"La leyenda tiene una base real" : Análisis crítico del discurso de un artículo de El País

This paper carries out a critical discourse analysis (CDA) of the article "¿Chinofobia?” published by the Spanish newspaper El País. It applies the theory of racist discourse in the media as formulated by Teun A. van Dijk. Its hypothesis is that the article, which supposedly analyses discrimination against the Chinese minority in Spain, covertly blames the Chinese minority itself for the discrimination. Applying CDA methodology as exemplified in previous studies by van Dijk, the paper analyses the article on global and local levels, and delineates its mental model. The global level analysis describes the article in terms of macropropositions and proposes a macrostructure: the self-alienation of the Chinese minority. The paper then analyses how the macrostructure is reinforced on the local level through micropropositions by examining 1) how vocabulary serves the negative presentation and othering of the Chinese minority, 2) how strategies of mitigation minimise discrimination by employing imprecise and vague language, 3) how quotes are used to give coherence and force to the macrostructure, 4) how implications associate the Chinese minority with criminality, and 5) how stereotyped beliefs about the Chinese minority are presented as common sense (presuppositions) and fallaciously argued. Finally, the paper delineates the mental model: the presuppositions about integration, and the implicit warning that minorities should integrate or they will be discriminated against.

La négritude dans Cahier d´un retour au pays natal d´Aimé Césaire

The objective of this thesis is to study Negritude as literary movement expressed through the words of Aimé Césaire in his poetry Cahier d’un retours au pays natal. The relation between the poetry and historical events as well as the relation between the poetry and the author are examined. The analysis is conducted from the book chosen extracts that are examined in relation to identified characteristics of the negritude movement and the poetic expression. The analysis shows that the poetry of Aimé Césaire expresses fundamental values and attributes found within the negritude movement. The language used in the poetry is aggressive and to some extent contradictory. The "I" and "me" have a central role in the poetry when expressing negritude values and attributes. The revalorisation of the black man and the renaissance of the negritude movement are central themes in the poetry. The author himself is essential for the expression, which is characterised by being subjective rather than objective.