Thermal modernity and architecture

This paper develops the concept of thermal modernity in order to offer a more detailed understanding of air conditioning and the historical role it has played in transforming urban and built space. An analysis oriented by the insights of Science and Technology Studies stresses how the international ascendancy of air conditioning has been contingent upon certain socio-political forces and cultural changes that occur at the local level. The productive example of Singapore - often referred to as the air-conditioned nation - is given to reveal the entanglements between indoor comfort provision, economic development and post-colonial nation-building. At a broader level, the paper points towards the importance of understanding air conditioning's impact on the spread of international modernism in analytically expansive ways, such that we can more fully appreciate how it has acted to remodel the built environment at different scales and reconfigure indoor and outdoor relationships.

Nijinsky review: Passion meets frailty in triumphant performance

His story is one of the most famous of the 20th century. As a dancer, he was a beacon of modernism, an icon of androgynous sensuality, and a performer with spectacular athletic prowess. As a choreographer, his experiments with movement – often harsh, primitive and contextualised within a nostalgia for Russia's pagan past – ended with a deconstruction of ballet as an art form, severed from its links to classical technique in favour of a movement seen as revolutionary.

Book review:. The most dangerous book: The battle for James Joyce's Ulysses

Birmingham, a literary historian from Harvard, tells, in much greater detail than ever before, the story of the banning of what is arguably the most important and transformative literary text ever. For it to be in our hands and read openly is for it to have changed the conditions under which reading occurs in the western world, changed definitions of obscenity, and challenged the secrecy which was the stock-in-trade of the purity-snoopers, both vigilante and state-sanctioned. Joyce’s fiction was burned, guillotined, confiscated, had printer’s plates wrecked and whole editions pulped, was smuggled across borders, carried in corsets, was extensively and ‘legally’ pirated in the US. The story of its surveillance is a gripping one, and the book a page-turner, and moreover to tell the story is to explain how literary modernism became mainstream, and not the just preserve of marginalised avant-garde bohemians.