The discourses on induced abortion in Ugandan daily newspapers : a discourse analysis

Background: Ugandan law prohibits abortion under all circumstances except where there is a risk for the woman's life. However, it has been estimated that over 250 000 illegal abortions are being performed in the country yearly. Many of these abortions are carried out under unsafe conditions, being one of the most common reasons behind the nearly 5000 maternal deaths per year in Uganda. Little research has been conducted in relation to societal views on abortion within the Ugandan society. This study aims to analyze the discourse on abortion as expressed in the two main daily Ugandan newspapers. Method: The conceptual content of 59 articles on abortion between years 2006-2012, from the two main daily English-speaking newspapers in Uganda, was studied using principles from critical discourse analysis. Results: A religious discourse and a human rights discourse, together with medical and legal sub discourses frame the subject of abortion in Uganda, with consequences for who is portrayed as a victim and who is to blame for abortions taking place. It shows the strong presence of the Catholic Church within the medial debate on abortion. The results also demonstrate the absence of medial statements related to abortion made by political stakeholders. Conclusions: The Catholic Church has a strong position within the Ugandan society and their stance on abortion tends to have great influence on the way other actors and their activities are presented within the media, as well as how stakeholders choose to convey their message, or choose not to publicly debate the issue in question at all. To decrease the number of maternal deaths, we highlight the need for a more inclusive and varied debate that problematizes the current situation, especially from a gender perspective.

A catástrofe pós-colonial: ler António Lobo Antunes «à rebours»

Le roman As Naus (Le retour des Caravelles) d’António Lobo Antunes propose une révision du passé historique portugais, en offrant une relecture de la Révolution du 25 avril 1974 comme événement traumatique et catastrophique. En effet, sur fond de guerre et de décolonisation africaine, l’auteur nous transmet une vision dysphorique du contexte révolutionnaire portugais, ceci en adoptant le point de vue des « retornados », ex-colons fuyant l’Afrique, revenant vers la mère Patrie : le Portugal. Nous assistons ainsi à une « navigation à contre-courant », celle où les « héros de jadis », relégués aux marges de la société portugaise, se transforment en personnages nomadiques et « border-line ». Dans ces conditions, l’espace des marges représente « l’envers du décor » de la société portugaise, un monde sens dessus dessous, où règnent la sauvagerie et l’abjection. C’est à travers ces motifs apocalyptiques que l’auteur touche à l’un des fondements de l’identité portugaise, à savoir, celle d’une grande Nation au centre d’un Empire.