104 resultados para 1834-1903 -- Criticism and interpretation


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Riccardo Formosa has been identified as being an important and widely recognised young Australian composer. Formosa's possession of a sophisticated composition technique is central to his approach to composition and to his reputation among contemporary composers. Vertigo: Riccardo Formosa's Composition Technique aims to define the composition technique employed by Formosa. It does so by analysing the works from a number of clearly defined perspectives. The study proceeds firstly through a description of the works as a whole and their relationship to the composer’s personal history. Secondly, the note-to-note operations Formosa has employed are reassembled through a detailed examination of the scores. Thirdly, an assessment is made of the function of the various techniques within the musical texture. Lastly, a number of comparisons are made between Formosa’s work and the work of his compositional models. The study concludes that Formosa’s works show evidence of a composition technique operating effectively on different levels. The note-to-note processes, simple in themselves, are multiplied to form a complex counterpoint. On both the note-to-note level and the relationship between larger sections of the works, the controlling factor was found to be one of ‘binary expression’ in the form of symmetry or complementarity, a compositional aesthetic also held by Formosa's teacher. Franco Donatoni.

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A thesis comprising a creative component in the form of an epic about the history of Joan of Arc and an exegetical component concerned with redefining the epic genre and exploring the author's project.

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The novel explores the journey towards completion for two women and, through its concerns and structure, plays with the notion of research in the creative arts. The exegesis comments upon the concerns of the novel, and the writing and research processes.

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The thesis is presented in two parts: a novel and a theoretical essay. It is a broadly autobiographical work, concerning issues and events surrounding father-daughter rape. It is written from the mother's perspective, and deals with the impact of child sexual assault on the lives of two generations of working-class women.

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Examines Terry Gilliam's cinema via his interest in systems: mechanical, philosophical, aesthetic, mythological and scientific. Argues for Gilliam as in interpreter of the late twentieth century experience, his films interweaving contemporary theory with archaic lore in dramatisation of the ongoing quest to apprehend the world's processes.

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The thesis comprises the comic novel "Babylonia", set in the Northern Territory, the Middle East and the United States in August 1990 after the Iraqi invasion of Kuwait, and the accompanying exegesis that links "Babylonia" to selected Australian fiction and to political and cultural concerns of the current era.

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This thesis explores the different readings of sublimation offered by Jacques Lacan and Melanie Klein from the perspective of clinical work and with an emphasis on clinical cases. The distinction Lacan draws between maternal and feminine jouissance is pivotal in explaining the differences in their work.

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The thesis is a creative work with exegesis. The creative component is a playscript exploring European tragic form within a mythologised Australian context. The exegesis examines the research material that informed the playwriting process; including tragic theory, dramatic character, place and landscape, and the use of landscape in theatre.

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The novel 'Welcome to the real world' and its exegesis 'Gaps in reality' explore the changing ideas of what it means to be a parent and the member of an extended family in Australia today. Through fiction and critical theory the thesis reflects on the evolving values within contemporary society.

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This wide-ranging work convincingly argues that a minority can only radically transform a pattern of production and consumption through the commercial sphere of a liberal democracy. In constructing the argument, creative use is made of important works in ontology, social philosophy, political philosophy, sociology, micro-economics and ethics.

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An analysis of Walter Burley Griffin's residential planning is presented. 43 plans are described according to the manipulation of triangle, T-square and compass, which support the possibility that Griffin may have been working in accordance with an underlying system of applied geometry based on the square and root 2 diagonal.

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This doctorate consists of a novel and an exegesis, which focus on the topic of intersex; children who are born with variant sex characteristics and the doctors who surgically intervene. The research reveals the deceit surrounding these practices and culminates in the first Australian novel to be written about intersex.

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This doctoral thesis, comprising of a young adult novel and an accompanying exegesis, explores the experiences of young adults living in small towns, their pastimes and preoccupations, and their experimentation with sexuality and gender. Its depiction of alternative masculinities for young people challenges a normative, heterosexual framework of gender relations.

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This thesis, which consists of a novel and an exegesis comprising two related essays on the themes of motherhood and autism, explores the importance and relevance of fiction in representing the anguish, its causes and the unknowability of a mother and her (possibly) autistic child. The problems of language discovered in this relationship were found to intersect with parallel issues in the realm of creative writing.