51 resultados para Fictional Insolito


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 In Writing Another I explore the productive unease of fictional characterisation.

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This paper argues that the industrial contexts of re-imagining, or transforming, literary icons deploy the promotional strategies that are associated with what are usually seen as lesser, or purely commercial, genres. Promotional paratexts reveal transformations of content that position audiences to receive them as creative innovations, superior in many senses to their literary precursors due to the distinctive expertise of creative professionals. Analysing Spielberg's film, The Adventures of Tintin (2011), and Andrew Motion's fictional continuation of Stevenson's Treasure Island, it argues that literary fiction and cinematic texts associated with celebrated authors or auteurist producer-directors share branding discourses characteristic of contemporary consumer culture.

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Conspiracy Theory (CT) endorsers believe in an omnipresent, malevolent, and highly coordinated group that wields secret influence for personal gain, and credit this group with the responsibility for many noteworthy events. Two explanations for the emergence of CTs are that they result from social marginalisation and a lack of agency, or that they are due to a need-to-explain-the-unexplained. Furthermore, representativeness heuristics may form reasoning biases that make such beliefs more likely. Two related studies (N = 107; N = 120) examined the relationships between these social marginalisation, intolerance of uncertainty, heuristics and CT belief using a correlational design. Overall, intolerance of uncertainty did not link strongly to CT belief, but worldview variables did - particularly a sense of the world as (socially) threatening, non-random, and with no fixed morality. The use of both representative heuristics that were examined was heightened in those participants more likely to endorse CTs. These factors seem to contribute to the likelihood of whether the individual will endorse CTs generally, relating similarly to common CTs, CTs generally historically accepted as "true", and to the endorsement of fictional CTs that the individual would find novel. Implications are discussed.

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Purpose: The purpose of this paper is to test the efficacy of disclosing unit pricing and increasing the type size of complex terms and conditions in advertising. This is in line with recommendations made by global telecommunications regulators, including in Australia, to protect consumers in selecting mobile plans.

Design/methodology/approach: The authors employed a 2 (unit price disclosed: no, yes)×3 (type size: nine-, 12- and 15-point terms and conditions) full factorial, between-subjects experimental design using a scenario and fictional advertisements for 24-month mobile phone plans. This was complemented by 24 in-depth interviews with consumers who had recently purchased “real” plans and their assessment of these.

Findings: Extra information in the form of unit pricing has a positive influence on consumers’ value perceptions, but not on perceived confusion or risk. Presenting complex terms and conditions in larger type increases consumers’ perceived confusion and risk, but not perceived value, as consumers have difficulty understanding the complicated information presented.

Research limitations/implications:
This study focused on a single country market for one product type of mobile phones, using a limited range of mobile plans. Practical implications: Public policymakers and providers are advised to pre-test planned changes to advertising’s informational content prior to implementation to identify the efficacy of proposed changes to protect consumers. Consumers may also need to be educated to accurately interpret complex plans.

Originality/value: The study contributes to the domain of informational content in advertising as a form of consumer protection. The effect of unit pricing and larger type for terms and conditions on consumer perceptions has not been examined previously in complex product settings.

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The Celebrity Persona Pandemic explores how the construction of a public persona is fetishized in contemporary culture. As social media has progressively led to a greater focus on the production of the self, so this book looks at the most visible versions of persona through figures such as Stephen Colbert, Cate Blachett, and Justin Bieber, as well as fictional characters like Spock and Harry Potter. Ultimately, P. David Marshall closely studies how persona culture shapes our notions of value and significance, and dramatically shifts cultural politics.

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Most attempts to define the intellectual significance of marvelous realism have been framed by a focus on postcolonialism1 and postmodernism2. These approaches see it as a postcolonial assertion of a culture's identity and reduce it to a "going back" to an ancestral past that persists as a stubborn presence within certain geographies. This essay develops the proposition that the significance of marvelous realism goes beyond social and cultural perspectives - that it is, essentially, a mestizo ontology. Differently than the vast majority of theoretical incursions in this field, which only allude to the marvelous or fictional aspects of the movement, I will inquire instead on its singular appreciation of the real. By so doing I honor the wishes of Gabriel García Márquez, who was adamant in his defense of the real in and through his works.