Tillämpning och utvärdering av kriterier för eTjänstetydlighet och handlingsbarhet : Actability, eTjänstetydlighet, MA/SIMM

A sequence of actions in the world have influenced the information science, one of these actions is the lateral movement in how companies use their IT-systems. IT-systems today, in comparison to before, are used by companies to improve their relationship with their customers. Every year a big amount of money is spent on developing and improving IT-systems. That is why it is important to develop and create IT-systems that are clear, and which encourage, enable and simplify a user’s action. There are criteria to use in actability and “eTjänstetydlighet”. I have in this thesis used acknowledged criteria for actability and “eTjänstetydlighet” to analyze two IT-systems that are equal to each other. This is to show how companies can develop and adjust their IT-system so that they will match today’s point of view. I have also in this thesis chosen to evaluate the usage of criteria for “eTjänstetydlighet” and that is because no one has done that before. The result of this thesis gave Monster and Proffice measures for how to develop their IT-systems. The result of this thesis also gave indications of fuzziness when using criteria for “eTjänstetydlighet”, however, I was able to use the criteria the way they were supposed to be used to fulfill their purpose.

A Quinta Essência de Agustina Bessa-Luís : la saveur aigre-douce de Macao

In the narrative A Quinta Essência Agustina Bessa-Luís proposes an original reading of the Portuguese postcolonial History, by reinvesting the topics of the intercultural relation and the meeting with the Other. In fact, in the troubled context of April 1974, the character of Jose Carlos Pessanha expatriates towards the East, more precisely towards Macao, one of the last Eastern colonies of the Portuguese colonial Empire. However, the characteristic of this tour of rediscovery of the East is that it makes the destiny of a character in search of himself coincide with the questioning of a country still looking for its own identity. Thus, in this voyage backwards into the Luso-Eastern History, the Author draws the portrait of a Nation-Empire split between the desire of incarnating this “genetic superiority of the Occident” and the fascination for the culture of the Other, symbolizing an “excess of otherness” (B. of Sousa Santos) in the Portuguese identity. Macao, will be the territory of an “entre-deux” and an intercultural circulation, as well as an emblematic ground to the expression of the “ambivalent and hybrid” position (colonizing/colonized) of Portugal in the Occident. As a consequence, the uncomfortable “non-inscription” (J. Gil) and the “nomadism” (Deleuze/Guattari) which characterizes José Carlos Pessanha, would be a reflection of yesterday’s and today’s Lusitanian epopee.

Orkestrera skriken : En undersökning i hur tittaren påverkas av musiken i skräckfilm

I den här uppsatsen undersöks det hur och varför filmmusiken påverkar tittaren när det kommer till skräckfilmsgenren. Från att skräckgenren har bestått av sagor och myter och monster och djävular har den utvecklas till en genre med ett stort antal subgenrer och konventioner. Lika så filmmusiken, som har utvecklats från att från början till största del fylla en mer praktisk funktion än vad den kanske gör idag. Genom fokusgruppsdiskussioner har jag försökt få fram om det finns en grund till varför tittaren reagerar emotionellt på filmmusik. Deltagarna har i helhet varit överens om de grundläggande anledningarna som de tror påverkar det här, vilket framförallt visade sig vara associationer. Men även saker som tittarens nuvarande emotionella tillstånd trodde de var med och påverkade hur man som tittare förhåller sig till filmmusikens påverkan.