Fast and Fashionable: The Girls in the Girl of the Period Miscellany

The Girl of the Period Miscellany is particularly interesting in that it reworked the Girl of the Period from an object of disdain into a figure who might be humorous, but who was also engaging and sympathetic. Rather than being easily categorized and dismissed, the Girl of the Period found in the Miscellany has some characteristics that invite satire but she is also capable, entertaining, and attractive. Moreover, there is a significant difference between thinking about the article that spawned the phenomenon and the Miscellany itself. Appearing in the conservative Saturday Review, the article was provocative and seemingly intended to be so. In contrast, the Miscellany was designed to attract and retain a readership. This article will examine how and why the Miscellany is able to resist Linton’s simplistic construction of the Girl of the Period and instead depicts a variety of different girls who, although their behaviour might be more “modern,” are nonetheless worthy of respect and attention as pure, virtuous, middle-class girls. In addition, the publication of the Miscellany demonstrates the challenges of attracting as readers a group of girls and young women whose self-conception was rapidly shifting at the end of the 1860s.

Feminine Bravery: The Girl's Realm (1898–1915) and the Second Boer War

With the advent of the Second Boer War in 1899, The Girl’s Realm incorporated heroism within its production of English femininity by presenting images of wartime girlhood where girls understood their roles and responsibilities as supporters of the war effort. Nonetheless, the representations of feminine bravery in the magazine are complex and somewhat ambiguous. Although the magazine encourages heroism in a variety of forms, its contributors betray a tendency to fall back onto traditional domestic models of bravery. Thus the Boer War was pivotal in depictions of girls’ bravery, yet it also limited that bravery.

The ‘Australian Girl’ and the domestic ideal in colonial women’s fiction

The vast majority of novels and periodicals read by colonial Australian girls were written and published in Britain. ‘Daughters of the Southern Cross’ were more likely to have access to the Girl’s Own Paper by subscription or to imported fictions that had proven popular with British girl readers than any locally produced depictions of girlhood. From the 1880s, however, Australian authors produced several milestone fictions of girlhood for both adult and juvenile audiences. Rosa Praed's An Australian Heroine (1880) and Catherine Martin’s An Australian Girl (1890)  gave voice to the lived experience of Australia for young women, and their publication in Britain contributed to an emergent reciprocal transpacific flow of literary culture.

Two canonical Australian novels that focus on the maturation of girl protagonists who live on bush homesteads were also published in this period. Ethel Turner’s Seven Little Australians (1894) and Miles Franklin’s My Brilliant Career (1901) feature intelligent girls who are not able to be effectively socialised to embrace domesticity. Turner’s Judy Woolcot is distinct among her six siblings as a plucky girl who instigates trouble, while Franklin’s aspiring writer Sybylla Melvyn is informed that ‘girls are the helplessest, uselessest, troublesomest little creatures in the world.’

The 1890s saw an agricultural depression in Australia that only fuelled the urban perpet-uation of the idealised and nationalistic bushman myth in literary and popular culture. The ubiquity of the myth problematised any attempt to situate women heroically within the nation outside of the home. British fictional imaginings of Australian girls lauded their lack of conformity and physical abilities and often showed them bravely defending the family property with firearms. In contrast, Australian domestic fiction, this chapter argues, is unable to accommodate bracing female heroism, postulating ambiguous outcomes at best for heroines who deviate from the feminine ideal.

Judy’s grandmother describes her ‘restless fire’ as something that ‘would either make a noble, daring, brilliant woman of her’, or ‘would flame up higher and higher and consume her’. Turner does not allow Judy’s unconventionality to prosper. Instead, she is killed by a falling gum tree while saving the life of her brother, leaving the future fulfilment of the domestic ideal to her sister, Meg, whose subsequent story occupies Little Mother Meg (1902). Franklin’s Sybylla expresses her inability to be content with the simple pleasures of keeping a home, and this informs her decision to reject a marriage proposal from a wealthy suitor. The novel’s indeterminate conclusion does not allow fulfilment of Sybylla’s writing aspirations, situating her outside the feminine ideal yet not affirming the merits of her desire to reject married life.

While Sharyn Pearce suggests that Judy’s tragic end follows a narrative pattern that sup-ports the glorification of male heroes and renders ‘over-reaching women’ as ‘noble failures’, the novel might also productively be read within the context of other fictions featuring girl protagonists of the period, such as Praed and Martin's novels. This chapter makes the case that Turner and Franklin’s thwarted heroines critique the containment of Australian girls to the banalities of the home by exposing the negative and uncertain outcomes for those who desire the freedoms and aspirations permitted to boys and men. Unlike British fictions that champion adventurous girls, these Australian fictions critique the continuation of gendered restrictions in the colonies by proposing that girls who desire excitement and independence ‘should have been…boy[s]’ (as Sybylla’s mother remarks).

Effects of habitual physical activity and fitness on tibial cortical bone mass structure and mass distribution in pre-pubertal boys and girl: the look study

Targeted weight-bearing activities during the pre-pubertal years can improve cortical bone mass, structure and distribution, but less is known about the influence of habitual physical activity (PA) and fitness. This study examined the effects of contrasting habitual PA and fitness levels on cortical bone density, geometry and mass distribution in pre-pubertal children. Boys (n = 241) and girls (n = 245) aged 7–9 years had a pQCT scan to measure tibial mid-shaft total, cortical and medullary area, cortical thickness, density, polar strength strain index (SSIpolar) and the mass/density distribution through the bone cortex (radial distribution divided into endo-, mid- and pericortical regions) and around the centre of mass (polar distribution). Four contrasting PA and fitness groups (inactive–unfit, inactive–fit, active–unfit, active–fit) were generated based on daily step counts (pedometer, 7-days) and fitness levels (20-m shuttle test and vertical jump) for boys and girls separately. Active-fit boys had 7.3–7.7 % greater cortical area and thickness compared to inactive–unfit boys (P < 0.05), which was largely due to a 6.4–7.8 % (P < 0.05) greater cortical mass in the posterior–lateral, medial and posterior–medial 66 % tibial regions. Cortical area was not significantly different across PA-fitness categories in girls, but active-fit girls had 6.1 % (P < 0.05) greater SSIpolar compared to inactive–fit girls, which was likely due to their 6.7 % (P < 0.05) greater total bone area. There was also a small region-specific cortical mass benefit in the posterior–medial 66 % tibia cortex in active-fit girls. Higher levels of habitual PA-fitness were associated with small regional-specific gains in 66 % tibial cortical bone mass in pre-pubertal children, particularly boys.

Book review: A girl is a half-formed thing

In interviews, this much-admired novelist is explicit about her debt to Beckett, Edna O’Brien, but most of all, to Joyce. Her technique does owe much to Joyce’s particular variety of stream of consciousness in the Penelope chapter of Ulysses. A Portrait of the Artist as a Young Man, with its sustained experiment with free indirect discourse, is to my mind its most direct antecedent. Both novels adopt the discipline of a limited point of view, though it mostly avoids third person. McBride registers other voices mainly as internalized in the fractured consciousness of the unnamed main protagonist, whom we follow, as we do in Portrait, from the age of three to her early twenties. There is no dialogue as such, which means that the angle of narration has an unrelenting quality, compared with Joyce who is always at pains to ironise Stephen and to offer counterfoils.

Being a girl in wartime: Canadian children's religious magazines during the First World War

During the First World War, Canadian children were inducted into certain patterns of behavior based on their symbolic value as the future of Canada and as contributors to the British empire. After the advent of the war, Protestant religious denominations in Canada began using their existing children's publications, such as The King's Own (1900-1925) and Pleasant Hours (1881-1929), to encourage child readers to see the war in ways that reinforced the necessity of duty and sacrifice far both boys and girls. Fiction and correspondence in these publications reflect the magazines' engagement with the war and their efforts to show girls how they could contribute to the war effort. As such, they represent an important intervention into how Canadian girlhood was constructed and refined during wartime. Although girls' fiction in these magazines often emphasises domestic responsibilities, it also offers opportunities to mobilise these domestic skills to support the war effort. Other content within the magazines also presented practical ideas that could be implemented at home and at school, suggesting that girls' participation in the war effort could be easily understood and implemented. Moreover, girls' participation in these wartime activities contributed simultaneously to both national and imperial enterprises. Thus these two magazines represented Canadian feminine ideals within an imperial framework. Importantly, however, the dominant frame far these girlhood ideals is explicitly national. They are primarily understood to be helping Canadians through their wartime work.