Recensionernas retorik : Om könsroller i kulturjournalistiken

At the centre of this study lies the question if normative gender thinking affects the way poetry gets reviewed and how the reviews are written, this in relation to both the gender of the reviewer and the poet. The study crosses three academic fields; gender studies, poetry and journalism, and is based on the cultural studies theory of media affecting and even creating the world around it. The study is based on two types of analysis. One quantitative analysis based on the thematic criticism theory about detail studies that shows bigger patterns, this analysis focuses on how the poet and his/hers work are being treated in the reviews in areas such as how much space they´re given in the newspapers, how they are named by the reviewer and the tendency to quote the reviewed work.  And one qualitative analysis based on the new criticism method of close reading, that focuses on the reviewers way of writing and how that may be connected with theories of gender differences, this both connected to the gender of the reviewers and the poets. The material chosen for this study are all the reviews that were published in the same newspapers and that reviewed two specific poetry works by two specific poets chosen with great sensibility to age and career so that their difference in gender would be the most significant difference between them. The works were chosen based on year of publishing, they were supposed to be published as newly as possible and as close to each other in time as possible. The works I ended up with were Dimman av allt (2001) and Svart som silver (2008) by Bruno K. Öijer and Silverskåp (2000) and Nu försvinner vi eller ingår (2007) by Birgitta Lillpers. The results of this study show several differences in how poetry is being judged and how poetry reviews are being written are connected with the gender of the poets and the reviewer. Lillpers got 35% less space in the newspapers and Öijers poetry got quoted a lot more which confirms that female poetry often is considered as less important than the male poetry, and that men in general tends to be judged as more professional than woman. The male reviewers tended to express themselves with greater certainty than the female reviewers who held a more professional tone in their reviews and focused more on the technical aspects of the poetry. This confirms the theory of the male words are being looked upon as the truth but contradicts the theory of women writing more based on personal experience and of women being less skilled in language techniques. In conclusion, there are differences in how poetry gets reviewed and how the reviews are written that are connected to the genders of the poet and the reviewer but these differences are complex and does not show a clear normative way of thinking about gender

Vernacular meaning making : Examples of narrative impact in fiction film questioning the 'banal' notion in mediatization of religion theory

The outcome of an audience study supports theories stating that stories are a primary means by which we make sense of our experiences over time. Empirical examples of narrative impact are presented in which specific fiction film scenes condense spectators' lives, identities and beliefs. One conclusion is that spectators test the emotional realism of the narative for greater significance, connecting diegetic fiction experiences with their extra-diegetic world in their quest for meaning, self and identity. The 'banal' notion of the mediatization of religion theory is questioned as unsatisfactory in the theoretical context of individualized meaning-making processes. As a semantically negatively charged concept, it is problematic when analyzing empirical examples of spectators' use of fictional narratives, especially when trying to characterize the idiosyncratic and complex interplay between spectators' fiction emotions and their testing of mediated narratives in an exercise to find moral significance in extra-filmic life. Instead vernacular meaning-making is proposed.

En teorispäckad sociologisk analys av fritid och sport – ett ambitiöst projekt : recension av boken Leisure, Sports & Society av Karl Spracklen

I september 2014 bytte Leeds Metropolitan University, trots studentprotester, namn till Leeds Beckett University; universitetets första colleges låg i Beckett Park, vilken i sin tur fått namn efter bankiren och konservative parlamentsledamoten Ernest Beckett, 2nd Baron Grimthorpe (1856–1917), vars alma mater faktiskt var Trinity College, Cambridge. Leeds-studenternas motstånd hade sin grund i att namnändringen beräknades kosta en kvarts miljon pund, alltmedan inte minst universitetets idrottsanläggningar tillåtits förfalla. Vi vet inte hur universitetets personal ställde sig till namnförändringen, och särskilt nyfikna är vi ju på vad professorn i Leisure Studies (fritidsforskning, fritidsvetenskap) vid Leeds Beckett University, Karl Spracklen, tyckte om förändringen. Detta är dock blott "idle curiosity"; Spracklen är aktuell av ett helt annat, och viktigare, skäl, nämligen för sin bok Leisure, Sports & Society (Palgrave Macmillan). Spracklen, som är sociolog och vars forskningsintresse också inkluderar "metal music" (som sekreterare för International Society for Metal Music Studies och redaktör för Metal Music Studies) och "whiskey tourism" (som drivande i British Sociological Associations Alcohol Study Group) är en centralfigur inom det brittiska fritidsforskningsetablissemanget – han har bland annat varit ordförande i viktiga LSA, Leisure Studies Association från 2009 till 2013. Han har därtill en lång rad publikationer bakom sig, böcker, antologibidrag och vetenskapliga artiklar inom idrotts- och fritidsforskning i vid mening. Den nya boken ges här en grundlig recension av Erik Backman, som ju vet ett och annat om fritidsforskning, Spracklen bottnar teoretiskt i Habermas, i sig ovanligt bland brittiska forskare, men också i Marx, Weber och Bourdieu, bland andra, i sin utforskning av sambandet mellan fritid, fysisk aktivitet och sport ur ett tvärvetenskapligt perspektiv som innefattar idrottsvetenskap, sociologi, cultural studies, historia, filosofi och psykologi. Och vår recensent är imponerad över bredden, djupet och ambitionsnivån – även om det kan bli lite tjatigt från och till.

Makt och motstånd i köpcentrumet

This article focuses how power and resistance are exercised in one of Stockholm’s biggest shopping centres. Power and resistance are key words in Cultural Studies. However, the tradition is dominated by studies where 'ordinary/common’ people and their everyday resistance against economical, political and symbolic power is analysed. Critics of Cultural Studies have pointed out that this domination in some cases has led to a romanticized view on common people s resistance and an unproblematic, simplified concept of power. This article works in the tradition of Cultural Studies, but takes this critique seriously by distinguishing three arenas where economic, political and symbolical forms of power intersect and clash with other interests. These are located in the tension between three sets of relations: a) the shopping centre versus the local municipality, b) the centre management versus the individual businesses that run shops in the centre, and c) the shopping centre as a whole (comprising the owners, the shops and the space itself) versus the visitors (who are predominantly women). The empirical material consists of observations and field-notes, branch statistics, interviews with customers, shop employees and centre managers, photographic documentation, advertisements and other public sources from 1998 to 2002.

A catástrofe pós-colonial: ler António Lobo Antunes «à rebours»

Le roman As Naus (Le retour des Caravelles) d’António Lobo Antunes propose une révision du passé historique portugais, en offrant une relecture de la Révolution du 25 avril 1974 comme événement traumatique et catastrophique. En effet, sur fond de guerre et de décolonisation africaine, l’auteur nous transmet une vision dysphorique du contexte révolutionnaire portugais, ceci en adoptant le point de vue des « retornados », ex-colons fuyant l’Afrique, revenant vers la mère Patrie : le Portugal. Nous assistons ainsi à une « navigation à contre-courant », celle où les « héros de jadis », relégués aux marges de la société portugaise, se transforment en personnages nomadiques et « border-line ». Dans ces conditions, l’espace des marges représente « l’envers du décor » de la société portugaise, un monde sens dessus dessous, où règnent la sauvagerie et l’abjection. C’est à travers ces motifs apocalyptiques que l’auteur touche à l’un des fondements de l’identité portugaise, à savoir, celle d’une grande Nation au centre d’un Empire.