Australia on two occasions; at the University of New South Wales (UNSW) in 1992-1993, and at the University of Western Australia (UWA) in 2001-2004. On both occasions he studied on Australian Agency for International Development (AusAID) Scholarships. At UNSW, he completed his Masters in Immunology and at UWA he completed he PhD in the same field. The interview was conducted on 9 July 2014 by Dr. Jonathan Ritchie of Deakin University and Dr. Musawe Sinebare of the Pacific Adventist University. This set comprises: an interview recording, and a timed summary.

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Paulus William Kei is a Papua New Guinean who studied at the Southbank Institute of Technology in 2006-2007. He studied on an Australian Development Scholarship (ADS) and completed a Diploma in Biotechnology. The interview was conducted in English on 17 December 2014 by Dr. Jemma Purdey of Deakin University. This set comprises: an interview recording, and a timed summary.

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The narrative of William Wallace holds a prominent position in the current conception of England as a negative referent for Scotland’s national identity—its binary “Other”, against which Wallace valiantly fought. This article considers a contrasting understanding of Scottish national identity from the late-nineteenth century, and explores the events surrounding the unveiling of a statue of William Wallace in Australia during the year of 1889. It illuminates how settlers interpreted this national hero in such a way that demonstrated loyalty to the Union and Empire, and accommodated a convergence of English, Scottish, Irish, and Welsh migrants in a British colonial city. The article highlights how statues, the ceremonies surrounding them, and their public reception help us to investigate the symbolic, ritualistic, and performative dimensions of identity formulation. It considers how public monuments, providing a sense of authority to particular groups, can marginalise others by acting to settle cultural competition, and will reflect on competing interpretations of the statue at its unveiling.